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Lea S Mcchesney

Dados Biográficos

ID645995
NOMELea S Mcchesney
PRENOMESLea S
SOBRENOMEMcchesney
ASSINATURAMCCHESNEY L S
AFILIAÇÕESMaxwell Museum of Anthropology
VERIFICADONão
TOTAL DE OBRAS18
TOTAL DE CITAÇÕES9
TOTAL COMO AUTOR18
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1983
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H1
  • Making kin is more than metaphor

    Open Access•G Isaac, Klint Burgio‐ericson et al.•ARTICLE•Museum Anthropology•2025•Citada por: 6•Referências: 37

    Many Indigenous communities do not regard objects as inanimate, but rather as animate kin. Based on our work as a collaborative group of museum coordinators and Hopi, Anishinaabe, and Penobscot artists, we explore narratives and kinship concepts emerging from working with collections of baskets and pottery. We question how recent theoretical conceptualizations of kinship have become overly rhetorical and, therefore, risk diminishing the tangible …

  • Exploring New Horizons

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2019

  • Vulnerability and Value

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2019•Referências: 1

  • Mobilizing Museum Anthropology

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2018•Citada por: 1

  • Watershed Moments in Museum Anthropology

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2018•Citada por: 1

  • Museum Pasts and Futures

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2017

  • A Season of Change and Growth

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2017

  • New Editorial Team for Museum Anthropology

    Open Access•Lea S Mcchesney, Laura W Steele•ARTICLE•Anthropology News•2016

  • Museums and Antiquarian Anthropology

    Lea S Mcchesney•ARTICLE•Practicing Anthropology•2015

    This article traces the divergent reception of a museum catalog I co-authored at the outset of my career as a case study to explore shifting paradigms of museum practice in the 20th and 21st centuries. Reconsidering its initial condemnation as “antiquarian” on its publication becomes a means to rethink collections as heritage resources in relation to Native communities and consider how museum publications are repurposed in other arenas through et…

  • Body Talk

    Lea S Mcchesney, Karen K Charley•ARTICLE•Practicing Anthropology•2011

    This article outlines the rationale for a new direction of research and practice guiding our mutual interest in historic and contemporary Hopi pottery. We propose an innovative phase of collaboration in a cultural heritage project focused on a major museum collection to explore ways of representing cultural memory that privilege Hopi values in new forms of inscription, including accessing pottery aesthetics as an embodied language. This third pha…

  • Patterns of Exchange

    Open Access•Lea S Mcchesney•ARTICLE•American Anthropologist•2009

  • Pure Objects, Pure Persons

    Open Access•Lea S Mcchesney•ARTICLE•American Indian Culture and…•2007

    Art Studies Association meetings in Scottsdale, Arizona (a prestigious Indian art market locale), the renowned contemporary artist Jaune Quick-to-See Smith, an enrolled member of the Flathead Salish Nation, gave an impassioned appeal for critical writing on "fine, high, new media or cutting edge art" produced by Native Americans. Commenting that this work is often derided as "bastardized," she exhorted her audience of Native artists and scholars,…

  • Rick Dillingham. Fourteen Families in Pueblo Pottery

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•1995

    Fourteen Families in Pueblo Pottery, RICK DILLINGHAM, with. forward by J. J. BRODY. Albuquerque: University of New Mexico Press, 1994. xix. 304 pp. 268 color plates, 185 halftones. $75.00 (cloth); $37.50 (paper

  • Acoma and Laguna Pottery

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•1993

    Acoma and Laguna Pottery, Rick Dillingham with Melinda Elliott. edited by Joan Kathryn O'Donnel. 1992. Santa Fe: School of American Research Press, xii. 241 pp., maps, plates, figures, illustrations, appendices, references, and Index. $45.00 (cloth), $24.95 (paper

  • My Potteries Can Be Used in a Microwave

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•1992•Referências: 10

  • Beauty from the Earth

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•1991•Referências: 2

    J.J. Brody Beauty from the Earth: Pueblo Indian Pottery from The University Museum of Archaeology and Anthropology. With. brief essay by Rebecca Allen. Philadelphia: University of Pennsylvania Press, 1990. xii. 100pp., map, plates, table, figures, illustrations, references, and catalogue compendium. $19.95 (paper

  • Putting Our Show on the Road

    Open Access•Lea S Mcchesney•ARTICLE•Council for Museum Anthropology…•1984

  • Historic Hopi Ceramics

    David R Wilcox, Edwin L Wade et al.•ARTICLE•The American Indian Quarterly•1983•Citada por: 1

  • Making kin is more than metaphor

    Open Access•G Isaac, Klint Burgio‐ericson et al.•ARTICLE•Museum Anthropology•2025•Citada por: 6•Referências: 37

    Many Indigenous communities do not regard objects as inanimate, but rather as animate kin. Based on our work as a collaborative group of museum coordinators and Hopi, Anishinaabe, and Penobscot artists, we explore narratives and kinship concepts emerging from working with collections of baskets and pottery. We question how recent theoretical conceptualizations of kinship have become overly rhetorical and, therefore, risk diminishing the tangible …

  • Mobilizing Museum Anthropology

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2018•Citada por: 1

  • Watershed Moments in Museum Anthropology

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2018•Citada por: 1

  • Historic Hopi Ceramics

    David R Wilcox, Edwin L Wade et al.•ARTICLE•The American Indian Quarterly•1983•Citada por: 1

  • Historic Hopi Ceramics

    David R Wilcox, Edwin L Wade et al.•ARTICLE•The American Indian Quarterly•1983•Citada por: 1

  • Putting Our Show on the Road

    Open Access•Lea S Mcchesney•ARTICLE•Council for Museum Anthropology…•1984

  • Beauty from the Earth

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•1991•Referências: 2

    J.J. Brody Beauty from the Earth: Pueblo Indian Pottery from The University Museum of Archaeology and Anthropology. With. brief essay by Rebecca Allen. Philadelphia: University of Pennsylvania Press, 1990. xii. 100pp., map, plates, table, figures, illustrations, references, and catalogue compendium. $19.95 (paper

  • My Potteries Can Be Used in a Microwave

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•1992•Referências: 10

  • Acoma and Laguna Pottery

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•1993

    Acoma and Laguna Pottery, Rick Dillingham with Melinda Elliott. edited by Joan Kathryn O'Donnel. 1992. Santa Fe: School of American Research Press, xii. 241 pp., maps, plates, figures, illustrations, appendices, references, and Index. $45.00 (cloth), $24.95 (paper

  • Rick Dillingham. Fourteen Families in Pueblo Pottery

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•1995

    Fourteen Families in Pueblo Pottery, RICK DILLINGHAM, with. forward by J. J. BRODY. Albuquerque: University of New Mexico Press, 1994. xix. 304 pp. 268 color plates, 185 halftones. $75.00 (cloth); $37.50 (paper

  • Pure Objects, Pure Persons

    Open Access•Lea S Mcchesney•ARTICLE•American Indian Culture and…•2007

    Art Studies Association meetings in Scottsdale, Arizona (a prestigious Indian art market locale), the renowned contemporary artist Jaune Quick-to-See Smith, an enrolled member of the Flathead Salish Nation, gave an impassioned appeal for critical writing on "fine, high, new media or cutting edge art" produced by Native Americans. Commenting that this work is often derided as "bastardized," she exhorted her audience of Native artists and scholars,…

  • Patterns of Exchange

    Open Access•Lea S Mcchesney•ARTICLE•American Anthropologist•2009

  • Body Talk

    Lea S Mcchesney, Karen K Charley•ARTICLE•Practicing Anthropology•2011

    This article outlines the rationale for a new direction of research and practice guiding our mutual interest in historic and contemporary Hopi pottery. We propose an innovative phase of collaboration in a cultural heritage project focused on a major museum collection to explore ways of representing cultural memory that privilege Hopi values in new forms of inscription, including accessing pottery aesthetics as an embodied language. This third pha…

  • Museums and Antiquarian Anthropology

    Lea S Mcchesney•ARTICLE•Practicing Anthropology•2015

    This article traces the divergent reception of a museum catalog I co-authored at the outset of my career as a case study to explore shifting paradigms of museum practice in the 20th and 21st centuries. Reconsidering its initial condemnation as “antiquarian” on its publication becomes a means to rethink collections as heritage resources in relation to Native communities and consider how museum publications are repurposed in other arenas through et…

  • New Editorial Team for Museum Anthropology

    Open Access•Lea S Mcchesney, Laura W Steele•ARTICLE•Anthropology News•2016

  • Museum Pasts and Futures

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2017

  • A Season of Change and Growth

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2017

  • Mobilizing Museum Anthropology

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2018•Citada por: 1

  • Watershed Moments in Museum Anthropology

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2018•Citada por: 1

  • Exploring New Horizons

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2019

  • Vulnerability and Value

    Open Access•Lea S Mcchesney•ARTICLE•Museum Anthropology•2019•Referências: 1

  • Making kin is more than metaphor

    Open Access•G Isaac, Klint Burgio‐ericson et al.•ARTICLE•Museum Anthropology•2025•Citada por: 6•Referências: 37

    Many Indigenous communities do not regard objects as inanimate, but rather as animate kin. Based on our work as a collaborative group of museum coordinators and Hopi, Anishinaabe, and Penobscot artists, we explore narratives and kinship concepts emerging from working with collections of baskets and pottery. We question how recent theoretical conceptualizations of kinship have become overly rhetorical and, therefore, risk diminishing the tangible …

History (10 obras) · Museums and Cultural Heritage (10 obras) · Art (8 obras) · Cultural Heritage Management and Preservation (8 obras) · Sociology (8 obras) · Archaeology (7 obras) · Computer Science (7 obras) · Anthropology (6 obras) · Anthropological Studies and Insights (5 obras) · Art history (5 obras)

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