Olivier Senn
Dados Biográficos
| ID | 6937881 |
|---|---|
| NOME | Olivier Senn |
| PRENOMES | Olivier |
| SOBRENOME | Senn |
| ASSINATURA | SENN O |
| AFILIAÇÕES | Lucerne University of Applied Sciences and Arts |
| ORCID | 0000-0002-4944-3115 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 12 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 12 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2017 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 0 |
The Effect of Tempo Manipulation on the Urge to Move
The groove experience has been defined as a pleasant sense of wanting to move along with the music. Tempo—the pacing of musical events—affects our perception of melody, rhythm, motion, and emotion and as such it is considered a fundamental musical dimension. This study investigates how varying the tempo of popular music drum and bass patterns influences the groove experience in listeners. The experimental stimuli were based on five drum and bass …
Genre-typical Timbre and the Urge to Move to Music
This study investigates how timbre, an important factor in music listening, influences the groove experience, one of the most important reactions to music. We selected six short popular music bass and drum patterns from the genres funk, pop, and rock and rendered them with three different genre-typical timbres (funk, pop, rock) each (18 stimuli). In an online listening experiment (N = 131), participants rated their experienced urge to move, pleas…
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA)
The groove experience has been defined as a pleasurable urge to move that is induced in humans while listening to music. In the past, the intensity of this experience has been measured in various ways. In 2020, the English language Experience of Groove Questionnaire (EGQ-EN), with two scales and six items, was proposed as a concise, valid, and reliable psychometric inventory for measuring listeners’ urge to move and pleasure, followed by a German…
Revisiting Charles Keil
Charles Keil (1966) argued against Leonard Meyer (1956) that the expressivity, emotional power, and groove of music does not primarily lie in the syntax of the notated score, but in music performance as a bodily and participatory process. So far, empirical music research has investigated the traces of the performance process primarily focusing on note onset timing (or microtiming). Studies established that microtemporal deviations from metronomic…
A text mining approach to the use of “groove” in everyday language
When speaking about music, the term groove can refer to objective qualities, such as rhythmic patterns, or to subjective experiences, such as the pleasurable urge to move to the music. However, the mere juxtaposition of objective musical causes and subjective psychological effects may be too simplistic to fully capture the multifaceted groove phenomenon. We therefore broaden the perspective of groove research by analyzing how people use the term …
Commentary on Lee & Zaryab
The study by Lee & Zaryab (this issue) investigated whether listening to high-groove music affects how heterosexual observers rate the attractiveness of people from the opposite sex. They found a very small positive effect of high-groove music on the male observers, but no effect on females. In my commentary, I argue for a more conservative interpretation of the results than the one offered by the authors
Drum Groove Corpora
Patterned microtiming deviations from metronomic regularity are ubiquitous in the performance of metered music. The relevance of microtiming to the perception of music has been studied since the 1980s. Most recently, microtiming has been investigated as a cause of groove (i.e., the pleasant urge to move in response to music). The study of microtiming relies on the availability of microtiming data. This report presents three large corpora of onset…
Experience of Groove Questionnaire
In recent empirical research, the experience of groove (i.e., the pleasant sense of wanting to move along with the music) has come into focus. By developing the new Experience of Groove Questionnaire (EGQ), Senn et al. (2020) have provided a standardized and validated research instrument for future studies, consisting of the two correlated factors Urge to Move and Pleasure. The present study reports the translation of the English version into Ger…
Taste and familiarity affect the experience of groove in popular music
Groove is a common experience in music listeners, often described as an enjoyable impulse to move in synchrony with the music. Research has suggested that the groove experience is influenced by listeners’ musical taste and their familiarity with a musical repertoire. This study reports the results from an online listening experiment in which 233 participants rated the groove quality of 208 short clips from different Western popular music styles. …
Experience of Groove Questionnaire
Music often triggers a pleasurable urge in listeners to move their bodies in response to the rhythm. In music psychology, this experience is commonly referred to as groove. This study presents the Experience of Groove Questionnaire, a newly developed self-report questionnaire that enables respondents to subjectively assess how strongly they feel an urge to move and pleasure while listening to music. The development of the questionnaire was carrie…
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Experience of Groove Questionnaire
Music often triggers a pleasurable urge in listeners to move their bodies in response to the rhythm. In music psychology, this experience is commonly referred to as groove. This study presents the Experience of Groove Questionnaire, a newly developed self-report questionnaire that enables respondents to subjectively assess how strongly they feel an urge to move and pleasure while listening to music. The development of the questionnaire was carrie…
Drum Groove Corpora
Patterned microtiming deviations from metronomic regularity are ubiquitous in the performance of metered music. The relevance of microtiming to the perception of music has been studied since the 1980s. Most recently, microtiming has been investigated as a cause of groove (i.e., the pleasant urge to move in response to music). The study of microtiming relies on the availability of microtiming data. This report presents three large corpora of onset…
Experience of Groove Questionnaire
In recent empirical research, the experience of groove (i.e., the pleasant sense of wanting to move along with the music) has come into focus. By developing the new Experience of Groove Questionnaire (EGQ), Senn et al. (2020) have provided a standardized and validated research instrument for future studies, consisting of the two correlated factors Urge to Move and Pleasure. The present study reports the translation of the English version into Ger…
Taste and familiarity affect the experience of groove in popular music
Groove is a common experience in music listeners, often described as an enjoyable impulse to move in synchrony with the music. Research has suggested that the groove experience is influenced by listeners’ musical taste and their familiarity with a musical repertoire. This study reports the results from an online listening experiment in which 233 participants rated the groove quality of 208 short clips from different Western popular music styles. …
Commentary on Lee & Zaryab
The study by Lee & Zaryab (this issue) investigated whether listening to high-groove music affects how heterosexual observers rate the attractiveness of people from the opposite sex. They found a very small positive effect of high-groove music on the male observers, but no effect on females. In my commentary, I argue for a more conservative interpretation of the results than the one offered by the authors
Revisiting Charles Keil
Charles Keil (1966) argued against Leonard Meyer (1956) that the expressivity, emotional power, and groove of music does not primarily lie in the syntax of the notated score, but in music performance as a bodily and participatory process. So far, empirical music research has investigated the traces of the performance process primarily focusing on note onset timing (or microtiming). Studies established that microtemporal deviations from metronomic…
A text mining approach to the use of “groove” in everyday language
When speaking about music, the term groove can refer to objective qualities, such as rhythmic patterns, or to subjective experiences, such as the pleasurable urge to move to the music. However, the mere juxtaposition of objective musical causes and subjective psychological effects may be too simplistic to fully capture the multifaceted groove phenomenon. We therefore broaden the perspective of groove research by analyzing how people use the term …
Japanese Version of the Experience of Groove Questionnaire (EGQ-JA)
The groove experience has been defined as a pleasurable urge to move that is induced in humans while listening to music. In the past, the intensity of this experience has been measured in various ways. In 2020, the English language Experience of Groove Questionnaire (EGQ-EN), with two scales and six items, was proposed as a concise, valid, and reliable psychometric inventory for measuring listeners’ urge to move and pleasure, followed by a German…
The Effect of Tempo Manipulation on the Urge to Move
The groove experience has been defined as a pleasant sense of wanting to move along with the music. Tempo—the pacing of musical events—affects our perception of melody, rhythm, motion, and emotion and as such it is considered a fundamental musical dimension. This study investigates how varying the tempo of popular music drum and bass patterns influences the groove experience in listeners. The experimental stimuli were based on five drum and bass …
Genre-typical Timbre and the Urge to Move to Music
This study investigates how timbre, an important factor in music listening, influences the groove experience, one of the most important reactions to music. We selected six short popular music bass and drum patterns from the genres funk, pop, and rock and rendered them with three different genre-typical timbres (funk, pop, rock) each (18 stimuli). In an online listening experiment (N = 131), participants rated their experienced urge to move, pleas…
Psychology (9 obras) · Neuroscience and Music Perception (7 obras) · Diverse Music Education Insights (5 obras) · Engineering (5 obras) · Active listening (4 obras) · Linguistics (4 obras) · Philosophy (4 obras) · Art (3 obras) · Cognitive psychology (3 obras) · Communication (3 obras)