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Christina Zwarg

Dados Biográficos

ID761550
NOMEChristina Zwarg
PRENOMESChristina
SOBRENOMEZwarg
ASSINATURAZWARG C
AFILIAÇÕESHaverford College
VERIFICADONão
TOTAL DE OBRAS10
TOTAL DE CITAÇÕES2
TOTAL COMO AUTOR10
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1987
ANO MAIS RECENTE DE PUBLICAÇÃO2015
ÍNDICE H1
  • Who's Afraid of Virginia's Nat Turner? Mesmerism, Stowe, and the Terror of Things

    Christina Zwarg•ARTICLE•American Literature•2015•Citada por: 1•Referências: 12

    When mesmerism first came to this hemisphere by way of St. Domingue, a complex association between radical abolition and the new science was born. Harriet Beecher Stowe takes up that association in her second abolitionist novel Dred. In so doing she charts an emergent trauma theory developing among slaves that deliberately focused on perpetrators rather than victims of New World slavery. Such a reading widens our understanding of early trauma the…

  • Du Bois on Trauma

    Christina Zwarg•ARTICLE•Cultural Critique•2002

    Until very recently, critics have been reluctant to deploy the critical legacy of psychoanalysis in their reading of African-American texts. 1 Certain political imperatives and concerns have supported this hesitation; all too often the presupposed subject of psychoanalytic criticism has been white, bourgeois, and male. Yet the emergence of "trauma studies" has made it possible to reenlist psychoanalysis in the work of cultural critique. 2 Indeed,…

  • "My Heart Is a Large Kingdom"

    Christina Zwarg, Robert N Hudspeth et al.•ARTICLE•The New England Quarterly•2002

  • The Work of Trauma

    Christina Zwarg•ARTICLE•Studies in Romanticism•2002•Citada por: 1

    M[argaret Fuller] to C[aroline Sturgis]. could not but laugh at your catalogue of things you must not have--nothing striped, diamonded, or (above all things) square. That is driving me to close quarters, I think. Dualism. I see but one key to mysteries of human condition, but one solution to old knot of Fate, Freedom, & fore-knowledge;--the propounding, namely, of consciousness. --A page from Emerson's journal JACQUES DERRIDA VISITED VILLANOVA UN…

  • Henry James and the Writing of Race and Nation

    Christina Zwarg, Sara Blair•ARTICLE•The New England Quarterly•1998

    Introduction: making a difference: Henry James, literary culture, and racial theater 1. First impressions: 'Questions of Ethnography' and the art of travel 2. 'Preparation for culture': Anthony Trollope, the American Century, and the fiction of freedom 3. 'Trying to be Natural': authorship and the power of type in The Princess Casamassima 4. James, Jack the Ripper, and the cosmopolitan Jew: staging authorship in The Tragic Muse 5. Documenting the…

  • The Storied Facts of Margaret Fuller

    Christina Zwarg, Charles Capper•ARTICLE•The New England Quarterly•1996

    AFTER I finished writing a book on Margaret Fuller and Ralph Waldo Emerson, the Haverford provost asked me to share my research interests with students, faculty, and other members of the college community.' Given the recent spate of publications about Fuller, including Bell Chevigny's revised and important anthology, Robert Hudspeth's completed edition of her letters, and the awardwinning biography by Charles Capper, I found myself inclined to re…

  • Feminist Conversations

    Malini Johar Schueller, Christina Zwarg•ARTICLE•American Literature•1996

  • Feminist Conversations

    Linck C Johnson, Christina Zwarg•ARTICLE•The New England Quarterly•1996

  • Womanizing Margaret Fuller

    Christina Zwarg•ARTICLE•Cultural Critique•1990

    f Alice Jardine was not the first, she was among the most persuasive of the early critics to argue for a dialogue between the various forms of feminist criticism developing throughout Europe and North America. With the work of Gayatri Spivak and others, this call for an enlarged view of feminist strategies has been broadened to include the challenging discourses of the third world.2 Nevertheless, so many tensions and disciplinary tendencies have …

  • Emerson's "Scene" before the Women

    Christina Zwarg•ARTICLE•Social Text•1987

    less arbitrary than it might at first appear. Emerson writes in response to the failing social reform of his day, and the dislocations of Experience emerge from his desire to explore the theoretical implications of that failure. In this, his confusion resembles that of critics attempting to pass empirical through the theoretical turns of deconstruction. Like Emerson, these feminists find themselves precariously situated. While deconstructionists,…

  • Who's Afraid of Virginia's Nat Turner? Mesmerism, Stowe, and the Terror of Things

    Christina Zwarg•ARTICLE•American Literature•2015•Citada por: 1•Referências: 12

    When mesmerism first came to this hemisphere by way of St. Domingue, a complex association between radical abolition and the new science was born. Harriet Beecher Stowe takes up that association in her second abolitionist novel Dred. In so doing she charts an emergent trauma theory developing among slaves that deliberately focused on perpetrators rather than victims of New World slavery. Such a reading widens our understanding of early trauma the…

  • The Work of Trauma

    Christina Zwarg•ARTICLE•Studies in Romanticism•2002•Citada por: 1

    M[argaret Fuller] to C[aroline Sturgis]. could not but laugh at your catalogue of things you must not have--nothing striped, diamonded, or (above all things) square. That is driving me to close quarters, I think. Dualism. I see but one key to mysteries of human condition, but one solution to old knot of Fate, Freedom, & fore-knowledge;--the propounding, namely, of consciousness. --A page from Emerson's journal JACQUES DERRIDA VISITED VILLANOVA UN…

  • Emerson's "Scene" before the Women

    Christina Zwarg•ARTICLE•Social Text•1987

    less arbitrary than it might at first appear. Emerson writes in response to the failing social reform of his day, and the dislocations of Experience emerge from his desire to explore the theoretical implications of that failure. In this, his confusion resembles that of critics attempting to pass empirical through the theoretical turns of deconstruction. Like Emerson, these feminists find themselves precariously situated. While deconstructionists,…

  • Womanizing Margaret Fuller

    Christina Zwarg•ARTICLE•Cultural Critique•1990

    f Alice Jardine was not the first, she was among the most persuasive of the early critics to argue for a dialogue between the various forms of feminist criticism developing throughout Europe and North America. With the work of Gayatri Spivak and others, this call for an enlarged view of feminist strategies has been broadened to include the challenging discourses of the third world.2 Nevertheless, so many tensions and disciplinary tendencies have …

  • The Storied Facts of Margaret Fuller

    Christina Zwarg, Charles Capper•ARTICLE•The New England Quarterly•1996

    AFTER I finished writing a book on Margaret Fuller and Ralph Waldo Emerson, the Haverford provost asked me to share my research interests with students, faculty, and other members of the college community.' Given the recent spate of publications about Fuller, including Bell Chevigny's revised and important anthology, Robert Hudspeth's completed edition of her letters, and the awardwinning biography by Charles Capper, I found myself inclined to re…

  • Feminist Conversations

    Malini Johar Schueller, Christina Zwarg•ARTICLE•American Literature•1996

  • Feminist Conversations

    Linck C Johnson, Christina Zwarg•ARTICLE•The New England Quarterly•1996

  • Henry James and the Writing of Race and Nation

    Christina Zwarg, Sara Blair•ARTICLE•The New England Quarterly•1998

    Introduction: making a difference: Henry James, literary culture, and racial theater 1. First impressions: 'Questions of Ethnography' and the art of travel 2. 'Preparation for culture': Anthony Trollope, the American Century, and the fiction of freedom 3. 'Trying to be Natural': authorship and the power of type in The Princess Casamassima 4. James, Jack the Ripper, and the cosmopolitan Jew: staging authorship in The Tragic Muse 5. Documenting the…

  • Du Bois on Trauma

    Christina Zwarg•ARTICLE•Cultural Critique•2002

    Until very recently, critics have been reluctant to deploy the critical legacy of psychoanalysis in their reading of African-American texts. 1 Certain political imperatives and concerns have supported this hesitation; all too often the presupposed subject of psychoanalytic criticism has been white, bourgeois, and male. Yet the emergence of "trauma studies" has made it possible to reenlist psychoanalysis in the work of cultural critique. 2 Indeed,…

  • "My Heart Is a Large Kingdom"

    Christina Zwarg, Robert N Hudspeth et al.•ARTICLE•The New England Quarterly•2002

  • The Work of Trauma

    Christina Zwarg•ARTICLE•Studies in Romanticism•2002•Citada por: 1

    M[argaret Fuller] to C[aroline Sturgis]. could not but laugh at your catalogue of things you must not have--nothing striped, diamonded, or (above all things) square. That is driving me to close quarters, I think. Dualism. I see but one key to mysteries of human condition, but one solution to old knot of Fate, Freedom, & fore-knowledge;--the propounding, namely, of consciousness. --A page from Emerson's journal JACQUES DERRIDA VISITED VILLANOVA UN…

  • Who's Afraid of Virginia's Nat Turner? Mesmerism, Stowe, and the Terror of Things

    Christina Zwarg•ARTICLE•American Literature•2015•Citada por: 1•Referências: 12

    When mesmerism first came to this hemisphere by way of St. Domingue, a complex association between radical abolition and the new science was born. Harriet Beecher Stowe takes up that association in her second abolitionist novel Dred. In so doing she charts an emergent trauma theory developing among slaves that deliberately focused on perpetrators rather than victims of New World slavery. Such a reading widens our understanding of early trauma the…

Art (7 obras) · Sociology (7 obras) · Philosophy (6 obras) · Psychology (5 obras) · Literature (4 obras) · Psychoanalysis (4 obras) · American and British Literature Analysis (3 obras) · Gender Studies (3 obras) · History (3 obras) · Linguistics (3 obras)

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