Oluyomi Oduwobi
Dados Biográficos
| ID | 653242 |
|---|---|
| NOME | Oluyomi Oduwobi |
| PRENOMES | Oluyomi |
| SOBRENOME | Oduwobi |
| ASSINATURA | ODUWOBI O |
| AFILIAÇÕES | University of Venda |
| ORCID | 0000-0002-5203-6131 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2016 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2017 |
| ÍNDICE H | 0 |
Rape victims and victimisers in Herbstein's Ama, a Story of the Atlantic Slave Trade
This paper examines how Manu Herbstein employs his fictionalised neo-slave narrative entitled Ama, a Story of the Atlantic Slave Trade to address the issue of sexual violence against women and to foreground the trans-Atlantic rape identities of victims and victimisers in relation to race, gender, class and religion. An appraisal of Herbstein's representations within the framework of postcolonial theory reveals how Herbstein deviates from the ster…
The Postcolonial Female “Bildung” in Lawrence Hill’s The Book of Negroes
This article positions itself in the literary representations of the convergence of slavery, migration, race, gender, growth, and the African identity in a neo-slave narrative. It concerns itself with the examination of Lawrence Hill’s The Book of Negroes as a female bildungsroman written from a postcolonial perspective. The novel centers on the growth and experiences of the female protagonist, Aminata Diallo, an African slave who eventually beco…
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The Postcolonial Female “Bildung” in Lawrence Hill’s The Book of Negroes
This article positions itself in the literary representations of the convergence of slavery, migration, race, gender, growth, and the African identity in a neo-slave narrative. It concerns itself with the examination of Lawrence Hill’s The Book of Negroes as a female bildungsroman written from a postcolonial perspective. The novel centers on the growth and experiences of the female protagonist, Aminata Diallo, an African slave who eventually beco…
Rape victims and victimisers in Herbstein's Ama, a Story of the Atlantic Slave Trade
This paper examines how Manu Herbstein employs his fictionalised neo-slave narrative entitled Ama, a Story of the Atlantic Slave Trade to address the issue of sexual violence against women and to foreground the trans-Atlantic rape identities of victims and victimisers in relation to race, gender, class and religion. An appraisal of Herbstein's representations within the framework of postcolonial theory reveals how Herbstein deviates from the ster…
Art (2 obras) · Gender Studies (2 obras) · History (2 obras) · Literature (2 obras) · Narrative (2 obras) · Postcolonial and Cultural Literary Studies (2 obras) · Sociology (2 obras) · Aesthetics (1 obras) · Ancient history (1 obras) · Atlantic slave trade (1 obras)