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Paul Ziff

Dados Biográficos

ID731968
NOMEPaul Ziff
PRENOMESPaul
SOBRENOMEZiff
ASSINATURAZIFF P
AFILIAÇÕESChapel Hill Center For Philosophic Linguistic Research
VERIFICADONão
TOTAL DE OBRAS19
TOTAL DE CITAÇÕES17
TOTAL COMO AUTOR19
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1953
ANO MAIS RECENTE DE PUBLICAÇÃO1988
ÍNDICE H3
  • Epistemic Analysis

    Gilbert Harman, Paul Ziff•ARTICLE•The Philosophical Review•1988

    I Linguistic Preliminaries.- II Actives and Passives.- III Reference.- IV Coherence.- V Hypostasis.- VI Knowledge.- VII Knowing How.- VIIII Various Uses.- IX Conditions.- X A Position to Know.- XI Analysis.- XII Skepticism.- XIII A Safe Position.- XIV Demons, Angels and Miracles.- XV Risk and Gravity.- Kreb's Epilogue.- Notes

  • Remarks on Mittgenstein's Remarks on the Foundations of Mathematics

    Open Access•Paul Ziff•ARTICLE•Synthese•1983

  • About Reference

    Paul Ziff•ARTICLE•Studies in Language•1979

    Preview this article: About Reference, Page 1 of 1 /docserver/preview/fulltext/sl.3.3.02zif-1.gif

  • Understanding Understanding

    Paul T Sagal, Paul Ziff•ARTICLE•Philosophy and Phenomenological…•1973•Citada por: 3

  • A Creative Use of Language

    Paul Ziff•ARTICLE•New Literary History•1972

    haps for to say of anyone that his is creative is presumably to, praise. But what is it? A of words any ordinary of words? Is that possible? One expects creative to be somehow special. Or is a creative use like a four legged aoudad? Any ordinary aoudad is four legged aoudad an everyday aoudad not some special kind. Wordsworth wrote and possibly took it upon himself to say right out loud

  • Goodman's Languages of Art

    Paul Ziff•ARTICLE•The Philosophical Review•1971

    It is added that most literal portrait and the most prosaic passage are as much symbols, and as 'highly symbolic,' as the most fanciful and figurative (p. xi). Is every painting and every piece of sculpture, whether representational or abstract or nonobjective, a symbol? Is a toy airplane a symbol? Is a mask? What about a doll, or a chess piece, or a lock of hair? I do not know what the answers these questions are supposed be: the author's usage …

  • "A Response to "Stimulus Meaning

    Paul Ziff•ARTICLE•The Philosophical Review•1970

  • Philosophic Turnings

    Helen Morris Cartwright, Paul Ziff•ARTICLE•The Philosophical Review•1968

  • Philosophical Turnings

    John Woods, Paul Ziff•ARTICLE•Philosophy and Phenomenological…•1968

  • The Nonsynonymy of Active and Passive Sentences

    Paul Ziff•ARTICLE•The Philosophical Review•1966•Citada por: 1

  • The Matter of ZEN

    Paul Ziff, Paul Wienpahl•ARTICLE•Philosophy and Phenomenological…•1965

  • "On Vendler's Grammar of "Good

    Thomas E Patton, Paul Ziff•ARTICLE•The Philosophical Review•1964

  • Semantic Analysis

    Jerrold J Katz, Paul Ziff•ARTICLE•Language•1962

  • Semantic Analysis

    Virgil C Aldrich, Paul Ziff•ARTICLE•The Philosophical Review•1962

  • On the Sources of Knowledge and of Ignorance

    Paul Ziff, Karl R Popper•ARTICLE•Philosophy and Phenomenological…•1962•Citada por: 7

  • Theory of Beauty

    Paul Ziff, H Osborne•ARTICLE•The Philosophical Review•1955

  • The Socratic

    Paul Ziff•ARTICLE•The Philosophical Review•1954

  • The Task of Defining a Work of Art

    Paul Ziff•ARTICLE•The Philosophical Review•1953•Citada por: 6

  • Aesthetic Studies

    Paul Ziff, Katherine Gilbert•ARTICLE•The Philosophical Review•1953

  • On the Sources of Knowledge and of Ignorance

    Paul Ziff, Karl R Popper•ARTICLE•Philosophy and Phenomenological…•1962•Citada por: 7

  • The Task of Defining a Work of Art

    Paul Ziff•ARTICLE•The Philosophical Review•1953•Citada por: 6

  • Understanding Understanding

    Paul T Sagal, Paul Ziff•ARTICLE•Philosophy and Phenomenological…•1973•Citada por: 3

  • The Nonsynonymy of Active and Passive Sentences

    Paul Ziff•ARTICLE•The Philosophical Review•1966•Citada por: 1

  • The Task of Defining a Work of Art

    Paul Ziff•ARTICLE•The Philosophical Review•1953•Citada por: 6

  • Aesthetic Studies

    Paul Ziff, Katherine Gilbert•ARTICLE•The Philosophical Review•1953

  • The Socratic

    Paul Ziff•ARTICLE•The Philosophical Review•1954

  • Theory of Beauty

    Paul Ziff, H Osborne•ARTICLE•The Philosophical Review•1955

  • Semantic Analysis

    Jerrold J Katz, Paul Ziff•ARTICLE•Language•1962

  • Semantic Analysis

    Virgil C Aldrich, Paul Ziff•ARTICLE•The Philosophical Review•1962

  • On the Sources of Knowledge and of Ignorance

    Paul Ziff, Karl R Popper•ARTICLE•Philosophy and Phenomenological…•1962•Citada por: 7

  • "On Vendler's Grammar of "Good

    Thomas E Patton, Paul Ziff•ARTICLE•The Philosophical Review•1964

  • The Matter of ZEN

    Paul Ziff, Paul Wienpahl•ARTICLE•Philosophy and Phenomenological…•1965

  • The Nonsynonymy of Active and Passive Sentences

    Paul Ziff•ARTICLE•The Philosophical Review•1966•Citada por: 1

  • Philosophic Turnings

    Helen Morris Cartwright, Paul Ziff•ARTICLE•The Philosophical Review•1968

  • Philosophical Turnings

    John Woods, Paul Ziff•ARTICLE•Philosophy and Phenomenological…•1968

  • "A Response to "Stimulus Meaning

    Paul Ziff•ARTICLE•The Philosophical Review•1970

  • Goodman's Languages of Art

    Paul Ziff•ARTICLE•The Philosophical Review•1971

    It is added that most literal portrait and the most prosaic passage are as much symbols, and as 'highly symbolic,' as the most fanciful and figurative (p. xi). Is every painting and every piece of sculpture, whether representational or abstract or nonobjective, a symbol? Is a toy airplane a symbol? Is a mask? What about a doll, or a chess piece, or a lock of hair? I do not know what the answers these questions are supposed be: the author's usage …

  • A Creative Use of Language

    Paul Ziff•ARTICLE•New Literary History•1972

    haps for to say of anyone that his is creative is presumably to, praise. But what is it? A of words any ordinary of words? Is that possible? One expects creative to be somehow special. Or is a creative use like a four legged aoudad? Any ordinary aoudad is four legged aoudad an everyday aoudad not some special kind. Wordsworth wrote and possibly took it upon himself to say right out loud

  • Understanding Understanding

    Paul T Sagal, Paul Ziff•ARTICLE•Philosophy and Phenomenological…•1973•Citada por: 3

  • About Reference

    Paul Ziff•ARTICLE•Studies in Language•1979

    Preview this article: About Reference, Page 1 of 1 /docserver/preview/fulltext/sl.3.3.02zif-1.gif

  • Remarks on Mittgenstein's Remarks on the Foundations of Mathematics

    Open Access•Paul Ziff•ARTICLE•Synthese•1983

  • Epistemic Analysis

    Gilbert Harman, Paul Ziff•ARTICLE•The Philosophical Review•1988

    I Linguistic Preliminaries.- II Actives and Passives.- III Reference.- IV Coherence.- V Hypostasis.- VI Knowledge.- VII Knowing How.- VIIII Various Uses.- IX Conditions.- X A Position to Know.- XI Analysis.- XII Skepticism.- XIII A Safe Position.- XIV Demons, Angels and Miracles.- XV Risk and Gravity.- Kreb's Epilogue.- Notes

Philosophy (17 obras) · Epistemology (13 obras) · Contemporary philosophy (9 obras) · Computer Science (6 obras) · Analytic philosophy (5 obras) · Linguistics (5 obras) · Psychology (5 obras) · General interest (4 obras) · Philosophy (4 obras) · Natural language processing (3 obras)

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