Merav Yerushalmy
Dados Biográficos
| ID | 6811241 |
|---|---|
| NOME | Merav Yerushalmy |
| PRENOMES | Merav |
| SOBRENOME | Yerushalmy |
| ASSINATURA | YERUSHALMY M |
| AFILIAÇÕES | Ben-Gurion University of the Negev |
| ORCID | 0000-0002-9635-7666 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2009 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 0 |
Re-Enacting Pasts, Presents, and Futures in the Middle East in Yochai Avrahami and Doron Tavori’s “Land of the Gilead”
This article focuses on a performance titled In the Land of the Gilead, performed in 2012 by Doron Tavori and Yochai Avrahami at the Centre for Digital Art in Israel. The work was performed as a part of the exhibition Le’an (Where To?). Its title is derived from a plan suggested by Laurence Oliphant (a British colonialist bureaucrat, author, and Member of Parliament) in 1881 to settle Jews in the Gilead region east of the Jordan River. The articl…
What are we to do without exile? On mnemonic traces and communality in the work of Ilana Salama ortar
This article explores the work of Ilana Salama Ortar and her performance of the fraught histories of Israel-Palestine and their mnemonic traces. The article focuses on questions of exile, migration and the common in Ortar's work and in contemporary theory more generally, and asks how aesthetic practices, and Ortar's in particular, may allow for a shared, or common performance of memory and absence, without obliterating the specificities and diffe…
Performing the Relational Archive
This article addresses the recent changes in archival practices and discourse, and their implications for documentary photography and photographic theory. Exploring the work of artists such as Renée Green and Gitte Villesen, as well as the writings of Margaret Iversen, Jan Verwoert, and others, the first section of the article examines the severing of the links between photographic images and the events they document in the photographic theory of…
Sem obras proeminentes nesta página.
Performing the Relational Archive
This article addresses the recent changes in archival practices and discourse, and their implications for documentary photography and photographic theory. Exploring the work of artists such as Renée Green and Gitte Villesen, as well as the writings of Margaret Iversen, Jan Verwoert, and others, the first section of the article examines the severing of the links between photographic images and the events they document in the photographic theory of…
What are we to do without exile? On mnemonic traces and communality in the work of Ilana Salama ortar
This article explores the work of Ilana Salama Ortar and her performance of the fraught histories of Israel-Palestine and their mnemonic traces. The article focuses on questions of exile, migration and the common in Ortar's work and in contemporary theory more generally, and asks how aesthetic practices, and Ortar's in particular, may allow for a shared, or common performance of memory and absence, without obliterating the specificities and diffe…
Re-Enacting Pasts, Presents, and Futures in the Middle East in Yochai Avrahami and Doron Tavori’s “Land of the Gilead”
This article focuses on a performance titled In the Land of the Gilead, performed in 2012 by Doron Tavori and Yochai Avrahami at the Centre for Digital Art in Israel. The work was performed as a part of the exhibition Le’an (Where To?). Its title is derived from a plan suggested by Laurence Oliphant (a British colonialist bureaucrat, author, and Member of Parliament) in 1881 to settle Jews in the Gilead region east of the Jordan River. The articl…
History (3 obras) · Sociology (3 obras) · Art (2 obras) · History (2 obras) · Jewish and Middle Eastern Studies (2 obras) · Law (2 obras) · Middle East Politics and Society (2 obras) · Political science (2 obras) · Politics (2 obras) · Aesthetics (1 obras)