Tiago De Oliveira Pinto

Dados Biográficos

ID77509
NOMETiago De Oliveira Pinto
PRENOMESTiago De Oliveira
SOBRENOMEPinto
ASSINATURAPINTO T O
AFILIAÇÕESUniversidade de São Paulo
ORCID0000-0002-6682-9204
VERIFICADOSim
TOTAL DE OBRAS27
TOTAL DE CITAÇÕES20
TOTAL COMO AUTOR27
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1987
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H1

  • Kulturerbe und Musikwissenschaft

    Open AccessTiago De Oliveira PintoARTICLEDie Musikforschung2025

    Nicinha do Samba died in February 2022, which raises the question of to what extent a posthumous appreciation of the musical life’s work of this master of samba-de-roda, a genre which was added to the UNESCO Intangible Cultural Heritage list in 2005, can be included in a traditional journal of musicology. Therefore, both the history of musicology and its normative authority to interpret musical styles and genres must be questioned. Epistemic just…

  • Wie „lebendig“ muss Living Heritage sein

    Tiago De Oliveira PintoARTICLEParagrana2024

    Dem kanonisierten Meisterwerk der abendländischen Musikgeschichte, das bereits im Programm zum UNESCO Weltdokumentenerbe von 1992 als schriftliches Autograph einen Platz erhalten hatte, steht mit der Konvention von 2003 klingende Musik als immaterielles Kulturerbe zur Seite. Um zu einem sinnvollen Vitality Index von Musikerbe zu kommen, müssen zunächst die wesentlichen Indikatoren erkannt und in eine Werteskala eingefasst werden. Über die allgeme…

  • Imagem Do Samba

    Open AccessTiago De Oliveira PintoARTICLECaminhos da História2023

    Este ensaio aborda alguns itens de uma historiografia geral do samba no Brasil, baseando-se em diversas fontes e dados. A primeira questão que se coloca é porque o samba foi, ele próprio, filetado para se ajustar a critérios epistemológicos divergentes. De um lado temos a historiografia que inclui o samba, do outro a pesquisa etnomusicológica e os estudos de música popular, que mantém as suas abordagens claramente delimitadas, com pouco diálogo e…

  • Helen Hahmann

    Open AccessTiago De Oliveira PintoARTICLEDie Musikforschung2020

  • Songbird and birdsong

    Open AccessTiago De Oliveira PintoARTICLESound Studies2020Referências: 13

    The present study is chiefly directed to the way in which birders perceive and evaluate birdsong and how they behave towards it, including in certain rituals in which birdsong contests play an important part. The tradition of songbird competitions as a living cultural heritage is well exemplified by the long tradition of the Finkerei in the Harz region, Germany. In the Harz song contests, I argue, birdsongs are far from “naturalistic”. They are “…

  • Ruídos, timbres, escalas e ritmos

    Open AccessTiago De Oliveira PintoARTICLERevista USP2008

  • Etnomusicologia

    Open AccessTiago De Oliveira PintoARTICLERevista USP2008

  • Vivemos o melhor e o pior de todos os tempos

    Open AccessTiago De Oliveira PintoARTICLERevista USP2008

  • Som e música. Questões de uma antropologia sonora

    Open AccessTiago De Oliveira PintoARTICLERevista de Antropologia2001Citada por: 19Referências: 6

    Este ensaio pretende esboçar, de forma introdutória, alguns campos de interesse da etnomusicologia, disciplina, que apesar de percebida durante longo tempo como de natureza híbrida -- ou seja, pertencente à musicologia quanto a seus conteúdos e à antropologia quando se trata de seus métodos de pesquisa -- cresceu consideravelmente nas últimas décadas levando à constituição de centros de estudos e de pesquisa nas principais universidades americana…

  • Musical Traditions of Portugal

    Josep Martí, Josep M Vallès Martí et al.ARTICLEYearbook for Traditional Music1998

  • Bresil. Enauene-Naue et Nhambiquara du Mato Grosso [Brazil. Enauene-Naue and Nhambiquara from Mato Grosso]

    Tiago De Oliveira Pinto, Luis Fernandez et al.ARTICLEYearbook for Traditional Music1997

  • Bandoneon Pure

    Jane L Florine, Rene Marino Rivero et al.ARTICLEEthnomusicology1997

  • Emics and Etics Re-Examined, Part 3

    Open AccessTiago De Oliveira PintoARTICLEAfrican Music Journal of the…1996

    Comparison of contemporary African and so-called African-Brazilian musics is possible to a limited extent as an experimental tool. Without disregarding the methodological problems, which are implicit in any comparison of a cross-cultural nature, I wanted to test some assumptions regarding the historical, linguistic, and organological links between the Brazilian berimbau musical bow and the Angolan mbulumbumba musical bow from Wila province (Kubik…

  • Musical Difference, Competition, and Conflict

    Tiago De Oliveira PintoARTICLELatin American Music Review1996

    Tiago de Oliveira Pinto, Musical Difference, Competition, and Conflict: The Maracatu Groups in the Pernambuco Carnival, Brazil, Latin American Music Review / Revista de Música Latinoamericana, Vol. 17, No. 2 (Autumn - Winter, 1996), pp. 97-119

  • Folk Music from Mongolia/Karakorum

    Linda Fujie, Tiago De Oliveira PintoARTICLEYearbook for Traditional Music1994

  • The Pernambuco Carnival and Its Formal Organisations

    Tiago De Oliveira PintoARTICLEYearbook for Traditional Music1994

    Le carnaval de Pernambuco (a Recife et a Olinda), au Nord-Est du Bresil, se caracterise par sa diversite musicale. Onze groupes (agremiacoes carnavalescas) representent onze repertoires differents parmi lesquels ceux des « caboclinhos » et des « maracatu de baque virado » qui sont ici plus particulierement etudies. A cote de ces associations locales interviennent les institutions officielles qui organisent et regulent le carnaval apparemment spon…

  • Bandoneon Pure

    Linda Fujie, Tiago De Oliveira PintoARTICLEYearbook for Traditional Music1994

  • Une expérience transculturelle

    Tiago De Oliveira PintoARTICLECahiers de musiques traditionnelles1994

    En 1975 - j’étais encore écolier - un ami me parla d’une conférence que Gerhard Kubik avait prononcée au Goethe-Institut de ma ville natale, São Paulo, et d’un concert qu’il avait donné avec deux musiciens du Malawi dans l’auditoire du Museu de Arte de la même ville. A l’époque, j’avais de la peine à m’imaginer un chercheur européen qui, après avoir vécu et travaillé dans différents pays africains, était venu au Brésil pour retracer les liens his…

  • Carnival in Pernambuco/Brasil

    Linda Fujie, Tiago De Oliveira PintoARTICLEYearbook for Traditional Music1993

  • Capoeira, Samba, Candomble Bahia/Brasil

    John Murphy, Tiago De Oliveira Pinto et al.ARTICLEYearbook for Traditional Music1992

  • Capoeira, Samba, Candomble

    Ralph Cole Waddey, Tiago De Oliveira PintoARTICLELatin American Music Review1992

  • La musique dans le rite et la musique comme rite dans le candomblé brésilien

    Tiago De Oliveira PintoARTICLECahiers de musiques traditionnelles1992Citada por: 1

    Dans la plupart des systemes religieux, la musique occupe un role important, sinon central pour la « mise en condition sensorielle » de principes spirituels et mythiques. Mais jusqu’a quel point peut-on considerer la musique comme un element autonome – et de ce fait susceptible d’etre abstrait – du rite religieux ? La musique prise au sens le plus general, ne constitue-t-elle pas plutot une dramatisation de l’acte religieux ? Dans le candomble, u…

  • Viola Caipira--Roberto Correa--Brazil

    Martha De Ulhoa Carvalho, Martha Carvalho et al.ARTICLEEthnomusicology1991

  • Brasilien

    Maria Elizabeth Lucas, Tiago De Oliveira PintoARTICLEEthnomusicology1990

  • Brasilien. Einfuhrung in Musiktraditionen Brasiliens

    Judith Seeger, Axel Hesse et al.ARTICLEYearbook for Traditional Music1988