José Armando Pérez Crespo
Dados Biográficos
| ID | 7499016 |
|---|---|
| NOME | José Armando Pérez Crespo |
| PRENOMES | José Armando Pérez |
| SOBRENOME | Crespo |
| ASSINATURA | CRESPO J A P |
| AFILIAÇÕES | Universidad de Guanajuato |
| ORCID | 0000-0002-8122-5097 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 10 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2018 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 0 |
Pre-Hispanic Musical Instruments of Mineral de Pozos
This research contributes to the preservation of the organological heritage of instruments made by a small group of artisan builders who draw inspiration from the pre-Hispanic past of the state of Guanajuato, Mexico. These artisans belong to the town of San Pedro de los Pozos – Mineral de Pozos- in the municipality of San Luis de la Paz, in the northeast of the state of Guanajuato, which again is part of the culturally rich South Central Mexican …
Posthuman Aesthetics
Posthumanism does not exist as a human reality at any tangible level whatsoever, except insofar as there are some very elementary robotic and self-regulatory applications of that technology in the real world, such as in interactive robotic scenarios of offices and restaurants or Robotic Cafes of Tokyo city. Thus, posthumanism remains an imagined terminology, based on cybernetic theorizing with no directly available experiences, nor repercussions,…
Virtual Reconstruction, a Museological Practice for 19th Century Railway Architectural Heritage
In the context of theoretical and exhibition practices of contemporary museums and in the immersive field of communication and historical heritage, this study provides a virtual reconstruction of the architectural heritage of a defunct 19th century American railway station derived from the historical infrastructure of independent Mexico. Traditional construction systems, as well as their historical roots and architectural morphology, are re-evalu…
A Garland of Melodies
This article is about understanding and reimagining a special category of miniature painting called ‘Ragamala’ painting. It is a special genre of Indian painting. It is the pictorial representation of an Indian musical mode or melody which is called a ‘raga’. The Indian ‘ragas’ as musical modes convey a certain ‘bhava’, an emotion or mood. This has been visualised in Ragamala paintings which translates as ’garland of ragas’ or a string of musical…
The Dynamics of Placement and Re-placement
Out of three large collections of Raja Ravi Varma’s paintings, those are in Vadodara, Thiruvananthapuram and Mysuru, Mysore Odeyar’s collection was executed in his last years. Princely Mysore AmbaVilasa palace patronised Raja Ravi Varma to produce these excellent mythological oil paintings for the (public) durbar hall wall. However, at present, this series is displayed in the Jayacamarajendra art gallery in Mys?ru. In the lieu of (t)his corpus of…
Cultural Documentation and Collection Development
The documentation focuses on the art of Toda embroidery. This document can be divided into an initial ethnographic study and collection development. The first part of the paper starts with understanding the research methodology, followed by in-depth research on Tamil Nadu, its cultures, festivals, and art forms. It moves towards studying Nilgiri and the several tribes that reside within it. Among the different tribes living in Ootacamund and the …
Faithful Depictions of Mahadevi Durga
India is a land of culture, faith, and religion and this land has always surprised its worshippers with miracles beyond explanation. Every tragedy has strengthened multiple narratives of belief systems and better ways of living. While the cultural consciousness has discovered a neutral source of energy to worship upon, not everyone can focus their energies on a fictitious fire of power. As humans, we tend to humanize that energy into the binaries…
Kinetic Art Drawings with ‘Aum’ (aumkara series) by Narendra Srivastava
The earliest pieces of evidence of human ability to communicate and desire to create are represented by symbols, hieroglyphics and sign language. OM’ is the root syllable of origination and dissolution, Bija’ of all mantras. Yet, it is significant to value the differences in form and expression of OM according to each culture. It is important to observe different forms of OM as independent, individual forms, and yet not just variations of OM afte…
Some Arborescent Motifs in Architectural Reliefs
The present study focuses on specific ornamental pictorial evidence, which has remained hidden for centuries, in a 17th-century convent complex, in Salamanca, Mexico. Thus, this research aims at describing specific contextual periods of the estate of the convent in which it is housed and estimates the influence of grotesque pictorial style and its meaning during the period of Viceroyalty of New Spain. For this purpose, we recognise specific ornam…
The Golden Pentagon of Albert Dürer in the Baroque Art of Nouveau España
Sem obras proeminentes nesta página.
The Golden Pentagon of Albert Dürer in the Baroque Art of Nouveau España
Virtual Reconstruction, a Museological Practice for 19th Century Railway Architectural Heritage
In the context of theoretical and exhibition practices of contemporary museums and in the immersive field of communication and historical heritage, this study provides a virtual reconstruction of the architectural heritage of a defunct 19th century American railway station derived from the historical infrastructure of independent Mexico. Traditional construction systems, as well as their historical roots and architectural morphology, are re-evalu…
A Garland of Melodies
This article is about understanding and reimagining a special category of miniature painting called ‘Ragamala’ painting. It is a special genre of Indian painting. It is the pictorial representation of an Indian musical mode or melody which is called a ‘raga’. The Indian ‘ragas’ as musical modes convey a certain ‘bhava’, an emotion or mood. This has been visualised in Ragamala paintings which translates as ’garland of ragas’ or a string of musical…
The Dynamics of Placement and Re-placement
Out of three large collections of Raja Ravi Varma’s paintings, those are in Vadodara, Thiruvananthapuram and Mysuru, Mysore Odeyar’s collection was executed in his last years. Princely Mysore AmbaVilasa palace patronised Raja Ravi Varma to produce these excellent mythological oil paintings for the (public) durbar hall wall. However, at present, this series is displayed in the Jayacamarajendra art gallery in Mys?ru. In the lieu of (t)his corpus of…
Cultural Documentation and Collection Development
The documentation focuses on the art of Toda embroidery. This document can be divided into an initial ethnographic study and collection development. The first part of the paper starts with understanding the research methodology, followed by in-depth research on Tamil Nadu, its cultures, festivals, and art forms. It moves towards studying Nilgiri and the several tribes that reside within it. Among the different tribes living in Ootacamund and the …
Faithful Depictions of Mahadevi Durga
India is a land of culture, faith, and religion and this land has always surprised its worshippers with miracles beyond explanation. Every tragedy has strengthened multiple narratives of belief systems and better ways of living. While the cultural consciousness has discovered a neutral source of energy to worship upon, not everyone can focus their energies on a fictitious fire of power. As humans, we tend to humanize that energy into the binaries…
Kinetic Art Drawings with ‘Aum’ (aumkara series) by Narendra Srivastava
The earliest pieces of evidence of human ability to communicate and desire to create are represented by symbols, hieroglyphics and sign language. OM’ is the root syllable of origination and dissolution, Bija’ of all mantras. Yet, it is significant to value the differences in form and expression of OM according to each culture. It is important to observe different forms of OM as independent, individual forms, and yet not just variations of OM afte…
Some Arborescent Motifs in Architectural Reliefs
The present study focuses on specific ornamental pictorial evidence, which has remained hidden for centuries, in a 17th-century convent complex, in Salamanca, Mexico. Thus, this research aims at describing specific contextual periods of the estate of the convent in which it is housed and estimates the influence of grotesque pictorial style and its meaning during the period of Viceroyalty of New Spain. For this purpose, we recognise specific ornam…
Pre-Hispanic Musical Instruments of Mineral de Pozos
This research contributes to the preservation of the organological heritage of instruments made by a small group of artisan builders who draw inspiration from the pre-Hispanic past of the state of Guanajuato, Mexico. These artisans belong to the town of San Pedro de los Pozos – Mineral de Pozos- in the municipality of San Luis de la Paz, in the northeast of the state of Guanajuato, which again is part of the culturally rich South Central Mexican …
Posthuman Aesthetics
Posthumanism does not exist as a human reality at any tangible level whatsoever, except insofar as there are some very elementary robotic and self-regulatory applications of that technology in the real world, such as in interactive robotic scenarios of offices and restaurants or Robotic Cafes of Tokyo city. Thus, posthumanism remains an imagined terminology, based on cybernetic theorizing with no directly available experiences, nor repercussions,…
Art (9 obras) · Visual arts (6 obras) · Painting (5 obras) · Aesthetics (4 obras) · Archaeology (4 obras) · Art history (4 obras) · Computer Science (4 obras) · Philosophy (4 obras) · Engineering (3 obras) · Epistemology (3 obras)