Barry Shank

Dados Biográficos

ID681789
NOMEBarry Shank
PRENOMESBarry
SOBRENOMEShank
ASSINATURASHANK B
AFILIAÇÕESThe Ohio State University
VERIFICADONão
TOTAL DE OBRAS14
TOTAL DE CITAÇÕES61
TOTAL COMO AUTOR14
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1992
ANO MAIS RECENTE DE PUBLICAÇÃO2017
ÍNDICE H2

  • Musical Beauty and Top 40 Democracy: A moderated conversation

    Open AccessBarry Shank, Eric Weisbard et al.ARTICLEJournal of Popular Music Studies2017

  • Dissonant Identities

    Barry ShankBOOKDissonant Identities2012Citada por: 54

  • Stance

    Open AccessBarry ShankARTICLEJournal of Popular Music Studies2011

  • The Political Agency of Musical Beauty

    Open AccessBarry ShankARTICLEAmerican Quarterly2011Citada por: 3Referências: 8

    This article argues that music's political agency derives from its capacity to combine relations of difference into experiences of beauty. The experience of musical beauty can reinforce already existing aesthetic and political relations. But it also has the capacity to redistribute an auditory sensible and to change, thereby, the sonic sens of the political. This article blends concepts from the philosophers Jean-Luc Nancy, Chantall Mouffe, and J…

  • Jefferson, the Impossible

    Open AccessBarry ShankARTICLEAmerican Quarterly2007Citada por: 1Referências: 1

    Jefferson, the Impossible Barry Shank (bio) In "Jefferson and Democracy," Michael Hardt asks scholars of American studies to do something that is nearly impossible for us. He requests that we consider Jefferson solely as a political thinker, and that we examine Jefferson's thought abstracted from his life as a statesman, a plantation owner, and a slave master. To consider anyone's thought in such a decontextualized fashion gives most American stu…

  • Abstraction and Embodiment

    Open AccessBarry ShankARTICLEJournal of Popular Music Studies2006

  • Bliss, or Blackface Sentiment

    Barry ShankARTICLEboundary 22003Referências: 3

    Research Article| May 01 2003 Bliss, or Blackface Sentiment Barry Shank Barry Shank Search for other works by this author on: This Site Google boundary 2 (2003) 30 (2): 47–64. https://doi.org/10.1215/01903659-30-2-47 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Barry Shank; Bliss, or Bl…

  • That Wild Mercury Sound

    Barry ShankARTICLEboundary 22002Citada por: 1Referências: 4

    Research Article| February 01 2002 “That Wild Mercury Sound”: Bob Dylan and the Illusion of American Culture Barry Shank Barry Shank Search for other works by this author on: This Site Google boundary 2 (2002) 29 (1): 97–123. https://doi.org/10.1215/01903659-29-1-97 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Barry Shank; “That Wild Mercury Sound”: Bob Dylan and the Illusion of American Cultur…

  • Subject, Commodity, Marketplace

    Barry ShankARTICLERadical History Review2000Citada por: 1

    Research Article| January 01 2000 Subject, Commodity, Marketplace: The American Artists Group and the Mass Production of Distinction Barry Shank Barry Shank Search for other works by this author on: This Site Google Radical History Review (2000) 2000 (76): 25–52. https://doi.org/10.1215/01636545-2000-76-25 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Barry Shank; Subject, Commodity, Marketplace…

  • Black Noise

    Timothy D Taylor, Tricia Rose et al.ARTICLETDR/The Drama Review1997

  • We're a Happy Family

    Open AccessBarry ShankARTICLEAmerican Quarterly1996Referências: 2

    “We’re a Happy Family: Me, Mom, and Daddy” Barry Shank (bio) Life’s America. By Wendy Kozol. Philadelphia: Temple University Press, 1994. 240 pages. $49.95 (cloth), $24.95 (paper). “All happy families resemble one another,” Tolstoy began Anna Karenina; “each unhappy family is unhappy in its own way.” In her intensive close reading of the photo-essays that Life published each week during the post-World War II era, Wendy Kozol argues that this most…

  • Fears of the White Unconscious

    Barry ShankARTICLERadical History Review1996Citada por: 1

    Research Article| October 01 1996 Fears of the White Unconscious: Music, Race, and Identification in the Censorship of "Cop Killer" Barry Shank Barry Shank Search for other works by this author on: This Site Google Radical History Review (1996) 1996 (66): 124–145. https://doi.org/10.1215/01636545-1996-66-124 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Barry Shank; Fears of the White Unconscious: Music, Race, and Ident…

  • The Power of Culture

    Barry ShankARTICLEWinterthur Portfolio1993

  • "A Reply to Steven Watts's "Idiocy

    Open AccessBarry ShankARTICLEAmerican Quarterly1992Referências: 2

    STEVEN WATTS'S INTEMPERATE ARTICLE, THE IDIOCY OF AMERICAN Studies: Poststructuralism, Language, and Politics in Age of SelfFulfillment, participates in an old argument, one that has been taking place in American Studies for decades, between those who believe in centrality of literary-cultural analyses for discipline and those who believe such work is, at best, secondary, and, at worst, obfuscatory. However, it does not present a serious new pers…