Irena Hayter
Dados Biográficos
| ID | 701271 |
|---|---|
| NOME | Irena Hayter |
| PRENOMES | Irena |
| SOBRENOME | Hayter |
| ASSINATURA | HAYTER I |
| AFILIAÇÕES | University of Leeds |
| ORCID | 0000-0003-0043-7969 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 5 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2015 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 1 |
Tenkō
The Uses of Literature in Modern Japan
Writing Technology in Meiji Japan
Modern Japanese literature begins with a haunting, according to Seth Jacobowitz. Kaidan botan dōrō (Ghost Story of the Peony Lantern, 1884), a series of pamphlets based on the shorthand transcripti
Figures of the Visual
This essay focuses on perception and the senses in Japanese literary modernism and specifically in the so-called new sensationist (shinkankakuha) writers, especially Kawabata Yasunari (1899–1972) and Yokomitsu Riichi (1898–1947). The critical debates that unfolded around their modernist journal Bungei jidai (Literary Age) (1924–27) were preoccupied with attempts to explain and philosophically anchor notions of sensation and perception. This did n…
Modernism, gender and consumer spectacle in 1920s’ Tokyo
A lot has been written about how, in the first decades of the twentieth century, cinema validated new perceptual structures and how these affected literary narrative. But the department store was also a vital part of the mobile spectacle of modernity. Ginza and its department stores provided experiences of urban flâneuring and visual consumption that would have important effects on gender and subjectivity. This essay focuses on three short storie…
Figures of the Visual
This essay focuses on perception and the senses in Japanese literary modernism and specifically in the so-called new sensationist (shinkankakuha) writers, especially Kawabata Yasunari (1899–1972) and Yokomitsu Riichi (1898–1947). The critical debates that unfolded around their modernist journal Bungei jidai (Literary Age) (1924–27) were preoccupied with attempts to explain and philosophically anchor notions of sensation and perception. This did n…
Modernism, gender and consumer spectacle in 1920s’ Tokyo
A lot has been written about how, in the first decades of the twentieth century, cinema validated new perceptual structures and how these affected literary narrative. But the department store was also a vital part of the mobile spectacle of modernity. Ginza and its department stores provided experiences of urban flâneuring and visual consumption that would have important effects on gender and subjectivity. This essay focuses on three short storie…
Figures of the Visual
This essay focuses on perception and the senses in Japanese literary modernism and specifically in the so-called new sensationist (shinkankakuha) writers, especially Kawabata Yasunari (1899–1972) and Yokomitsu Riichi (1898–1947). The critical debates that unfolded around their modernist journal Bungei jidai (Literary Age) (1924–27) were preoccupied with attempts to explain and philosophically anchor notions of sensation and perception. This did n…
Writing Technology in Meiji Japan
Modern Japanese literature begins with a haunting, according to Seth Jacobowitz. Kaidan botan dōrō (Ghost Story of the Peony Lantern, 1884), a series of pamphlets based on the shorthand transcripti
The Uses of Literature in Modern Japan
Tenkō
Japanese History and Culture (4 obras) · Art (3 obras) · History (3 obras) · Literature (3 obras) · Political science (3 obras) · Aesthetics (2 obras) · Asian Culture and Media Studies (2 obras) · Cinema and Media Studies (2 obras) · Media studies (2 obras) · Philosophy (2 obras)