Andrea Pagnes
Dados Biográficos
| ID | 7523866 |
|---|---|
| NOME | Andrea Pagnes |
| PRENOMES | Andrea |
| SOBRENOME | Pagnes |
| ASSINATURA | PAGNES A |
| AFILIAÇÕES | International Performance Research Institute |
| ORCID | 0000-0003-3696-2503 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 9 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2020 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 0 |
On Performance and Disability
Physical and cognitive disabilities are part of many people’s lives. They are the existential marks some performers carry and emphasize through their art in order to transcend them and embrace disability in a nonstigmatizing way. The performances of Felipe Monteiro, Nicola Fornoni, and Kamil Guenatri claim space for difference and diversity and reject assistentialist, protectionist, and pseudo-inclusive approaches that prescribe and perpetuate st…
Breathwork in VestAndPage Performance Practice
This article examines the methodological and theoretical foundations of Creative Dynamic Breathing (CDB), a performance-based breathwork practice developed by the artist duo VestAndPage (Andrea Pagnes and Verena Stenke). It contextualises its application within academic and non-institutional settings.Drawing from transpersonal psychology, ancient Eastern philosophical traditions, contemporary neuroscience, and the history of medicine, their resea…
Anam Cara
This text is the confluence of various online lectures and talks by VestAndPage carried out during the two years of the pandemic (2020-2021) on the themes: the absence of the performer, virtuality, the sense of time during the pandemic, accompanying the online screenings of their performance-based film ANAM CARA - Mirror in the Mirror (2020). Talks and screenings were presented in the frame of international performance art festivals and encounter…
In time of plagues
From February 2020 to August 2021, Andrea Pagnes has been in continuous online dialogue and poetic exchange with poet and performance artist Guillermo Gómez-Peña. The present text is an edited extract from their virtual encounters, digitally grown poems and online performances between them, which later merged into a video work by Verena Stenke (VestAndPage). Their words have developed as a chronicle response to multiple pandemics, including COVID…
Strata
Does a performance-based film as a creative artifact contribute new knowledge on the topics it adresses partly through its practice and outcomes? The focus of this article is on the performance-based film project STRATA. Under the direction of artist duo Verena Stenke and Andrea Pagnes (VestAndPage), STRATA brings together artists, performers, scholars, and researchers from the humanities and social sciences through collaborations and interdiscip…
Et Anima Est Sanguis et Sanguis Est Anima
Figure 1: Love Home Love (2015). Blood writing (partly written by the audience): DYAD IX: Open and Closed, Solyanka State Gallery, Moscow (RUS). Image © VestAndPageYou can read the words HOME and L
The Aesthetics of Invasion
This article critiques and considers how ‘differentiated bodies’ take over the performance scene as a form of aesthetic invasion – an insurgent participatory act and insubordinate presence. Brazilian performer and researcher Felipe Monteiro coined the term ‘differentiated bodies’ in 2013 to designate people with some type of disability in a non-stigmatizing way and actualize a politics of care in that respect. Faced with the discrimination that s…
On disability culture, performing arts, social theatre and the practice of beauty
This paper discusses performing arts in general and Social theatre in particular as art practices that most promote disability culture. Few significant examples of differently able performance artists are considered before analyzing the principles of Social theatre and the experience of Isole Comprese Social Theatre School (Florence, IT). From the propositions of American psychologist James Hillman, the school founded its teaching method on the p…
Poetics of Relations
This video article expands upon the Poetics of Relations, the embodied research of VestAndPage (Verena Stenke and Andrea Pagnes), which informs their performance-based filmmaking theory and practice. Since 2010, the artist duo inquires into the pillars that constitute the cross-contamination of the two art forms of time-based live art and filmmaking. Their films have been produced geo-psychologically in a variety of locations around the world: fr…
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On disability culture, performing arts, social theatre and the practice of beauty
This paper discusses performing arts in general and Social theatre in particular as art practices that most promote disability culture. Few significant examples of differently able performance artists are considered before analyzing the principles of Social theatre and the experience of Isole Comprese Social Theatre School (Florence, IT). From the propositions of American psychologist James Hillman, the school founded its teaching method on the p…
Poetics of Relations
This video article expands upon the Poetics of Relations, the embodied research of VestAndPage (Verena Stenke and Andrea Pagnes), which informs their performance-based filmmaking theory and practice. Since 2010, the artist duo inquires into the pillars that constitute the cross-contamination of the two art forms of time-based live art and filmmaking. Their films have been produced geo-psychologically in a variety of locations around the world: fr…
Anam Cara
This text is the confluence of various online lectures and talks by VestAndPage carried out during the two years of the pandemic (2020-2021) on the themes: the absence of the performer, virtuality, the sense of time during the pandemic, accompanying the online screenings of their performance-based film ANAM CARA - Mirror in the Mirror (2020). Talks and screenings were presented in the frame of international performance art festivals and encounter…
In time of plagues
From February 2020 to August 2021, Andrea Pagnes has been in continuous online dialogue and poetic exchange with poet and performance artist Guillermo Gómez-Peña. The present text is an edited extract from their virtual encounters, digitally grown poems and online performances between them, which later merged into a video work by Verena Stenke (VestAndPage). Their words have developed as a chronicle response to multiple pandemics, including COVID…
Strata
Does a performance-based film as a creative artifact contribute new knowledge on the topics it adresses partly through its practice and outcomes? The focus of this article is on the performance-based film project STRATA. Under the direction of artist duo Verena Stenke and Andrea Pagnes (VestAndPage), STRATA brings together artists, performers, scholars, and researchers from the humanities and social sciences through collaborations and interdiscip…
Et Anima Est Sanguis et Sanguis Est Anima
Figure 1: Love Home Love (2015). Blood writing (partly written by the audience): DYAD IX: Open and Closed, Solyanka State Gallery, Moscow (RUS). Image © VestAndPageYou can read the words HOME and L
The Aesthetics of Invasion
This article critiques and considers how ‘differentiated bodies’ take over the performance scene as a form of aesthetic invasion – an insurgent participatory act and insubordinate presence. Brazilian performer and researcher Felipe Monteiro coined the term ‘differentiated bodies’ in 2013 to designate people with some type of disability in a non-stigmatizing way and actualize a politics of care in that respect. Faced with the discrimination that s…
Breathwork in VestAndPage Performance Practice
This article examines the methodological and theoretical foundations of Creative Dynamic Breathing (CDB), a performance-based breathwork practice developed by the artist duo VestAndPage (Andrea Pagnes and Verena Stenke). It contextualises its application within academic and non-institutional settings.Drawing from transpersonal psychology, ancient Eastern philosophical traditions, contemporary neuroscience, and the history of medicine, their resea…
On Performance and Disability
Physical and cognitive disabilities are part of many people’s lives. They are the existential marks some performers carry and emphasize through their art in order to transcend them and embrace disability in a nonstigmatizing way. The performances of Felipe Monteiro, Nicola Fornoni, and Kamil Guenatri claim space for difference and diversity and reject assistentialist, protectionist, and pseudo-inclusive approaches that prescribe and perpetuate st…
Art (5 obras) · Aesthetics (4 obras) · Visual arts (4 obras) · Computer Science (3 obras) · Sociology (3 obras) · Artistic and Creative Research (2 obras) · Disability Rights and Representation (2 obras) · Embodied cognition (2 obras) · Epistemology (2 obras) · Filmmaking (2 obras)