John Brockington
Dados Biográficos
| ID | 703129 |
|---|---|
| NOME | John Brockington |
| PRENOMES | John |
| SOBRENOME | Brockington |
| ASSINATURA | BROCKINGTON J |
| AFILIAÇÕES | Metropolitan Museum of Art |
| ORCID | 0009-0007-4843-5336 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAÇÕES | 2 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1996 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 1 |
Illustrations and text in Bðr Singh's Rāmāyaṇa
This note focuses on the value of looking into the visual culture embodied in India's epic manuscripts during the medieval period-which combined Persian, Mughal and Rājput styles-for a sociology of India. It demonstrates how illustrations and text were blended in the case of the Vālmīki Rāmāyaṇa, commissioned by the ruler of Orchā and Datia, Bīr Singh Bundela, borrowing from the earliest extant illustrated manuscripts of the Persian translation o…
Verbal and Visual Texts of the Rāma Narrative
This article examines what we mean by a text: is it verbal (whether written or oral), mental, visual, or a combination? All of these forms are found within the various types of artistic expression centred on the Rāmāyaṇa tradition. I start with the relief sculptures, some of which are centuries early than any extant manuscripts. After a brief comment on the evolution of the Vālmīki Rāmāyaṇa text, I then survey in turn some prestige illustrated Vā…
Paṇḍit Seu to Mānaku
This article examines the linked sets of paintings commonly known as the “small Guler” Rāmāyaṇa by Paṇḍit Seu, the “Mankot” Rāmāyaṇa and the “Siege of Laṅkā” by Mānaku in the light of the text from the Vālmīki Rāmayaṇa on the versos of the paintings. This allows significant conclusions about the intentions behind their production and the original extent of each set
Other Ramayana Women
Mānaku’s “Siege of Laṅkā” Series
The Concept of Dharmain the R?m?yana
A Catalogue of the Sanskrit and Other Indian Manuscripts of the Chandra Shum Shere Collection in the Bodleian Library, Part II
Wood, Ananda. 1997 . From the Upanishads and Interpreting the Upanishads . New Delhi
Gavin Flood, An Introduction to Hinduism
No Abstract
Gaṇeśapurāṇa Part I
Gaṇeśapurāṇa Part I: Upāsanākhaṇḍa. Introduction, translation, notes and index by Greg Bailey. (Purāṇa Research Publications Tübingen, Vol. 4, Part 1.) pp. xv, 639. Wiesbaden, Harrassowitz Verlag, 1995. DM 148. - Volume 7 Issue 2
India's Agony over Religion
Paṇḍit Seu to Mānaku
This article examines the linked sets of paintings commonly known as the “small Guler” Rāmāyaṇa by Paṇḍit Seu, the “Mankot” Rāmāyaṇa and the “Siege of Laṅkā” by Mānaku in the light of the text from the Vālmīki Rāmayaṇa on the versos of the paintings. This allows significant conclusions about the intentions behind their production and the original extent of each set
The Concept of Dharmain the R?m?yana
India's Agony over Religion
Gaṇeśapurāṇa Part I
Gaṇeśapurāṇa Part I: Upāsanākhaṇḍa. Introduction, translation, notes and index by Greg Bailey. (Purāṇa Research Publications Tübingen, Vol. 4, Part 1.) pp. xv, 639. Wiesbaden, Harrassowitz Verlag, 1995. DM 148. - Volume 7 Issue 2
Gavin Flood, An Introduction to Hinduism
No Abstract
Wood, Ananda. 1997 . From the Upanishads and Interpreting the Upanishads . New Delhi
A Catalogue of the Sanskrit and Other Indian Manuscripts of the Chandra Shum Shere Collection in the Bodleian Library, Part II
The Concept of Dharmain the R?m?yana
Mānaku’s “Siege of Laṅkā” Series
Other Ramayana Women
Paṇḍit Seu to Mānaku
This article examines the linked sets of paintings commonly known as the “small Guler” Rāmāyaṇa by Paṇḍit Seu, the “Mankot” Rāmāyaṇa and the “Siege of Laṅkā” by Mānaku in the light of the text from the Vālmīki Rāmayaṇa on the versos of the paintings. This allows significant conclusions about the intentions behind their production and the original extent of each set
Verbal and Visual Texts of the Rāma Narrative
This article examines what we mean by a text: is it verbal (whether written or oral), mental, visual, or a combination? All of these forms are found within the various types of artistic expression centred on the Rāmāyaṇa tradition. I start with the relief sculptures, some of which are centuries early than any extant manuscripts. After a brief comment on the evolution of the Vālmīki Rāmāyaṇa text, I then survey in turn some prestige illustrated Vā…
Illustrations and text in Bðr Singh's Rāmāyaṇa
This note focuses on the value of looking into the visual culture embodied in India's epic manuscripts during the medieval period-which combined Persian, Mughal and Rājput styles-for a sociology of India. It demonstrates how illustrations and text were blended in the case of the Vālmīki Rāmāyaṇa, commissioned by the ruler of Orchā and Datia, Bīr Singh Bundela, borrowing from the earliest extant illustrated manuscripts of the Persian translation o…
Indian and Buddhist Studies (8 obras) · Philosophy (8 obras) · History (6 obras) · Philosophy (6 obras) · Art (5 obras) · Ancient history (4 obras) · Eurasian Exchange Networks (3 obras) · History (3 obras) · Humanities (3 obras) · Indian History and Philosophy (3 obras)