Henry Y H Zhao
Dados Biográficos
| ID | 714355 |
|---|---|
| NOME | Henry Y H Zhao |
| PRENOMES | Henry Y H |
| SOBRENOME | Zhao |
| ASSINATURA | ZHAO H Y H |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 2 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1996 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2003 |
| ÍNDICE H | 1 |
The river fans out
The 25 years of the post-Mao era of Chinese fiction is divided into two distinct stages: the pre-1989 period, and the post-1989 period. If this division is true about almost everything else in China, it is especially true with literature. This is because literature had been used as a lethal weapon for political struggle by Mao before and during his regime, and this tradition, though strongly challenged in the post-Mao era, still lingers, though i…
A fearful symmetry
The 'novel of the future' speculates on the 'temporal' utopia/dystopia. Its strange fate in modern China reveals much about the relationship between imagination, ideology and modernity in the Chinese mindset. Prior to the concept of modernity being imported into China there had been no fiction about the future. For, in traditional China, history did not have directionality. Two powerful Western ideologies, both 'progressive', took turns to domina…
Towards a Modern Zen Theatre
The Uneasy Narrator
The Uneasy Narrator
Towards a Modern Zen Theatre
The river fans out
The 25 years of the post-Mao era of Chinese fiction is divided into two distinct stages: the pre-1989 period, and the post-1989 period. If this division is true about almost everything else in China, it is especially true with literature. This is because literature had been used as a lethal weapon for political struggle by Mao before and during his regime, and this tradition, though strongly challenged in the post-Mao era, still lingers, though i…
A fearful symmetry
The 'novel of the future' speculates on the 'temporal' utopia/dystopia. Its strange fate in modern China reveals much about the relationship between imagination, ideology and modernity in the Chinese mindset. Prior to the concept of modernity being imported into China there had been no fiction about the future. For, in traditional China, history did not have directionality. Two powerful Western ideologies, both 'progressive', took turns to domina…
Art (4 obras) · Chinese history and philosophy (4 obras) · Literature (4 obras) · Aesthetics (3 obras) · Epistemology (3 obras) · History (3 obras) · Philosophy (3 obras) · Art history (2 obras) · China (2 obras) · History (2 obras)