G Hochberg
Dados Biográficos
| ID | 6444889 |
|---|---|
| NOME | G Hochberg |
| PRENOMES | G |
| SOBRENOME | Hochberg |
| ASSINATURA | HOCHBERG G |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 1 |
| TOTAL DE CITAÇÕES | 4 |
| TOTAL COMO AUTOR | 1 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2013 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2013 |
| ÍNDICE H | 1 |
Soldiers as filmmakers
This essay engages two recent Israeli films, Vals im Bashir / Waltz with Bashir (Ari Folman, 2008) and Levanon / Lebanon (Samuel Maoz, 2009), in an attempt to negotiate the bumpy terrain of what ‘ethical spectatorship’ might mean in the context of watching war films. My attempt to delineate this critical stance is inspired by, and in dialogue with, the writings of many other critics who have, over the past several years, redirected our analysis o…
Soldiers as filmmakers
This essay engages two recent Israeli films, Vals im Bashir / Waltz with Bashir (Ari Folman, 2008) and Levanon / Lebanon (Samuel Maoz, 2009), in an attempt to negotiate the bumpy terrain of what ‘ethical spectatorship’ might mean in the context of watching war films. My attempt to delineate this critical stance is inspired by, and in dialogue with, the writings of many other critics who have, over the past several years, redirected our analysis o…
Soldiers as filmmakers
This essay engages two recent Israeli films, Vals im Bashir / Waltz with Bashir (Ari Folman, 2008) and Levanon / Lebanon (Samuel Maoz, 2009), in an attempt to negotiate the bumpy terrain of what ‘ethical spectatorship’ might mean in the context of watching war films. My attempt to delineate this critical stance is inspired by, and in dialogue with, the writings of many other critics who have, over the past several years, redirected our analysis o…
Aesthetics (1 obra) · Art (1 obra) · Gender, Security, and Conflict (1 obra) · Italian Fascism and Post-war Society (1 obra) · Military History and Strategy (1 obra) · Political science (1 obra)