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Alan Tansman

Dados Biográficos

ID76131
NOMEAlan Tansman
PRENOMESAlan
SOBRENOMETansman
ASSINATURATANSMAN A
AFILIAÇÕESOxford University Press (United Kingdom)
VERIFICADONão
TOTAL DE OBRAS21
TOTAL DE CITAÇÕES25
TOTAL COMO AUTOR19
TOTAL COMO EDITOR2
PRIMEIRO ANO DE PUBLICAÇÃO1993
ANO MAIS RECENTE DE PUBLICAÇÃO2013
ÍNDICE H2
  • サブライム Saburaimu /Sublime

    Alan Tansman•ARTICLE•Review of Japanese culture and…•2013

    How can we follow the movement of a word across time and place if that word"s power depends less on its semantic content than on the images it sets into motion, images that have an affective appeal and evoke an aesthetic experience that is beyond the reach of cognition and narrative representation? "Sublime" is just such a word. Entering Japanese literary and philosophical discussions in the 1890s through German and British Romanticism, it was le…

  • Saburaimu /Sublime

    Open Access•Alan Tansman•CHAPTER•Words in Motion•2009

  • The Culture of Japanese Fascism

    Open Access•Alan Tansman, Rey Chow et al.•BOOK•The Culture of Japanese Fascism•2009

    This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-19…

  • The Aesthetics of Japanese Fascism

    Alan Tansman•BOOK•The aesthetics of Japanese fascism•2009

  • The Culture of Japanese Fascism

    Open Access•Alan M Tansman, Harry Harootunian et al.•BOOK•Culture of Japanese Fascism•2009•Citada por: 22

    This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-19…

  • Japanese Bridges

    Alan Tansman•ARTICLE•Journal of Japanese Studies•2008•Citada por: 1

    Yasuda Yojūrō’s 1936 “Nihon no hashi” (Japanese bridges ) was among the most influential essays of its time. A discursive reflection on the place of Japanese bridges in the Japanese cultural imagination, “Nihon no hashi” earned Yasuda, the inspirational center of the Japanese Romantic Movement, the fervent devotion of his readers during the 1930s and the vilification of intellectuals after the war. Yasuda’s aura, projected from this essay as from…

  • Reading Fascism's Form

    Alan Tansman•ARTICLE•Representations•2008

    A discussion of how attention to form is necessary for understanding the power and effects of Japanese aesthetic fascism

  • Images of Repose and Violence in Three Japanese Writers

    Alan Tansman•ARTICLE•Journal of Japanese Studies•2002•Citada por: 2

  • Word and Image in Japanese Cinema

    Open Access•Dennis C Washburn, Donald Richie et al.•BOOK•Word and Image in Japanese Cinema•2000

    Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. I…

  • The Woman's Hand

    Alan Tansman, Paul Gordon Schalow et al.•ARTICLE•Journal of Japanese Studies•1999

  • Takarazuka

    Alan Tansman, Jennifer Robert et al.•ARTICLE•Anthropological Quarterly•1999

    TakaraZuka:Sexual Politics and Popular Culture in Modern Japan. jENNIFER ROBERTSON. Berkeley: University of California Press, 1998; 278 pp. Reviewed by ALAN TANSMAN Georgetown University A rich and provocative study of the all-female Takarazuka theater revue, this book grapples with complicated connections among theater, gender politics, nationalism, colonialism, and commerce in twentieth-century Japan. Through impressive archival research and fi…

  • Studies in Modern Japanese Literature

    J Cohn, Dennis Washburn et al.•ARTICLE•Monumenta Nipponica•1998

  • History, Repetition, and Freedom in the Narratives of Nakagami Kenji

    Alan Tansman•ARTICLE•Journal of Japanese Studies•1998

  • Bridges to Nowhere

    Alan Tansman•ARTICLE•Harvard Journal of Asiatic Studies•1996

  • The Writings of Koda Aya, a Japanese Literary Daughter

    Phyllis I Lyons, Phyllis Lyons et al.•ARTICLE•Harvard Journal of Asiatic Studies•1996

  • Discourses of the Vanishing

    Alan Tansman•REVIEW•Journal of Japanese Studies•1996

  • The Writings of Kōda Aya, A Japanese Literary Daughter

    James O''Brien, James O'Brien et al.•ARTICLE•Journal of the American Oriental…•1996

  • "Isoda Koichi's "The Dilemma of Domestic Sensibilities

    Alan Tansman, Isoda Koichi•ARTICLE•Journal of Japanese Studies•1995

  • The Writings of Koda Aya, a Japanese Literary Daughter

    Janet A Walker, Janet Walker et al.•ARTICLE•Journal of Japanese Studies•1995

  • Dreams of Difference

    Alan Tansman, K M Doak•ARTICLE•Journal of Japanese Studies•1995

  • The Writings of Koda Aya, a Japanese Literary Daughter

    Ann Sherif, Kōda Aya et al.•ARTICLE•Monumenta Nipponica•1993

  • The Culture of Japanese Fascism

    Open Access•Alan M Tansman, Harry Harootunian et al.•BOOK•Culture of Japanese Fascism•2009•Citada por: 22

    This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-19…

  • Images of Repose and Violence in Three Japanese Writers

    Alan Tansman•ARTICLE•Journal of Japanese Studies•2002•Citada por: 2

  • Japanese Bridges

    Alan Tansman•ARTICLE•Journal of Japanese Studies•2008•Citada por: 1

    Yasuda Yojūrō’s 1936 “Nihon no hashi” (Japanese bridges ) was among the most influential essays of its time. A discursive reflection on the place of Japanese bridges in the Japanese cultural imagination, “Nihon no hashi” earned Yasuda, the inspirational center of the Japanese Romantic Movement, the fervent devotion of his readers during the 1930s and the vilification of intellectuals after the war. Yasuda’s aura, projected from this essay as from…

  • The Writings of Koda Aya, a Japanese Literary Daughter

    Ann Sherif, Kōda Aya et al.•ARTICLE•Monumenta Nipponica•1993

  • "Isoda Koichi's "The Dilemma of Domestic Sensibilities

    Alan Tansman, Isoda Koichi•ARTICLE•Journal of Japanese Studies•1995

  • The Writings of Koda Aya, a Japanese Literary Daughter

    Janet A Walker, Janet Walker et al.•ARTICLE•Journal of Japanese Studies•1995

  • Dreams of Difference

    Alan Tansman, K M Doak•ARTICLE•Journal of Japanese Studies•1995

  • Bridges to Nowhere

    Alan Tansman•ARTICLE•Harvard Journal of Asiatic Studies•1996

  • The Writings of Koda Aya, a Japanese Literary Daughter

    Phyllis I Lyons, Phyllis Lyons et al.•ARTICLE•Harvard Journal of Asiatic Studies•1996

  • Discourses of the Vanishing

    Alan Tansman•REVIEW•Journal of Japanese Studies•1996

  • The Writings of Kōda Aya, A Japanese Literary Daughter

    James O''Brien, James O'Brien et al.•ARTICLE•Journal of the American Oriental…•1996

  • Studies in Modern Japanese Literature

    J Cohn, Dennis Washburn et al.•ARTICLE•Monumenta Nipponica•1998

  • History, Repetition, and Freedom in the Narratives of Nakagami Kenji

    Alan Tansman•ARTICLE•Journal of Japanese Studies•1998

  • The Woman's Hand

    Alan Tansman, Paul Gordon Schalow et al.•ARTICLE•Journal of Japanese Studies•1999

  • Takarazuka

    Alan Tansman, Jennifer Robert et al.•ARTICLE•Anthropological Quarterly•1999

    TakaraZuka:Sexual Politics and Popular Culture in Modern Japan. jENNIFER ROBERTSON. Berkeley: University of California Press, 1998; 278 pp. Reviewed by ALAN TANSMAN Georgetown University A rich and provocative study of the all-female Takarazuka theater revue, this book grapples with complicated connections among theater, gender politics, nationalism, colonialism, and commerce in twentieth-century Japan. Through impressive archival research and fi…

  • Word and Image in Japanese Cinema

    Open Access•Dennis C Washburn, Donald Richie et al.•BOOK•Word and Image in Japanese Cinema•2000

    Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. I…

  • Images of Repose and Violence in Three Japanese Writers

    Alan Tansman•ARTICLE•Journal of Japanese Studies•2002•Citada por: 2

  • Japanese Bridges

    Alan Tansman•ARTICLE•Journal of Japanese Studies•2008•Citada por: 1

    Yasuda Yojūrō’s 1936 “Nihon no hashi” (Japanese bridges ) was among the most influential essays of its time. A discursive reflection on the place of Japanese bridges in the Japanese cultural imagination, “Nihon no hashi” earned Yasuda, the inspirational center of the Japanese Romantic Movement, the fervent devotion of his readers during the 1930s and the vilification of intellectuals after the war. Yasuda’s aura, projected from this essay as from…

  • Reading Fascism's Form

    Alan Tansman•ARTICLE•Representations•2008

    A discussion of how attention to form is necessary for understanding the power and effects of Japanese aesthetic fascism

  • Saburaimu /Sublime

    Open Access•Alan Tansman•CHAPTER•Words in Motion•2009

  • The Culture of Japanese Fascism

    Open Access•Alan Tansman, Rey Chow et al.•BOOK•The Culture of Japanese Fascism•2009

    This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-19…

  • The Aesthetics of Japanese Fascism

    Alan Tansman•BOOK•The aesthetics of Japanese fascism•2009

  • The Culture of Japanese Fascism

    Open Access•Alan M Tansman, Harry Harootunian et al.•BOOK•Culture of Japanese Fascism•2009•Citada por: 22

    This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-19…

  • サブライム Saburaimu /Sublime

    Alan Tansman•ARTICLE•Review of Japanese culture and…•2013

    How can we follow the movement of a word across time and place if that word"s power depends less on its semantic content than on the images it sets into motion, images that have an affective appeal and evoke an aesthetic experience that is beyond the reach of cognition and narrative representation? "Sublime" is just such a word. Entering Japanese literary and philosophical discussions in the 1890s through German and British Romanticism, it was le…

Japanese History and Culture (17 obras) · Art (15 obras) · History (13 obras) · Literature (10 obras) · History (8 obras) · Law (8 obras) · Political science (8 obras) · Aesthetics (7 obras) · Philosophy (7 obras) · Law (5 obras)

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