Roberto González Echevarría

• Roberto Bolaño in Context

  Bolaño Roberto, María Inés Lagos et al.•BOOK•Roberto Bolaño in Context•2022

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• Arte Imperial Inca

  Roberto González Echevarría•ARTICLE•Colonial Latin American Review•2022

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• Cervantes' "Don Quixote"

  Roberto González Echevarría•BOOK•Cervantes' Don Quixote•2020

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• Lexicon of the Hispanic Baroque. Transatlantic Exchange and Transformation

  Roberto González Echevarría•ARTICLE•Colonial Latin American Review•2018

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• Borges contra Borges

  Open Access•Roberto González Echevarría•ARTICLE•Alea Estudos Neolatinos•2017

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  Borges parece haver argumentado que as traduções são frequentemente melhores do que os originais, mas ele próprio fez um grande esforço (por exemplo, aprender alemão, em sua juventude, para ler Kafka) para acessar a literatura em suas línguas originais. Em sua maturidade, fez um grande esforço para aprender o idioma nórdico das sagas para lê-las diretamente. Sua saída foi acatada de maneira literal demais pela crítica e, pior, por seus próprios t…

• Cartas de Severo

  Open Access•Roberto González Echevarría•ARTICLE•Alea Estudos Neolatinos•2017

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  Visión panorámica de la correspondencia de veinticuatro años entre Roberto González Echevarría y Severo Sarduy, que analiza la relación del escritor cubano con el grupo Tel Quel y la Literatura Latinoamericana. Se concluye que Sarduy, aunque influido al principio por la teoría francesa, fue derivando hacia temas latinoamericanos, específicamente cubanos, en parte debido a la influencia de José Lezama Lima. Las cartas analizadas revelan esta tende…

• Cervantes' Don Quixote

  Roberto González Echevarría•BOOK•Cervantes' Don Quixote•2015

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• Colonial Latin American Literature

  Roberto González Echevarría•ARTICLE•Colonial Latin American Review•2014

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  The publication of a synthetic overview of colonial Latin American literature by Oxford University Press is the culmination but one hopes not the peak of a trend that began in the 1960s. Colonial L

• Dante in Alejo Carpentier

  Roberto González Echevarría•ARTICLE•Modern Language Notes•2012

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  Dante in Alejo Carpentier Roberto González Echevarría (bio) Having first begged the indulgence of the public at the convivial homage to my dear friend Giuseppe Mazzotta, I read the following ‘due parole in italiano’ before launching into the little essay that follows on Dante in Alejo Carpentier, to share with my colleagues something of the festive, fraternal and scholarly spirit of our long association. Prima di entrare nel soggetto del mio pape…

• Miscelánea antártica

  Open Access•Roberto González Echevarría•ARTICLE•Renaissance Quarterly•2012

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• The Theater of Truth

  Roberto González Echevarría•ARTICLE•Comparative Literature Studies•2012

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  William Egginton's book fixates on the opposition between appearances and reality that we learned about in Plato and drags it through swaths of the history of Western thought and literature, displaying it under various guises, as literary texts bring to his mind philosophers from Kant to Heidegger, and, of course Deleuze, Lacan, plus the rest of the usual suspects of current critical thought—mostly through the commonplaces that we all know about …

• Tinajero, Araceli. El Lector

  Open Access•Roberto González Echevarría•ARTICLE•TRANSMODERNITY Journal of…•2011

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  Tinajero, Araceli. El Lector: A History of the Cigar Factory Reader. Trans. Judith E. Grasberg. Austin: University of Texas Press, 2010. Print. 268 pp. ROBERTO GONZALEZ ECHEVARRIA YALE UNIVERSITY Araceli Tinajero’s El Lector: A History of the Cigar Factory Reader focuses on a figure that is unique to Cuban culture. The cigar factory reader emerges, develops and endures as an integral part of the manufacture of the most typical of Cuban products, …

• Playing America's Game

  Open Access•Roberto González Echevarría•ARTICLE•The Journal of Latin American and…•2009

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• Love and the Law in Cervantes

  Roberto González Echevarría•BOOK•Love and the Law in Cervantes•2008

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• Cuba

  Luis A Jimenez, Anke Birkenmaier et al.•ARTICLE•Hispania•2006

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• Cervantes's Don Quixote

  E Friedman, Edward H Friedman et al.•ARTICLE•Hispania•2006

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  This casebook gathers a collection of ambitious essays about both parts of the novel (1605 and 1615) and also provides a general introduction and a bibliography. The essays range from Ramon Menendez Pidal's seminal study of how Cervantes dealt with chivalric literature to Erich Auerbachs polemical study of Don Quixote as essentially a comic book by studying its mixture of styles, and include Leo Spitzer's masterful probe into the essential ambigu…

• Garcilaso y Garcilaso

  Open Access•Roberto González Echevarría•ARTICLE•Lexis•2005

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  No contiene resumen

• En un lugar de La Mancha

  Juan Bautista Avalle-Arce, Juan Bautista De Avalle-Arce et al.•ARTICLE•Hispanic Review•2003

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• Critica practica / practica critica

  Wilfrido H Corral, Roberto González Echevarría•ARTICLE•Hispanic Review•2003

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• Lezama, Gongora y la poetica del mal gusto

  Roberto González Echevarría•ARTICLE•Hispania•2001

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  La interpretaci6n o apropiaci6n que Jose Lezama Lima hace de la obra de G6ngora es revisionista con respecto a DAmaso Alonso y la Generaci6n del 27. En vez de un G6ngora poeta puro, precursor de Mallarmb, Lezama valoriza al G6ngora considerado de mal gusto por sus excesos, un G6ngora sublime, visto a trav6s de las teorias de Longino pasadas por el romanticismo ingl6s y alemdn que Lezama conocio a trav6s de la Revista de Occidente. Es un G6ngora d…

• En un lugar de La Mancha

  Tom Lathrop, Georgina Black et al.•ARTICLE•Hispania•2001

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• On Becoming Cuban

  Kenneth Maxwell, Louis A Pérez et al.•ARTICLE•Foreign Affairs•1999•Citada por: 5

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• The Cambridge History of Latin American Literature

  Open Access•George R Mcmurray, Roberto González Echevarría et al.•ARTICLE•Chasqui•1998

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  The literary historiography of Brazil Benedito Nunes 2. Colonial Brazilian literature David T. Haberly 3. Brazilian poetry from the 1830s to the 1880s Fabio Lucas 4. Brazilian poetry from 1878 to 1902 Massaud Moises 5. The Brazilian theatre up to 1900 Severino Joao Albuquerque 6. Brazilian fiction from 1800 to 1855 Mary L. Daniel 7. The Brazilian novel from 1850 to 1900 David T. Haberly 8. Brazilian fiction from 1900 to 1945 Mary L. Daniel 9. Bra…

• The Oxford Book of Latin American Short Stories

  Gus Puleo, Roberto González Echevarría•ARTICLE•Hispanic Review•1998•Citada por: 3

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  Oxford Book of Latin American Short Stories Edited by Roberto Gonzalez Echevarria When Latin American writers burst onto the world literary scene in the now famous Boom of the sixties, it seemed as if an entire literature had invented itself over night out of thin air. Not only was the writing extraordinary but its sudden and spectacular appearance itself seemed magical. In fact, Latin American literature has a long and rich tradition that reache…

• The Cambridge History of Latin American Literature

  Persephone Braham, Roberto González Echevarría et al.•ARTICLE•Hispanic Review•1998

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• Myth and Archive

  Open Access•Roberto González Echevarría•BOOK•Myth and Archive•1990•Citada por: 50

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  This book offers a theory about the origin and evolution of the Latin American narrative, and about the emergence of the modern novel. It argues that the novel developed from the discourse of the law in the Spanish Empire during the sixteenth century, while many of the early historical documents concerning the New World assumed the same forms, furnished by the notarial arts. Thus, both the novel and these first Latin American narratives imitated …

• On Becoming Cuban

  Kenneth Maxwell, Louis A Pérez et al.•ARTICLE•Foreign Affairs•1999•Citada por: 5

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• "Biografia de un cimarron" and the Novel of the Cuban Revolution

  Roberto González Echevarría•ARTICLE•NOVEL A Forum on Fiction•1980•Citada por: 5

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  Hay cosas que yo no me explico de la vida. Todo eso que tiene que ver con la naturaleza para mi esta muy oscuro, y lo de los dioses mas. Ellos son los llamados a originar todos esos fen6menos que uno ve, que yo vide y que es positivo que han existido. Los dioses son caprichosos e inconformes. Por eso aqui han pasado tantas cosas raras. These are the opening lines of Miguel Barnet's Biografia de un cimarron, confusedly, yet significantly translate…

• Myth and Archive

  Margarita Zamora, Roberto González Echevarría•ARTICLE•Hispanic Review•1992•Citada por: 4

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• The Oxford Book of Latin American Short Stories

  Gus Puleo, Roberto González Echevarría•ARTICLE•Hispanic Review•1998•Citada por: 3

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  Oxford Book of Latin American Short Stories Edited by Roberto Gonzalez Echevarria When Latin American writers burst onto the world literary scene in the now famous Boom of the sixties, it seemed as if an entire literature had invented itself over night out of thin air. Not only was the writing extraordinary but its sudden and spectacular appearance itself seemed magical. In fact, Latin American literature has a long and rich tradition that reache…

• Celestina's Brood

  Kathleen Ro, Kathleen Ross et al.•ARTICLE•Hispanic Review•1996•Citada por: 1

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• Literature, Dance, and Baseball in the Last Cuban Fin de Siecle

  Roberto González Echevarría, Gaspar Gonzalez•ARTICLE•South Atlantic Quarterly•1996•Citada por: 1

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• Interview

  Octavio Paz, Roberto González Echevarría et al.•ARTICLE•diacritics•1972

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• Borges and La Nouvelle Critique

  Emir Rodriguez Monegal, Roberto González Echevarría•ARTICLE•diacritics•1972

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• Interview

  Severo Sarduy, Roberto González Echevarría et al.•ARTICLE•diacritics•1972

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• "Semejante a la noche," de Alejo Carpentier

  Roberto González Echevarría•ARTICLE•Modern Language Notes•1972

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• Response

  Roberto González Echevarría•ARTICLE•diacritics•1974

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• Interview

  Lucille Kerr, Julio Cortázar et al.•ARTICLE•diacritics•1974

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• Interview

  Roberto González Echevarría, Emir Rodriguez Monegal et al.•ARTICLE•diacritics•1974

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• Major Cuban Novelists. Innovation and Tradition

  Roberto González Echevarría, Raymond D Souza•ARTICLE•Hispania•1977

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• El primero Benavides

  Roberto González Echevarría, Lope De Vega et al.•ARTICLE•Hispania•1977

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• Calderon y la critica

  Jose Antonio Madrigal, Manuel Duran et al.•ARTICLE•Hispania•1977

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• Alejo Carpentier

  Open Access•René Jara, Roberto González Echevarría•ARTICLE•Chasqui•1978

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• Roberto Fernandez Retamar

  Roberto González Echevarría•ARTICLE•diacritics•1978

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  No literary figure has been more visibly engaged in the cultural activities of revolutionary Cuba than Roberto Fernandez Retamar. He has remained actively loyal to the Revolution through all the turns taken by cultural policy in Cuba during the past nineteen years, thus becoming, in the eyes of many (and with the entire range of approval and disapproval) the foremost exponent of the revolutionary intellectual. It can be safely said that for the g…

• Interview

  Roberto González Echevarría, Roberto Fernández Retamar et al.•ARTICLE•diacritics•1978

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• In Search of a Latin American Writing

  Irlemar Chiampi Cortez, Jose Carlos de Andrade et al.•ARTICLE•diacritics•1978

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• Alejo Carpentier

  Enrique Pupo-Walker, Roberto González Echevarría•ARTICLE•Hispania•1978

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• Relecturas

  Julio E Hernandez-Miyares, Roberto González Echevarría•ARTICLE•Hispania•1978

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• The Emergence of the Latin American Novel

  Roberto González Echevarría, Gordon Brotherston•ARTICLE•Hispania•1978

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• Relecturas

  Enrico Mario Santí, Roberto González Echevarría•ARTICLE•Hispanic Review•1978

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• Versiones, Inversiones, Reversiones

  Roberto González Echevarría, Jaime Alazraki•ARTICLE•World Literature Today•1978

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• Alejo Carpentier; The Pilgrim at Home

  Alicia Borinsky, Roberto González Echevarría•ARTICLE•Modern Language Notes•1979

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• The Dissimulating Harmony

  Roberto González Echevarría, Carol Jacobs•ARTICLE•Modern Language Notes•1979

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• The Borzoi Anthology of Latin American Literature. Volume I

  Roberto González Echevarría, Emir Rodriguez Monegal et al.•ARTICLE•Modern Language Notes•1979

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• The Life and Adventures of Cipion

  Roberto González Echevarría, Harry Sieber•ARTICLE•diacritics•1980

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• "Biografia de un cimarron" and the Novel of the Cuban Revolution

  Roberto González Echevarría•ARTICLE•NOVEL A Forum on Fiction•1980•Citada por: 5

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  Hay cosas que yo no me explico de la vida. Todo eso que tiene que ver con la naturaleza para mi esta muy oscuro, y lo de los dioses mas. Ellos son los llamados a originar todos esos fen6menos que uno ve, que yo vide y que es positivo que han existido. Los dioses son caprichosos e inconformes. Por eso aqui han pasado tantas cosas raras. These are the opening lines of Miguel Barnet's Biografia de un cimarron, confusedly, yet significantly translate…

• Alejo Carpentier

  Evelyn Picon Garfield, Roberto González Echevarría•ARTICLE•Hispanic American Historical Review•1980

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Art (61 obras) · History (33 obras) · Philosophy (29 obras) · Latin American Literature Studies (25 obras) · Literature (24 obras) · Humanities (20 obras) · Comparative Literary Analysis and Criticism (16 obras) · Literature, Magical Realism, García Márquez (16 obras) · Latin Americans (14 obras) · Linguistics (13 obras)