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Alissa Clarke

Dados Biográficos

ID7523582
NOMEAlissa Clarke
PRENOMESAlissa
SOBRENOMEClarke
ASSINATURACLARKE A
AFILIAÇÕESDe Montfort University
ORCID0000-0001-5469-6080
VERIFICADOSim
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES0
OBRAS COMO AUTOR4
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2013
ANO MAIS RECENTE DE PUBLICAÇÃO2024
ÍNDICE H0
  • Act(ion)s of solidarity

    Open Access•Maria Kulikovska, Alissa Clarke•ARTICLE•Studies in Theatre and Performance•2024

    Ukrainian artist Maria Kulikovska was invited as a keynote speaker for the Borderlines IX: Seeking Solidarity and Wonder Through Performance conference, which took place at De Montfort University in Leicester, UK, on 30 June and 1 July 2022. What follows is the text of Kulikovska’s keynote presentation, with introduction and contextual framing of Kulikovska’s work by conference organiser and chair, Alissa Clarke. During this artist keynote, Kulik…

  • ‘It’s Never about Me, It’s Always about You’

    Open Access•Alissa Clarke•ARTICLE•Theatre Research International•2020

    In his extraordinary essay ‘The Metaphysical Studio’, Phillip Zarrilli advocated for the actor's psychophysical exploration of risky uncertainties and unknown possibilities in the ‘spatio-temporal realm between presence and absence, between “what is” and “what is not” – this liminal realm between’. It was typical of Zarrilli that when he received confirmation that his cancer had returned for the third and final time, he both responded pragmatical…

  • “Am I Providing a Good Show for You?”

    Alissa Clarke•ARTICLE•Feminist Media Histories•2019

    The underground film Daddy (1973), a collaboration by French artist Niki de Saint Phalle and British countercultural filmmaker Peter Whitehead, is a sexually explicit surrealist pop-art Freudian rape revenge fantasy. It stems from de Saint Phalle's autobiographical narrative of parental abuse and the development of a young girl's sexuality. Deploying a performance studies lens to focus on performance practice and process, this article takes a new…

  • Orgasms and Oppositions

    Alissa Clarke•ARTICLE•TDR/The Drama Review•2013

    In his performance installation, ELECTRODE (2011), Dani Ploeger repeatedly “fakes” orgasms. Using medical devices, digital sound synthesis, and graphs, Ploeger rigorously and specifically labors to replicate the sphincter muscle contraction pattern registered by an anonymous male subject during masturbation and orgasm. In so doing, Ploeger critically explores gender and abjection and creates a heightened, embodied presence

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  • Orgasms and Oppositions

    Alissa Clarke•ARTICLE•TDR/The Drama Review•2013

    In his performance installation, ELECTRODE (2011), Dani Ploeger repeatedly “fakes” orgasms. Using medical devices, digital sound synthesis, and graphs, Ploeger rigorously and specifically labors to replicate the sphincter muscle contraction pattern registered by an anonymous male subject during masturbation and orgasm. In so doing, Ploeger critically explores gender and abjection and creates a heightened, embodied presence

  • “Am I Providing a Good Show for You?”

    Alissa Clarke•ARTICLE•Feminist Media Histories•2019

    The underground film Daddy (1973), a collaboration by French artist Niki de Saint Phalle and British countercultural filmmaker Peter Whitehead, is a sexually explicit surrealist pop-art Freudian rape revenge fantasy. It stems from de Saint Phalle's autobiographical narrative of parental abuse and the development of a young girl's sexuality. Deploying a performance studies lens to focus on performance practice and process, this article takes a new…

  • ‘It’s Never about Me, It’s Always about You’

    Open Access•Alissa Clarke•ARTICLE•Theatre Research International•2020

    In his extraordinary essay ‘The Metaphysical Studio’, Phillip Zarrilli advocated for the actor's psychophysical exploration of risky uncertainties and unknown possibilities in the ‘spatio-temporal realm between presence and absence, between “what is” and “what is not” – this liminal realm between’. It was typical of Zarrilli that when he received confirmation that his cancer had returned for the third and final time, he both responded pragmatical…

  • Act(ion)s of solidarity

    Open Access•Maria Kulikovska, Alissa Clarke•ARTICLE•Studies in Theatre and Performance•2024

    Ukrainian artist Maria Kulikovska was invited as a keynote speaker for the Borderlines IX: Seeking Solidarity and Wonder Through Performance conference, which took place at De Montfort University in Leicester, UK, on 30 June and 1 July 2022. What follows is the text of Kulikovska’s keynote presentation, with introduction and contextual framing of Kulikovska’s work by conference organiser and chair, Alissa Clarke. During this artist keynote, Kulik…

Art (4 obras) · Aesthetics (3 obras) · Psychology (3 obras) · Sociology (3 obras) · History (2 obras) · Political science (2 obras) · Politics (2 obras) · Psychoanalysis (2 obras) · Social Psychology (2 obras) · Visual arts (2 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae