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Cristina Wood

Dados Biográficos

ID6693009
NOMECristina Wood
PRENOMESCristina
SOBRENOMEWood
ASSINATURAWOOD C
AFILIAÇÕESCarleton University
ORCID0000-0002-5510-8225
VERIFICADOSim
TOTAL DE OBRAS2
TOTAL DE CITAÇÕES6
TOTAL COMO AUTOR2
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2019
ANO MAIS RECENTE DE PUBLICAÇÃO2019
ÍNDICE H1
  • What the Machine Saw

    Open Access•Damien Huffer, Cristina Wood et al.•ARTICLE•Internet Archaeology•2019

    This article represents the next step in our ongoing effort to understand the online human remains trade, how, why and where it exists on social media. It expands upon initial research to explore the 'rhetoric' and structure behind the use and manipulation of images and text by this collecting community, topics explored using Google Inception v.3, TensorFlow, etc. (Huffer and Graham 2017; 2018). This current research goes beyond that work to addr…

  • What the Machine Saw

    Open Access•Damien Huffer, Cristina Wood et al.•ARTICLE•Internet Archaeology•2019•Citada por: 6•Referências: 4

    This article represents the next step in our ongoing effort to understand the online human remains trade, how, why and where it exists on social media. It expands upon initial research to explore the 'rhetoric' and structure behind the use and manipulation of images and text by this collecting community, topics explored using Google Inception v.3, TensorFlow, etc. (Huffer and Graham 2017; 2018). This current research goes beyond that work to addr…

  • What the Machine Saw

    Open Access•Damien Huffer, Cristina Wood et al.•ARTICLE•Internet Archaeology•2019•Citada por: 6•Referências: 4

    This article represents the next step in our ongoing effort to understand the online human remains trade, how, why and where it exists on social media. It expands upon initial research to explore the 'rhetoric' and structure behind the use and manipulation of images and text by this collecting community, topics explored using Google Inception v.3, TensorFlow, etc. (Huffer and Graham 2017; 2018). This current research goes beyond that work to addr…

  • What the Machine Saw

    Open Access•Damien Huffer, Cristina Wood et al.•ARTICLE•Internet Archaeology•2019

    This article represents the next step in our ongoing effort to understand the online human remains trade, how, why and where it exists on social media. It expands upon initial research to explore the 'rhetoric' and structure behind the use and manipulation of images and text by this collecting community, topics explored using Google Inception v.3, TensorFlow, etc. (Huffer and Graham 2017; 2018). This current research goes beyond that work to addr…

  • What the Machine Saw

    Open Access•Damien Huffer, Cristina Wood et al.•ARTICLE•Internet Archaeology•2019•Citada por: 6•Referências: 4

    This article represents the next step in our ongoing effort to understand the online human remains trade, how, why and where it exists on social media. It expands upon initial research to explore the 'rhetoric' and structure behind the use and manipulation of images and text by this collecting community, topics explored using Google Inception v.3, TensorFlow, etc. (Huffer and Graham 2017; 2018). This current research goes beyond that work to addr…

Archaeological Research and Protection (2 obras) · Computer Science (2 obras) · Data science (2 obras) · False positive paradox (2 obras) · Forensic and Genetic Research (2 obras) · Forensic Anthropology and Bioarchaeology Studies (2 obras) · Machine learning (2 obras) · Rhetoric (2 obras) · Social media (2 obras) · True positive rate (2 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae