Barry Jean Ancelet
Dados Biográficos
| ID | 684303 |
|---|---|
| NOME | Barry Jean Ancelet |
| PRENOMES | Barry Jean |
| SOBRENOME | Ancelet |
| ASSINATURA | ANCELET B J |
| AFILIAÇÕES | University of Louisiana at Lafayette |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 23 |
| TOTAL DE CITAÇÕES | 7 |
| TOTAL COMO AUTOR | 23 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1978 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 2 |
European American music
Downtown Mardi Gras
Mardi Gras proved to be a critically important cultural and social litmus test for the survival of New Orleans after Katrina. Mardi Gras is more than a party in the street. It is a profound expression of community solidarity and identity. As early as the 2006 season, just a few months after the flooding, community leaders throughout the city understood that if New Orleans was to have a chance to recover, they had to manage some sort of Mardi Gras…
Tradition and Change in Contemporary Cajun Culture
Too often, history and tradition are confused. History of course is the record of what happened in the past. Henry Glassie defined tradition as “the creation of the future out of the past” (395). Cajun music and community scholar Dewey Balfa put it this way: “Tradition is not a product, but a process. It’s like a tree. One must water the roots so that the tree can support new growth. Both are critically important” (qtd. in Ancelet 49). When this …
Couldn't Have a Wedding without the Fiddler
Book Review| October 01 2018 Couldn’t Have a Wedding without the Fiddler: The Story of Traditional Fiddling on Prince Edward Island Couldn’t Have a Wedding without the Fiddler: The Story of Traditional Fiddling on Prince Edward Island. Ken Perlman. 2015. Charles K. Wolfe Music Series. Knoxville: University of Tennessee Press. xxx, 463 pp., black-and-white photographs, tables, maps, choreography, musical examples, appendices, glossary, pronunciati…
Menard, D[oris] L[eon]
The Play is Deep and Wide
Comme la culture cajun en général, le Mardi Gras traditionnel cajun est à la fois le produit d’un passé lointain (le Moyen-Âge français) et de la fusion ethnique et culturelle qui caractérise le sud de la Louisiane aujourd’hui. Cet article étudie la façon dont la fête de Mardi Gras s’empare des problèmes sociaux de la petite communauté de Grand Marais sous le masque du jeu carnavalesque, et ce d’une manière qui n’est pas sans rappeler le concept …
Valoriser la variabilité pour préserver une identité linguistique1
Séparés depuis longtemps de leurs origines françaises, les Cadiens et les Créoles ont préservé tant bien que mal leur spécificité linguistique, malgré les pressions de l’américanisation à partir de 1803. Depuis l’établissement du Conseil pour le développement du français en Louisiane en 1968, de nombreux chercheurs, y compris des linguistes, des pédagogues et des enseignants, essaient de concevoir de nouveaux moyens pour enseigner le français dan…
United States of America
Falling Apart to Stay Together
This article examines a form of deep play in the Grand Marais Mardi Gras, one that involves a deeper level of play for the sake of the game itself. The improvised drama that is at the heart of this ritual celebration is occasionally used by its celebrants, who push themselves to the brink of dissolution in an apparent attempt to exact a commitment from the group
Cajun and Creole Folktales
Assembles and classifies the abundant lore and storytelling in the French culture of southern Louisiana, presenting French and English translations side-by-side, along with commentaries. Includes biographical sketches of present-day storytellers and their favorite animal and magic stories, tall tal
L’étude de la tradition orale franco-louisianaise
Cajun Music
Cajun Country. Folklife in the South Series
The Cajun who went to Harvard
Zydeco/Zarico
Like the blues, jazz, rock, and reggae, the music of the Louisiana black Creoles usually called zydeco is the result of a typically American experience that blended European (primarily French, but also Spanish, German, and English), native American, and Afro-Caribbean musical traditions.' The American colonial context was basic to the development of these hybrid music forms. Nothing quite like them developed in Europe, where direct contact with A…
Musiciens cadiens et creoles/The Makers of Cajun Music
The Makers of Cajun Music/Musiciens cadiens et creoles
The Makers of Cajun Music
D. L. Menard
Les Blues des Balfa
Talking Pascal in Mamou
Poetiques de la chanson traditionnelle francaise
Le Son des Cajuns
Falling Apart to Stay Together
This article examines a form of deep play in the Grand Marais Mardi Gras, one that involves a deeper level of play for the sake of the game itself. The improvised drama that is at the heart of this ritual celebration is occasionally used by its celebrants, who push themselves to the brink of dissolution in an apparent attempt to exact a commitment from the group
Cajun Music
Zydeco/Zarico
Like the blues, jazz, rock, and reggae, the music of the Louisiana black Creoles usually called zydeco is the result of a typically American experience that blended European (primarily French, but also Spanish, German, and English), native American, and Afro-Caribbean musical traditions.' The American colonial context was basic to the development of these hybrid music forms. Nothing quite like them developed in Europe, where direct contact with A…
Talking Pascal in Mamou
Le Son des Cajuns
Talking Pascal in Mamou
Poetiques de la chanson traditionnelle francaise
D. L. Menard
Les Blues des Balfa
The Makers of Cajun Music
Musiciens cadiens et creoles/The Makers of Cajun Music
The Makers of Cajun Music/Musiciens cadiens et creoles
Zydeco/Zarico
Like the blues, jazz, rock, and reggae, the music of the Louisiana black Creoles usually called zydeco is the result of a typically American experience that blended European (primarily French, but also Spanish, German, and English), native American, and Afro-Caribbean musical traditions.' The American colonial context was basic to the development of these hybrid music forms. Nothing quite like them developed in Europe, where direct contact with A…
The Cajun who went to Harvard
Cajun Country. Folklife in the South Series
Cajun Music
L’étude de la tradition orale franco-louisianaise
Cajun and Creole Folktales
Assembles and classifies the abundant lore and storytelling in the French culture of southern Louisiana, presenting French and English translations side-by-side, along with commentaries. Includes biographical sketches of present-day storytellers and their favorite animal and magic stories, tall tal
United States of America
Falling Apart to Stay Together
This article examines a form of deep play in the Grand Marais Mardi Gras, one that involves a deeper level of play for the sake of the game itself. The improvised drama that is at the heart of this ritual celebration is occasionally used by its celebrants, who push themselves to the brink of dissolution in an apparent attempt to exact a commitment from the group
Valoriser la variabilité pour préserver une identité linguistique1
Séparés depuis longtemps de leurs origines françaises, les Cadiens et les Créoles ont préservé tant bien que mal leur spécificité linguistique, malgré les pressions de l’américanisation à partir de 1803. Depuis l’établissement du Conseil pour le développement du français en Louisiane en 1968, de nombreux chercheurs, y compris des linguistes, des pédagogues et des enseignants, essaient de concevoir de nouveaux moyens pour enseigner le français dan…
Menard, D[oris] L[eon]
The Play is Deep and Wide
Comme la culture cajun en général, le Mardi Gras traditionnel cajun est à la fois le produit d’un passé lointain (le Moyen-Âge français) et de la fusion ethnique et culturelle qui caractérise le sud de la Louisiane aujourd’hui. Cet article étudie la façon dont la fête de Mardi Gras s’empare des problèmes sociaux de la petite communauté de Grand Marais sous le masque du jeu carnavalesque, et ce d’une manière qui n’est pas sans rappeler le concept …
Couldn't Have a Wedding without the Fiddler
Book Review| October 01 2018 Couldn’t Have a Wedding without the Fiddler: The Story of Traditional Fiddling on Prince Edward Island Couldn’t Have a Wedding without the Fiddler: The Story of Traditional Fiddling on Prince Edward Island. Ken Perlman. 2015. Charles K. Wolfe Music Series. Knoxville: University of Tennessee Press. xxx, 463 pp., black-and-white photographs, tables, maps, choreography, musical examples, appendices, glossary, pronunciati…
Tradition and Change in Contemporary Cajun Culture
Too often, history and tradition are confused. History of course is the record of what happened in the past. Henry Glassie defined tradition as “the creation of the future out of the past” (395). Cajun music and community scholar Dewey Balfa put it this way: “Tradition is not a product, but a process. It’s like a tree. One must water the roots so that the tree can support new growth. Both are critically important” (qtd. in Ancelet 49). When this …
Downtown Mardi Gras
Mardi Gras proved to be a critically important cultural and social litmus test for the survival of New Orleans after Katrina. Mardi Gras is more than a party in the street. It is a profound expression of community solidarity and identity. As early as the 2006 season, just a few months after the flooding, community leaders throughout the city understood that if New Orleans was to have a chance to recover, they had to manage some sort of Mardi Gras…
European American music
Art (18 obras) · History (9 obras) · History (6 obras) · Art history (5 obras) · Computer Science (4 obras) · Literature (4 obras) · Music History and Culture (4 obras) · Philosophy (4 obras) · African history and culture studies (3 obras) · Archaeology (3 obras)