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María Gembero-Ustárroz

Dados Biográficos

ID715024
NOMEMaría Gembero-Ustárroz
PRENOMESMaría
SOBRENOMEGembero-Ustárroz
ASSINATURAGEMBERO-USTÁRROZ M
AFILIAÇÕESConsejo Superior de Investigaciones Científicas (CSIC), Barcelona
ORCID0000-0003-1809-4191
VERIFICADOSim
TOTAL DE OBRAS10
TOTAL DE CITAÇÕES4
TOTAL COMO AUTOR10
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2001
ANO MAIS RECENTE DE PUBLICAÇÃO2024
ÍNDICE H1
  • The monumental edition in the digital age

    Open Access•Andrea Puentes-Blanco, Metoda Kokole et al.•ARTICLE•Journal of New Music Research•2024•Citada por: 1•Referências: 12

    This article presents fresh perspectives on challenges monumental editions face in the twenty-first century along with current efforts to address them. It provides a range of viewpoints, approaches, and case studies about the current state of the most emblematic European Monumenta collections and how their editorial boards are imagining and creating a sustainable future for these editorial enterprises that had, and still have, a fundamental role …

  • Música en la Catedral de Lima en tiempos del arzobispo Mogrovejo (1581-1606)

    Open Access•Institución Milá y Fontanals CSIC, María Gembero-Ustárroz•ARTICLE•Resonancias Revista de…•2016

    [EN] Study about three aspects of sacred musical activity in Lima and its surroundings under archbishop Toribio de Mogrovejo (1581-1606): 1) activity of Gutierre Fernández Hidalgo in Lima, where he was chapelmaster at the Cathedral and wrote music books for that church and for the nun convent of La Encarnación (ca. 1590-1591); 2) the 1593 Consueta, compiled under Mogrovejo's initiative; and 3) indigenous involvement in catholic ceremonies, with p…

  • Cancionero Mariano de Charcas

    María Gembero-Ustárroz•ARTICLE•Hispanic American Historical Review•2011

    This volume presents the study and annotated edition of 230 poems in Spanish about the Virgin Mary, taken from musical polyphonic works in manuscripts at the Archivo y Biblioteca Nacionales de Bolivia (ABNB) in Sucre (formerly La Plata, capital of the Audiencia of Charcas). These poems have been selected by the editor from some 13 hundred music folders or items (dating from 1680 to 1820) that came to the ABNB from La Plata Cathedral and from the …

  • Imposing Harmony

    María Gembero, María Gembero-Ustárroz•ARTICLE•Hispanic American Historical Review•2009•Citada por: 3

    This book makes an outstanding contribution to the music history of colonial Latin America from a perspective — urban and social — that in the Hispanic world has not received the attention it deserves. Previous versions of some chapters have been published as articles, but this volume presents for the first time an integrated vision of musical activity in Cuzco, the old capital of the Inca Empire, which had a predominantly indigenous population d…

  • El compositor espanol Hernando Franco (1532-85) antes de su llegada a Mexico

    María Gembero-Ustárroz, Maria Gembero Ustarroz•ARTICLE•Latin American Music Review•2005

    Introducción En este artículo me propongo revisar y completar la biografía del compositor español Hernando Franco (1532–85), a la luz de documentos inéditos conservados en el Archivo General de Indias de Sevilla.2 Las fuentes manejadas permiten conocer buena parte de la trayectoria profesional de este músico entre 1549 y 1572, etapa prácticamente desconocida hasta ahora, en la que pasó sucesivamente por Portugal, Santo Domingo y Cuba, e inició su…

  • Moreno Polo, (Pedro) José

    María Gembero-Ustárroz, Maria Gembero Ustarroz•CHAPTER•The new Grove dictionary of music…•2001

  • Lidón (Blázquez), José

    María Gembero-Ustárroz, Maria Gembero Ustarroz•CHAPTER•The new Grove dictionary of music…•2001

  • Moreno Polo family

    María Gembero-Ustárroz, Maria Gembero Ustarroz•CHAPTER•The new Grove dictionary of music…•2001

  • Moreno Polo, Juan

    María Gembero-Ustárroz, Maria Gembero Ustarroz•CHAPTER•The new Grove dictionary of music…•2001

  • Moreno Polo, Valero

    María Gembero-Ustárroz, Maria Gembero Ustarroz•CHAPTER•The new Grove dictionary of music…•2001

  • Imposing Harmony

    María Gembero, María Gembero-Ustárroz•ARTICLE•Hispanic American Historical Review•2009•Citada por: 3

    This book makes an outstanding contribution to the music history of colonial Latin America from a perspective — urban and social — that in the Hispanic world has not received the attention it deserves. Previous versions of some chapters have been published as articles, but this volume presents for the first time an integrated vision of musical activity in Cuzco, the old capital of the Inca Empire, which had a predominantly indigenous population d…

  • The monumental edition in the digital age

    Open Access•Andrea Puentes-Blanco, Metoda Kokole et al.•ARTICLE•Journal of New Music Research•2024•Citada por: 1•Referências: 12

    This article presents fresh perspectives on challenges monumental editions face in the twenty-first century along with current efforts to address them. It provides a range of viewpoints, approaches, and case studies about the current state of the most emblematic European Monumenta collections and how their editorial boards are imagining and creating a sustainable future for these editorial enterprises that had, and still have, a fundamental role …

  • Moreno Polo, (Pedro) José

    María Gembero-Ustárroz, Maria Gembero Ustarroz•CHAPTER•The new Grove dictionary of music…•2001

  • Lidón (Blázquez), José

    María Gembero-Ustárroz, Maria Gembero Ustarroz•CHAPTER•The new Grove dictionary of music…•2001

  • Moreno Polo family

    María Gembero-Ustárroz, Maria Gembero Ustarroz•CHAPTER•The new Grove dictionary of music…•2001

  • Moreno Polo, Juan

    María Gembero-Ustárroz, Maria Gembero Ustarroz•CHAPTER•The new Grove dictionary of music…•2001

  • Moreno Polo, Valero

    María Gembero-Ustárroz, Maria Gembero Ustarroz•CHAPTER•The new Grove dictionary of music…•2001

  • El compositor espanol Hernando Franco (1532-85) antes de su llegada a Mexico

    María Gembero-Ustárroz, Maria Gembero Ustarroz•ARTICLE•Latin American Music Review•2005

    Introducción En este artículo me propongo revisar y completar la biografía del compositor español Hernando Franco (1532–85), a la luz de documentos inéditos conservados en el Archivo General de Indias de Sevilla.2 Las fuentes manejadas permiten conocer buena parte de la trayectoria profesional de este músico entre 1549 y 1572, etapa prácticamente desconocida hasta ahora, en la que pasó sucesivamente por Portugal, Santo Domingo y Cuba, e inició su…

  • Imposing Harmony

    María Gembero, María Gembero-Ustárroz•ARTICLE•Hispanic American Historical Review•2009•Citada por: 3

    This book makes an outstanding contribution to the music history of colonial Latin America from a perspective — urban and social — that in the Hispanic world has not received the attention it deserves. Previous versions of some chapters have been published as articles, but this volume presents for the first time an integrated vision of musical activity in Cuzco, the old capital of the Inca Empire, which had a predominantly indigenous population d…

  • Cancionero Mariano de Charcas

    María Gembero-Ustárroz•ARTICLE•Hispanic American Historical Review•2011

    This volume presents the study and annotated edition of 230 poems in Spanish about the Virgin Mary, taken from musical polyphonic works in manuscripts at the Archivo y Biblioteca Nacionales de Bolivia (ABNB) in Sucre (formerly La Plata, capital of the Audiencia of Charcas). These poems have been selected by the editor from some 13 hundred music folders or items (dating from 1680 to 1820) that came to the ABNB from La Plata Cathedral and from the …

  • Música en la Catedral de Lima en tiempos del arzobispo Mogrovejo (1581-1606)

    Open Access•Institución Milá y Fontanals CSIC, María Gembero-Ustárroz•ARTICLE•Resonancias Revista de…•2016

    [EN] Study about three aspects of sacred musical activity in Lima and its surroundings under archbishop Toribio de Mogrovejo (1581-1606): 1) activity of Gutierre Fernández Hidalgo in Lima, where he was chapelmaster at the Cathedral and wrote music books for that church and for the nun convent of La Encarnación (ca. 1590-1591); 2) the 1593 Consueta, compiled under Mogrovejo's initiative; and 3) indigenous involvement in catholic ceremonies, with p…

  • The monumental edition in the digital age

    Open Access•Andrea Puentes-Blanco, Metoda Kokole et al.•ARTICLE•Journal of New Music Research•2024•Citada por: 1•Referências: 12

    This article presents fresh perspectives on challenges monumental editions face in the twenty-first century along with current efforts to address them. It provides a range of viewpoints, approaches, and case studies about the current state of the most emblematic European Monumenta collections and how their editorial boards are imagining and creating a sustainable future for these editorial enterprises that had, and still have, a fundamental role …

Art (7 obras) · Humanities (4 obras) · Medicine (4 obras) · Physical medicine and rehabilitation (4 obras) · Spanish Literature and Culture Studies (4 obras) · Water polo (4 obras) · History (3 obras) · Medicine and Dermatology Studies History (3 obras) · Diverse Musicological Studies (2 obras) · Internal Medicine (2 obras)

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