John M Steadman

• The Wall of Paradise

  Robert W Halli, John M Steadman•ARTICLE•South Atlantic Review•1988

  Incluir item

• Classical Presences in Seventeenth-Century English Poetry

  Open Access•John M Steadman•ARTICLE•Renaissance Quarterly•1988

  Incluir item

  An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

• Charon and the Crossing

  Open Access•John M Steadman•ARTICLE•Renaissance Quarterly•1986

  Incluir item

  Ronnie H. Terpening. Charon and the Crossing: Ancient, Medieval, and Renaissance Transformations of a Myth. Lewisburg: Bucknell University Press; London—Toronto: Associated University Presses, 1985. 23 ills. + 293 pp. $37.50. - Volume 39 Issue 3

• Milton's Sacral PoeticsPoetics of the Holy

  John M Steadman•ARTICLE•The Journal of Religion•1984

  Incluir item

• Milton's Imagery and the Visual Arts

  John M Steadman, Roland Mushat Frye•ARTICLE•Comparative Literature•1981

  Incluir item

  The Description for this book, Milton's Imagery and the Visual Arts: Iconographic Tradition in the Epic Poems, will be forthcoming.

• The Allegorical Epic

  Open Access•John M Steadman•ARTICLE•Renaissance Quarterly•1981

  Incluir item

  An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

• Toward Samson Agonistes

  Open Access•John M Steadman•ARTICLE•Renaissance Quarterly•1979

  Incluir item

  An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

• The Asiatick Society of Bengal

  John M Steadman•ARTICLE•Eighteenth-Century Studies•1977

  Incluir item

  TORESIDENTS OF EIGHTEENTH-CENTURY CALCUTTA the subject of this paper might well have seemed a mare's nest-or at least a topic for mock-encomium. The intellectual life of the city was overshadowed by its political feuds, its lawsuits and its duels, its heroic trading ventures (often implemented by force or guile), and its hectic social activities. Henry Thomas Colebrooke complained to his father that Hastings had filled the country with unscrupulo…

• The Lamb and the Elephant

  Aldo Scaglione, John M Steadman•ARTICLE•Modern Language Notes•1976

  Incluir item

• The Condition of Creatures

  Open Access•John M Steadman•ARTICLE•Renaissance Quarterly•1976

  Incluir item

  An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

• Milton’s Paradise Lost and the Apotheosis Tradition

  John M Steadman•ARTICLE•Antike und Abendland•1974

  Incluir item

• The Renaissance Discovery of Time

  Open Access•John M Steadman•ARTICLE•Renaissance Quarterly•1974

  Incluir item

  An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

• On Plot in Tragedy

  Open Access•John M Steadman•ARTICLE•Renaissance Quarterly•1973

  Incluir item

  Daniel Heinsius. On Plot in Tragedy. Tr. by Paul R. Sellin and John J. McManmon. (No. 5 of the San Fernando Valley State College Renaissance Editions.) Northridge, Cal.: San Fernando Valley State College, 1971. xxiv+176 pp. Cloth 5. - Volume 26 Issue 1

• The Lofty Rhyme

  John M Steadman, Balachandra Rajan•ARTICLE•The Yearbook of English Studies•1972•Citada por: 1

  Incluir item

• The Myth of Asia

  Joseph M Kitagawa, John M Steadman•ARTICLE•Pacific Affairs•1970

  Incluir item

• The Logical Epic

  John M Steadman, DENNIS H BURDEN•ARTICLE•The Modern Language Review•1969

  Incluir item

• Milton and the Kingdoms of God

  John M Steadman, Michael Fixler•ARTICLE•The Modern Language Review•1968

  Incluir item

• Complete Prose Works of John Milton

  Open Access•John M Steadman•ARTICLE•Renaissance Quarterly•1967

  Incluir item

  An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

• Leviathan and Renaissance Etymology

  John M Steadman•ARTICLE•Journal of the History of Ideas•1967

  Incluir item

• Demetrius, Tasso, and stylistic variation in Paradise lost

  John M Steadman•ARTICLE•English Studies•1966•Referências: 1

  Incluir item

• Eve's Dream and the Conventions of Witchcraft

  John M Steadman•ARTICLE•Journal of the History of Ideas•1965

  Incluir item

• Verse without Rime

  John M Steadman•ARTICLE•Italica•1964

  Incluir item

• “Eyelids of the Morn”

  Open Access•John M Steadman•ARTICLE•Harvard Theological Review•1963

  Incluir item

  Commentators on Lycidas have usually traced the origin of Milton's line, “Under the opening eyelids of the Morn,” to a marginal reading in the Authorized Version of Job. As several scholars have observed, “the alternative reading for ‘dawning of the day’ [Job iii. 9], offered in the margin as more true to the Hebrew, is ‘ the eyelids of the morning ,’” and in Job xli. 18 [Heb. 41:10] this image occurs in the text itself — “By his neesings a light…

• "Chaste Muse and "Casta Juventus

  John M Steadman•ARTICLE•Italica•1963

  Incluir item

• Felicity and End in Renaissance Epic and Ethics

  John M Steadman•ARTICLE•Journal of the History of Ideas•1962

  Incluir item

  For many a Renaissance theorist, poetry was, if not handmaid, at least pedagogue of sterner disciplines-ethics, politics, and theology. Its final cause was instruction as well as pleasure. For Tasso, its end (fine) was giovare dilettando. According to Minturno, il fine della Tragica Poesia and l'uficio del Tragico Poeta ... non e altro, che dir talmente in versi, che insegni, e diletti, e muova si, che delle passioni abbia a purgare gli animi de'…

• Affected and Effeminate Words

  John M Steadman•ARTICLE•American Speech•1938•Citada por: 2

  Incluir item

  ACHORUS of many voices has for some years been inveighing against youth for its 'fear of excellence' and its inability-or its unwillingness-to use any words except the most familiar. Essayists, teachers, and at least one novelist have joined in denouncing this timidity in the use of language. James Truslow Adams's famous essay, 'The Mucker Pose, contains perhaps the most searching analysis of the reasons why the gentleman in America fears the app…

• The Lofty Rhyme

  John M Steadman, Balachandra Rajan•ARTICLE•The Yearbook of English Studies•1972•Citada por: 1

  Incluir item

• A Study of Verbal Taboos

  John M Steadman•ARTICLE•American Speech•1935•Citada por: 1

  Incluir item

  THIS study of three closely related types of taboo words is based upon individual lists compiled by 361 students (166 men and 195 women: juniors, seniors, and, about one fourth of the number, graduate students) in an introductory course in the English language at Emory University.' The purpose of the study, which has extended over a period of more than ten years, was to throw light upon the language consciousness of college students and to reveal…

• Language

  John M Steadman, Joseph Vendryes et al.•ARTICLE•American Speech•1926•Citada por: 1

  Incluir item

• The Language Consciousness of College Students

  John M Steadman•ARTICLE•American Speech•1926

  Incluir item

• Language

  John M Steadman, Joseph Vendryes et al.•ARTICLE•American Speech•1926•Citada por: 1

  Incluir item

• Basketeria and the Meaning of the Suffix -Teria

  John M Steadman•ARTICLE•American Speech•1930

  Incluir item

• Grammar and Usage in Textbooks on English

  John M Steadman, Robert C Pooley•ARTICLE•American Speech•1933

  Incluir item

  University of Wisconsin Bureau of Educational Research Bulletin, Number 14, August 1933. The author is credited as Assistant Professor in the Teaching of English, University of Wisconsin. A similar

• Language taboos of American college students

  John M Steadman•ARTICLE•English Studies•1935

  Incluir item

  (1935). Language taboos of American college students. English Studies: Vol. 17, No. 1-6, pp. 81-91

• A Study of Verbal Taboos

  John M Steadman•ARTICLE•American Speech•1935•Citada por: 1

  Incluir item

  THIS study of three closely related types of taboo words is based upon individual lists compiled by 361 students (166 men and 195 women: juniors, seniors, and, about one fourth of the number, graduate students) in an introductory course in the English language at Emory University.' The purpose of the study, which has extended over a period of more than ten years, was to throw light upon the language consciousness of college students and to reveal…

• Tongue Twisters

  John M Steadman•ARTICLE•American Speech•1936

  Incluir item

• Affected and Effeminate Words

  John M Steadman•ARTICLE•American Speech•1938•Citada por: 2

  Incluir item

  ACHORUS of many voices has for some years been inveighing against youth for its 'fear of excellence' and its inability-or its unwillingness-to use any words except the most familiar. Essayists, teachers, and at least one novelist have joined in denouncing this timidity in the use of language. James Truslow Adams's famous essay, 'The Mucker Pose, contains perhaps the most searching analysis of the reasons why the gentleman in America fears the app…

• Venus' Citole in Chaucer's Knight's Tale and Berchorius

  John M Steadman•ARTICLE•Speculum•1959

  Incluir item

• Chauntecleer and Medieval Natural History

  John M Steadman•ARTICLE•Isis•1959

  Incluir item

• Milton and Wolleb Again (Paradise Lost, I, 54–56, 777)

  Open Access•John M Steadman•ARTICLE•Harvard Theological Review•1960

  Incluir item

  Although the influence of Wolleb's Compendium Theologiae Christianae on Milton's De Doctrina has long been recognized, scholarship has discovered few traces of its impact on Milton's poetry. Particularly interesting, therefore, are two passages in Book I of Paradise Lost which show a close resemblance to two of the “Rules” or “Canones” in Wolleb's chapter “De Gubernatione Angelorum.”

• Man's First Disobedience

  John M Steadman•ARTICLE•Journal of the History of Ideas•1960

  Incluir item

• The “Suffering Servant” and Milton's Heroic Norm

  Open Access•John M Steadman•ARTICLE•Harvard Theological Review•1961

  Incluir item

  In the Christ of Paradise Regain'd recent scholarship has recognized Milton's answer to the classic problem of the Renaissance epic poet — the choice of an exemplary hero. In both of his epics the perfect “pattern of a Christian hero” is exhibited not in a secular “king or knight,” but in the Son of God himself — the “Most perfect Heroe , try'd in heaviest plight Of labours huge and hard, too hard for human wight.” In the protagonist of Paradise …

• Busiris, the Exodus, and Renaissance Chronography

  John M Steadman•ARTICLE•Revue belge de philologie et d…•1961

  Incluir item

• Felicity and End in Renaissance Epic and Ethics

  John M Steadman•ARTICLE•Journal of the History of Ideas•1962

  Incluir item

  For many a Renaissance theorist, poetry was, if not handmaid, at least pedagogue of sterner disciplines-ethics, politics, and theology. Its final cause was instruction as well as pleasure. For Tasso, its end (fine) was giovare dilettando. According to Minturno, il fine della Tragica Poesia and l'uficio del Tragico Poeta ... non e altro, che dir talmente in versi, che insegni, e diletti, e muova si, che delle passioni abbia a purgare gli animi de'…

• “Eyelids of the Morn”

  Open Access•John M Steadman•ARTICLE•Harvard Theological Review•1963

  Incluir item

  Commentators on Lycidas have usually traced the origin of Milton's line, “Under the opening eyelids of the Morn,” to a marginal reading in the Authorized Version of Job. As several scholars have observed, “the alternative reading for ‘dawning of the day’ [Job iii. 9], offered in the margin as more true to the Hebrew, is ‘ the eyelids of the morning ,’” and in Job xli. 18 [Heb. 41:10] this image occurs in the text itself — “By his neesings a light…

• "Chaste Muse and "Casta Juventus

  John M Steadman•ARTICLE•Italica•1963

  Incluir item

• Verse without Rime

  John M Steadman•ARTICLE•Italica•1964

  Incluir item

• Eve's Dream and the Conventions of Witchcraft

  John M Steadman•ARTICLE•Journal of the History of Ideas•1965

  Incluir item

• Demetrius, Tasso, and stylistic variation in Paradise lost

  John M Steadman•ARTICLE•English Studies•1966•Referências: 1

  Incluir item

• Complete Prose Works of John Milton

  Open Access•John M Steadman•ARTICLE•Renaissance Quarterly•1967

  Incluir item

  An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

• Leviathan and Renaissance Etymology

  John M Steadman•ARTICLE•Journal of the History of Ideas•1967

  Incluir item

• Milton and the Kingdoms of God

  John M Steadman, Michael Fixler•ARTICLE•The Modern Language Review•1968

  Incluir item

• The Logical Epic

  John M Steadman, DENNIS H BURDEN•ARTICLE•The Modern Language Review•1969

  Incluir item

• The Myth of Asia

  Joseph M Kitagawa, John M Steadman•ARTICLE•Pacific Affairs•1970

  Incluir item

Art (26 obras) · History (17 obras) · Literature (17 obras) · Art history (16 obras) · History (16 obras) · Philosophy (16 obras) · Linguistics (13 obras) · Philosophy (12 obras) · Historical and Literary Studies (9 obras) · Psychology (8 obras)