Severine Neff
Dados Biográficos
| ID | 7350252 |
|---|---|
| NOME | Severine Neff |
| PRENOMES | Severine |
| SOBRENOME | Neff |
| ASSINATURA | NEFF S |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 2 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2001 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2017 |
| ÍNDICE H | 0 |
The Rite of Spring at 100
The Rite of spring at 100
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the …
Pleskow, Raoul
Point/Counterpoint
John Cage studied with Arnold Schoenberg for virtually two years, from 18 March 1935 until January 1937. However, Cage did not immediately dismiss Schoenberg's ideas; as he asserted decades later, ‘In all of my pieces between 1935 and 1940, I had Schoenberg's lessons in mind.’ This essay examines Schoenberg's unique methods of teaching counterpoint in the courses Cage attended: species focusing on one cantus, polymorphous canon, pre-compositional…
Luening, Otto
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Luening, Otto
Point/Counterpoint
John Cage studied with Arnold Schoenberg for virtually two years, from 18 March 1935 until January 1937. However, Cage did not immediately dismiss Schoenberg's ideas; as he asserted decades later, ‘In all of my pieces between 1935 and 1940, I had Schoenberg's lessons in mind.’ This essay examines Schoenberg's unique methods of teaching counterpoint in the courses Cage attended: species focusing on one cantus, polymorphous canon, pre-compositional…
Pleskow, Raoul
The Rite of Spring at 100
The Rite of spring at 100
When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the …
Art (2 obras) · 20th century (1 obras) · Archaeology (1 obras) · Art history (1 obras) · Art, Technology, and Culture (1 obras) · Ballets (1 obras) · Counterpoint (1 obras) · Diverse Music Education Insights (1 obras) · Engineering (1 obras) · Environmental Science (1 obras)