Anna Lluveras‐Tenorio
Dados Biográficos
| ID | 6450037 |
|---|---|
| NOME | Anna Lluveras‐Tenorio |
| PRENOMES | Anna |
| SOBRENOME | Lluveras‐Tenorio |
| ASSINATURA | TENORIO A L |
| AFILIAÇÕES | University of Pisa |
| ORCID | 0000-0002-0600-5668 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAÇÕES | 35 |
| TOTAL COMO AUTOR | 10 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2010 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2022 |
| ÍNDICE H | 4 |
An Insight into Gandharan Art
Gandharan art developed in the Himalayan area in the early centuries CE. It has been investigated mostly from an iconographic point of view, missing, until very recently, a systematic technical investigation of materials and techniques. Recently our team began performing chemical analyses of the traces of the polychromy originally covering statues, reliefs and architectural decorations, to discover the ancient painting techniques and artistic tec…
Graphic vandalism
The chemistry of pastels
Characterization of the artist's palette from the polychrome decorations of the El Bahia Palace doors (Marrakesh, Morocco)
Technology of Medieval Mortars
This work proposes a multi-analytical approach to determine the additives in historical mortars, the use of which is widely described in bibliographical sources, but has rarely been reported in the literature. A protocol to thoroughly analyse mortars was created (optical microscopy, X-ray diffraction, infrared spectroscopy, thermal analyses and gas chromatography – mass spectrometry). These techniques, which had already been carried out on sample…
Reply to Ira Rabin's Comment on our paper Rasmussen et al. (2012)
Characterization of the organic materials used in the painting of the vaulted ceiling at the Saadian Tomb of Mulay Ahmed Al-Mansour (Marrakech)
Characterization of organic media in the wall-paintings of the “Palace of Nestor” at Pylos, Greece
The constituents of the ink from a Qumran inkwell
Evidence for the Use of Egyptian Blue in an 11th Century Mural Altarpiece by Sem–eds, Ftir and Sr XRD (Church of Sant Pere, Terrassa, Spain)
The present study shows the analysis performed on pigment samples taken from Sant Pere (Terrassa, Catalonia, Spain), a remarkable church built in the Romanesque style. On the basis of the results obtained from the analysis, an interesting discussion arises after finding evidence of Egyptian blue in one of the samples, a discovery that was not expected due to the time period of the samples. The pigments were identified by the combined use of FTIR …
Characterization of organic media in the wall-paintings of the “Palace of Nestor” at Pylos, Greece
Technology of Medieval Mortars
This work proposes a multi-analytical approach to determine the additives in historical mortars, the use of which is widely described in bibliographical sources, but has rarely been reported in the literature. A protocol to thoroughly analyse mortars was created (optical microscopy, X-ray diffraction, infrared spectroscopy, thermal analyses and gas chromatography – mass spectrometry). These techniques, which had already been carried out on sample…
Characterization of the organic materials used in the painting of the vaulted ceiling at the Saadian Tomb of Mulay Ahmed Al-Mansour (Marrakech)
The constituents of the ink from a Qumran inkwell
An Insight into Gandharan Art
Gandharan art developed in the Himalayan area in the early centuries CE. It has been investigated mostly from an iconographic point of view, missing, until very recently, a systematic technical investigation of materials and techniques. Recently our team began performing chemical analyses of the traces of the polychromy originally covering statues, reliefs and architectural decorations, to discover the ancient painting techniques and artistic tec…
Evidence for the Use of Egyptian Blue in an 11th Century Mural Altarpiece by Sem–eds, Ftir and Sr XRD (Church of Sant Pere, Terrassa, Spain)
The present study shows the analysis performed on pigment samples taken from Sant Pere (Terrassa, Catalonia, Spain), a remarkable church built in the Romanesque style. On the basis of the results obtained from the analysis, an interesting discussion arises after finding evidence of Egyptian blue in one of the samples, a discovery that was not expected due to the time period of the samples. The pigments were identified by the combined use of FTIR …
Graphic vandalism
The chemistry of pastels
Evidence for the Use of Egyptian Blue in an 11th Century Mural Altarpiece by Sem–eds, Ftir and Sr XRD (Church of Sant Pere, Terrassa, Spain)
The present study shows the analysis performed on pigment samples taken from Sant Pere (Terrassa, Catalonia, Spain), a remarkable church built in the Romanesque style. On the basis of the results obtained from the analysis, an interesting discussion arises after finding evidence of Egyptian blue in one of the samples, a discovery that was not expected due to the time period of the samples. The pigments were identified by the combined use of FTIR …
Characterization of organic media in the wall-paintings of the “Palace of Nestor” at Pylos, Greece
The constituents of the ink from a Qumran inkwell
Reply to Ira Rabin's Comment on our paper Rasmussen et al. (2012)
Characterization of the organic materials used in the painting of the vaulted ceiling at the Saadian Tomb of Mulay Ahmed Al-Mansour (Marrakech)
Technology of Medieval Mortars
This work proposes a multi-analytical approach to determine the additives in historical mortars, the use of which is widely described in bibliographical sources, but has rarely been reported in the literature. A protocol to thoroughly analyse mortars was created (optical microscopy, X-ray diffraction, infrared spectroscopy, thermal analyses and gas chromatography – mass spectrometry). These techniques, which had already been carried out on sample…
Characterization of the artist's palette from the polychrome decorations of the El Bahia Palace doors (Marrakesh, Morocco)
The chemistry of pastels
Graphic vandalism
An Insight into Gandharan Art
Gandharan art developed in the Himalayan area in the early centuries CE. It has been investigated mostly from an iconographic point of view, missing, until very recently, a systematic technical investigation of materials and techniques. Recently our team began performing chemical analyses of the traces of the polychromy originally covering statues, reliefs and architectural decorations, to discover the ancient painting techniques and artistic tec…
Cultural Heritage Materials Analysis (10 obras) · Art (7 obras) · Building materials and conservation (7 obras) · Archaeology (6 obras) · Chemistry (6 obras) · Conservation Techniques and Studies (6 obras) · Materials Science (6 obras) · Visual arts (6 obras) · Geography (4 obras) · Art history (3 obras)