Kimberly A Jameson
Dados Biográficos
| ID | 78377 |
|---|---|
| NOME | Kimberly A Jameson |
| PRENOMES | Kimberly A |
| SOBRENOME | Jameson |
| ASSINATURA | JAMESON K A |
| AFILIAÇÕES | University of California, Irvine; University of California, San Diego |
| ORCID | 0000-0002-6996-0697 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAÇÕES | 19 |
| TOTAL COMO AUTOR | 9 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2002 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2011 |
| ÍNDICE H | 3 |
Shared Knowledge About Emotion Among Vietnamese and English Bilingual and Monolingual Speakers
Recent empirical findings show strong similarity in the structure of emotion space across highly diverse cultures. Previous researchers believe this demonstrates shared conceptual understanding of emotion. However, similarity may emerge from sources such as similar language structure operated upon by pan-human categorization processes. Thus, existence of a superordinate concept of emotion may be prerequisite to similar categorization of emotion t…
Considering the Prevalence of the "Stimulus Error" in Color Naming Research
In "Does the Basic Color Terms discussion suffer from the Stimulus Error?" Rolf Kuehni describes a research stumbling block known as the "stimulus error," and hints at the difficulties it causes for mainstream color naming research (Kuehni, is Issue). Among the issues intrinsic to Kuehni's "stimulus error" description is the important question of what can generally be inferred from color naming behaviors based on bounded samples of empirical stim…
Semantic and Perceptual Representations of Color: Evidence of a Shared Color-Naming Function
Much research on color representation and categorization has assumed that relations among color terms can be proxies for relations among color percepts. We test this assumption by comparing the mapping of color words with color appearances among different observer groups performing cognitive tasks: (1) an invariance of naming task; and (2) triad similarity judgments of color term and color appearance stimuli within and across color categories. Ob…
Culture and Cognition: What is Universal about the Representation of Color Experience
Existing research in color naming and categorization primarily reflects two opposing views: A Cultural Relativist view that posits color perception is greatly shaped by culturally specific language associations and perceptual learning, and a Universalist view that emphasizes panhuman shared color processing as the basis for color naming similarities within and across cultures. Recent empirical evidence finds color processing differs both within a…
On the Role of Culture in Color Naming: Remarks on the Articles of Paramei, Kay, Roberson, and Hardin on the Topic of Cognition, Culture, and Color Experience
Comment on the preceding articles is now provided to highlight some open questions and controversies raised in this issue. The primary goal is to provide a context for examining the longaccepted views from the cross-cultural color categorization and naming literature that are presented in the articles. For this reason alone, the articles by Hardin and Kay—which present new analyses compatible with the established theory in the area— receive more …
Confidence Judgments on Color Category Best Exemplars
Although basic color terms and basic color appearances have been shown to produce higher confidence ratings in a variety of naming and judgment tasks, our findings suggest that when different ethnolinguistic cultures are compared, higher confidence is not strictly linked to the basic foci of Berlin and Kay nor the centroid samples identified by Boynton and colleagues. This raises important questions about high confidence as evidence of the salien…
Introductory Remarks on Cognition, Culture, and Color Experience
Color naming and categorization research has benefited from a diverse set of interdisciplinary researchers investigating a wide range of phenomena: from psychophysical studies of front-end physical processing in human visual systems, to the philosophical questions of the epistemology and ontology of color sensations, to investigations of the uniformity with which humans across the globe see, think, organize, and communicate about color stimuli in…
Why GRUE? An Interpoint-Distance Model Analysis of Composite Color Categories
This article applies the interpoint-distance model (IDM) to explain composite color categories that continue to challenge existing models in the literature. Using universal cognitive principles and heuristics suggested in the IDM, analyses demonstrate that the composite category blue-green (or GRUE) seen in many languages is one of several natural coding configurations expected in the development of a color lexicon for communicating about color s…
The Use of Modifying Terms in the Naming and Categorization of Color Appearances in Vietnamese and English
Cross-cultural studies of color naming show that basic terms are universally the most frequently used to name colors. However, such basic color terms are always used in the context of larger linguistic systems when specific properties of color experience are described. To investigate naturalistic naming behaviors, we examined the use of modifiers in English and Vietnamese color naming using an unconstrained naming task (Jameson & Alvarado, in pre…
The Use of Modifying Terms in the Naming and Categorization of Color Appearances in Vietnamese and English
Cross-cultural studies of color naming show that basic terms are universally the most frequently used to name colors. However, such basic color terms are always used in the context of larger linguistic systems when specific properties of color experience are described. To investigate naturalistic naming behaviors, we examined the use of modifiers in English and Vietnamese color naming using an unconstrained naming task (Jameson & Alvarado, in pre…
Culture and Cognition: What is Universal about the Representation of Color Experience
Existing research in color naming and categorization primarily reflects two opposing views: A Cultural Relativist view that posits color perception is greatly shaped by culturally specific language associations and perceptual learning, and a Universalist view that emphasizes panhuman shared color processing as the basis for color naming similarities within and across cultures. Recent empirical evidence finds color processing differs both within a…
On the Role of Culture in Color Naming: Remarks on the Articles of Paramei, Kay, Roberson, and Hardin on the Topic of Cognition, Culture, and Color Experience
Comment on the preceding articles is now provided to highlight some open questions and controversies raised in this issue. The primary goal is to provide a context for examining the longaccepted views from the cross-cultural color categorization and naming literature that are presented in the articles. For this reason alone, the articles by Hardin and Kay—which present new analyses compatible with the established theory in the area— receive more …
Shared Knowledge About Emotion Among Vietnamese and English Bilingual and Monolingual Speakers
Recent empirical findings show strong similarity in the structure of emotion space across highly diverse cultures. Previous researchers believe this demonstrates shared conceptual understanding of emotion. However, similarity may emerge from sources such as similar language structure operated upon by pan-human categorization processes. Thus, existence of a superordinate concept of emotion may be prerequisite to similar categorization of emotion t…
Confidence Judgments on Color Category Best Exemplars
Although basic color terms and basic color appearances have been shown to produce higher confidence ratings in a variety of naming and judgment tasks, our findings suggest that when different ethnolinguistic cultures are compared, higher confidence is not strictly linked to the basic foci of Berlin and Kay nor the centroid samples identified by Boynton and colleagues. This raises important questions about high confidence as evidence of the salien…
Why GRUE? An Interpoint-Distance Model Analysis of Composite Color Categories
This article applies the interpoint-distance model (IDM) to explain composite color categories that continue to challenge existing models in the literature. Using universal cognitive principles and heuristics suggested in the IDM, analyses demonstrate that the composite category blue-green (or GRUE) seen in many languages is one of several natural coding configurations expected in the development of a color lexicon for communicating about color s…
Semantic and Perceptual Representations of Color: Evidence of a Shared Color-Naming Function
Much research on color representation and categorization has assumed that relations among color terms can be proxies for relations among color percepts. We test this assumption by comparing the mapping of color words with color appearances among different observer groups performing cognitive tasks: (1) an invariance of naming task; and (2) triad similarity judgments of color term and color appearance stimuli within and across color categories. Ob…
The Use of Modifying Terms in the Naming and Categorization of Color Appearances in Vietnamese and English
Cross-cultural studies of color naming show that basic terms are universally the most frequently used to name colors. However, such basic color terms are always used in the context of larger linguistic systems when specific properties of color experience are described. To investigate naturalistic naming behaviors, we examined the use of modifiers in English and Vietnamese color naming using an unconstrained naming task (Jameson & Alvarado, in pre…
Semantic and Perceptual Representations of Color: Evidence of a Shared Color-Naming Function
Much research on color representation and categorization has assumed that relations among color terms can be proxies for relations among color percepts. We test this assumption by comparing the mapping of color words with color appearances among different observer groups performing cognitive tasks: (1) an invariance of naming task; and (2) triad similarity judgments of color term and color appearance stimuli within and across color categories. Ob…
Culture and Cognition: What is Universal about the Representation of Color Experience
Existing research in color naming and categorization primarily reflects two opposing views: A Cultural Relativist view that posits color perception is greatly shaped by culturally specific language associations and perceptual learning, and a Universalist view that emphasizes panhuman shared color processing as the basis for color naming similarities within and across cultures. Recent empirical evidence finds color processing differs both within a…
On the Role of Culture in Color Naming: Remarks on the Articles of Paramei, Kay, Roberson, and Hardin on the Topic of Cognition, Culture, and Color Experience
Comment on the preceding articles is now provided to highlight some open questions and controversies raised in this issue. The primary goal is to provide a context for examining the longaccepted views from the cross-cultural color categorization and naming literature that are presented in the articles. For this reason alone, the articles by Hardin and Kay—which present new analyses compatible with the established theory in the area— receive more …
Confidence Judgments on Color Category Best Exemplars
Although basic color terms and basic color appearances have been shown to produce higher confidence ratings in a variety of naming and judgment tasks, our findings suggest that when different ethnolinguistic cultures are compared, higher confidence is not strictly linked to the basic foci of Berlin and Kay nor the centroid samples identified by Boynton and colleagues. This raises important questions about high confidence as evidence of the salien…
Introductory Remarks on Cognition, Culture, and Color Experience
Color naming and categorization research has benefited from a diverse set of interdisciplinary researchers investigating a wide range of phenomena: from psychophysical studies of front-end physical processing in human visual systems, to the philosophical questions of the epistemology and ontology of color sensations, to investigations of the uniformity with which humans across the globe see, think, organize, and communicate about color stimuli in…
Why GRUE? An Interpoint-Distance Model Analysis of Composite Color Categories
This article applies the interpoint-distance model (IDM) to explain composite color categories that continue to challenge existing models in the literature. Using universal cognitive principles and heuristics suggested in the IDM, analyses demonstrate that the composite category blue-green (or GRUE) seen in many languages is one of several natural coding configurations expected in the development of a color lexicon for communicating about color s…
Considering the Prevalence of the "Stimulus Error" in Color Naming Research
In "Does the Basic Color Terms discussion suffer from the Stimulus Error?" Rolf Kuehni describes a research stumbling block known as the "stimulus error," and hints at the difficulties it causes for mainstream color naming research (Kuehni, is Issue). Among the issues intrinsic to Kuehni's "stimulus error" description is the important question of what can generally be inferred from color naming behaviors based on bounded samples of empirical stim…
Shared Knowledge About Emotion Among Vietnamese and English Bilingual and Monolingual Speakers
Recent empirical findings show strong similarity in the structure of emotion space across highly diverse cultures. Previous researchers believe this demonstrates shared conceptual understanding of emotion. However, similarity may emerge from sources such as similar language structure operated upon by pan-human categorization processes. Thus, existence of a superordinate concept of emotion may be prerequisite to similar categorization of emotion t…
Categorization, perception, and language (9 obras) · Psychology (9 obras) · Cognitive psychology (7 obras) · Language, Metaphor, and Cognition (7 obras) · Categorization (6 obras) · Linguistics (6 obras) · Color perception and design (5 obras) · Computer Science (5 obras) · Artificial Intelligence (4 obras) · Cognition (4 obras)