Miguel Fernández Labayen
Dados Biográficos
| ID | 76519 |
|---|---|
| NOME | Miguel Fernández Labayen |
| PRENOMES | Miguel Fernández |
| SOBRENOME | Labayen |
| ASSINATURA | LABAYEN M F |
| AFILIAÇÕES | Universidad Carlos III de Madrid |
| ORCID | 0000-0002-8648-1970 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAÇÕES | 2 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2009 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 1 |
La movilidad profesional de los directores de fotografía
Este artículo estudia la trayectoria transnacional del director de fotografía Javier Aguirresarobe. A partir de un repaso por su carrera en los últimos treinta años y una amplia consulta de entrevistas y materiales generados por la industria y el propio Aguirresarobe, entendemos su trabajo como un ejemplo de la movilidad de las élites laborales cinematográficas. En primer lugar, el texto examina la posición referencial de Aguirresarobe en el cine…
Marilina Ross como estrella queer en la España de la transición
La actriz Marilina Ross vivió en España entre 1976 y 1980, tras exiliarse de Argentina ante una inminente y feroz dictadura militar. El éxito comercial y crítico del filme La Raulito (1974), estrenado en los meses finales del franquismo, le abrió las puertas de la industria cinematográfica española. La imagen de este personaje, una mujer de apariencia masculina que lucha por su libertad frente a múltiples obstáculos institucionales y sociales, de…
Las porteadoras, metáforas del confín. Una mirada interseccional a los documentales postcoloniales sobre la frontera hispano-marroquí
Este artículo analiza las representaciones documentales de las porteadoras, trabajadoras transfronterizas en el borde hispano-marroquí. Estas mujeres cruzan la frontera cargando pesados fardos de productos que serán vendidos en un procedimiento comercial alegal pero lucrativo para los países involucrados. Desempeñan un papel secundario de una práctica que entraña peligro físico y atropellos de derechos y en la que intervienen dinámicas de género,…
Naked weekends, white sheets, and masked erotica. The changing limits of decency in the Spanish sexy comedies of the transition to democracy
Spanish sexy comedies of the 1970s have become an ambivalent touchstone of contemporary cinema. Both rejected by national intelligentsia and entertained by local audiences, they have traditionally been understood as a psychosocial projection of Franco’s repression, establishing a dialogue between legal and religious oppression and the social need for escapism. This article questions the limits of decency and obscenity in film comedy. Through the …
Migration and educational network
This article presents the experience of Viaje de ida y vuelta (Round Trip, 2018–2020), an audiovisual workshop whose aim is to produce a collective documentary in which adolescents of various nationalities and backgrounds reflect on their diasporic identity. The activity was conducted in conjunction with the educational project 12Nubes, an initiative that collaborates with schools in Vitoria-Gasteiz (Basque Country, Spain) to explore integral edu…
Digital placemaking as survival tactics
This article examines the use of digital media by irregular migrants in their preparation to cross the Moroccan–Spanish border. Based on long-term exploratory research that includes active participation and in-depth interviews, we analyse the videos produced by sub-Saharan young males while they live in the settlements near Ceuta. By focusing on processes of self-representation and border crossing, we highlight the role of digital media as it emb…
Introduction
This article introduces the dossier of the Journal of Latin American Cultural Studies devoted to the study of digital cinema in Latin America. First, the text addresses the lack of research on the history of digital cinema in Latin America. Then, it proposes a comprehensive analysis of the digital, in terms of film aesthetics, production, distribution, exhibition, and consumption. At the same time, it establishes a dual axis to account for the ch…
The Institutionalisation of Ibero-American Cinema in the Twenty-First Century
In 2014, the Fénix Ibero-American Awards for Cinema and the PLATINO Awards for Ibero-American Cinema were launched. Created by Mexican and Spanish organizations respectively, both platforms aimed at promoting and disseminating contemporary Ibero-American cinema. This article analyses the strategies developed by these awards to conceptualize, market, and circulate Latin American, Portuguese, and Spanish cinemas in a global scenario. As such, the e…
The cartographic imagination in Spanish and Latin American documentaries
‘When we were invited to the University of Cali, we tracked down Colombia with Google Earth in order to plan the journey. But almost the whole country is blurry: it is covered by strange clouds or low resolution images of the jungle. Nothing of what was going on in Colombia could be tracked down over a satellite, so we asked the students to put together a collective film, shooting what each one of them considered it was essential to rescue from i…
In and out
Twenty years ago, Jo Labanyi pointed out that “‘Spanishness’ is a shifting concept, encompassing plurality and contradiction” (“Postmodernism” 397). Labanyi was writing at a critical juncture for S
TVE Catalunya. Fifty years of light and shade
Preview this article: TVE Catalunya. Fifty years of light and shade, Page 1 of 1 /docserver/preview/fulltext/cjcs/1/1/s8-1.gif
Naked weekends, white sheets, and masked erotica. The changing limits of decency in the Spanish sexy comedies of the transition to democracy
Spanish sexy comedies of the 1970s have become an ambivalent touchstone of contemporary cinema. Both rejected by national intelligentsia and entertained by local audiences, they have traditionally been understood as a psychosocial projection of Franco’s repression, establishing a dialogue between legal and religious oppression and the social need for escapism. This article questions the limits of decency and obscenity in film comedy. Through the …
In and out
Twenty years ago, Jo Labanyi pointed out that “‘Spanishness’ is a shifting concept, encompassing plurality and contradiction” (“Postmodernism” 397). Labanyi was writing at a critical juncture for S
TVE Catalunya. Fifty years of light and shade
Preview this article: TVE Catalunya. Fifty years of light and shade, Page 1 of 1 /docserver/preview/fulltext/cjcs/1/1/s8-1.gif
In and out
Twenty years ago, Jo Labanyi pointed out that “‘Spanishness’ is a shifting concept, encompassing plurality and contradiction” (“Postmodernism” 397). Labanyi was writing at a critical juncture for S
The cartographic imagination in Spanish and Latin American documentaries
‘When we were invited to the University of Cali, we tracked down Colombia with Google Earth in order to plan the journey. But almost the whole country is blurry: it is covered by strange clouds or low resolution images of the jungle. Nothing of what was going on in Colombia could be tracked down over a satellite, so we asked the students to put together a collective film, shooting what each one of them considered it was essential to rescue from i…
Introduction
This article introduces the dossier of the Journal of Latin American Cultural Studies devoted to the study of digital cinema in Latin America. First, the text addresses the lack of research on the history of digital cinema in Latin America. Then, it proposes a comprehensive analysis of the digital, in terms of film aesthetics, production, distribution, exhibition, and consumption. At the same time, it establishes a dual axis to account for the ch…
The Institutionalisation of Ibero-American Cinema in the Twenty-First Century
In 2014, the Fénix Ibero-American Awards for Cinema and the PLATINO Awards for Ibero-American Cinema were launched. Created by Mexican and Spanish organizations respectively, both platforms aimed at promoting and disseminating contemporary Ibero-American cinema. This article analyses the strategies developed by these awards to conceptualize, market, and circulate Latin American, Portuguese, and Spanish cinemas in a global scenario. As such, the e…
Digital placemaking as survival tactics
This article examines the use of digital media by irregular migrants in their preparation to cross the Moroccan–Spanish border. Based on long-term exploratory research that includes active participation and in-depth interviews, we analyse the videos produced by sub-Saharan young males while they live in the settlements near Ceuta. By focusing on processes of self-representation and border crossing, we highlight the role of digital media as it emb…
Las porteadoras, metáforas del confín. Una mirada interseccional a los documentales postcoloniales sobre la frontera hispano-marroquí
Este artículo analiza las representaciones documentales de las porteadoras, trabajadoras transfronterizas en el borde hispano-marroquí. Estas mujeres cruzan la frontera cargando pesados fardos de productos que serán vendidos en un procedimiento comercial alegal pero lucrativo para los países involucrados. Desempeñan un papel secundario de una práctica que entraña peligro físico y atropellos de derechos y en la que intervienen dinámicas de género,…
Naked weekends, white sheets, and masked erotica. The changing limits of decency in the Spanish sexy comedies of the transition to democracy
Spanish sexy comedies of the 1970s have become an ambivalent touchstone of contemporary cinema. Both rejected by national intelligentsia and entertained by local audiences, they have traditionally been understood as a psychosocial projection of Franco’s repression, establishing a dialogue between legal and religious oppression and the social need for escapism. This article questions the limits of decency and obscenity in film comedy. Through the …
Migration and educational network
This article presents the experience of Viaje de ida y vuelta (Round Trip, 2018–2020), an audiovisual workshop whose aim is to produce a collective documentary in which adolescents of various nationalities and backgrounds reflect on their diasporic identity. The activity was conducted in conjunction with the educational project 12Nubes, an initiative that collaborates with schools in Vitoria-Gasteiz (Basque Country, Spain) to explore integral edu…
La movilidad profesional de los directores de fotografía
Este artículo estudia la trayectoria transnacional del director de fotografía Javier Aguirresarobe. A partir de un repaso por su carrera en los últimos treinta años y una amplia consulta de entrevistas y materiales generados por la industria y el propio Aguirresarobe, entendemos su trabajo como un ejemplo de la movilidad de las élites laborales cinematográficas. En primer lugar, el texto examina la posición referencial de Aguirresarobe en el cine…
Marilina Ross como estrella queer en la España de la transición
La actriz Marilina Ross vivió en España entre 1976 y 1980, tras exiliarse de Argentina ante una inminente y feroz dictadura militar. El éxito comercial y crítico del filme La Raulito (1974), estrenado en los meses finales del franquismo, le abrió las puertas de la industria cinematográfica española. La imagen de este personaje, una mujer de apariencia masculina que lucha por su libertad frente a múltiples obstáculos institucionales y sociales, de…
Art (9 obras) · Sociology (6 obras) · Humanities (4 obras) · Law (4 obras) · Media, Journalism, and Communication History (4 obras) · Movie theater (4 obras) · Political science (4 obras) · Spanish Culture and Identity (4 obras) · Art history (3 obras) · Cinema History and Criticism (3 obras)