Caroline Bainbridge
Dados Biográficos
| ID | 804245 |
|---|---|
| NOME | Caroline Bainbridge |
| PRENOMES | Caroline |
| SOBRENOME | Bainbridge |
| ASSINATURA | BAINBRIDGE C |
| AFILIAÇÕES | University of Roehampton |
| ORCID | 0000-0003-4446-5953 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 9 |
| TOTAL DE CITAÇÕES | 13 |
| OBRAS COMO AUTOR | 9 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2002 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 2 |
Cracking up
Joker is a polarising popular cultural phenomenon. Reviews of the film range from rave acclaim to outraged dismissal. As a barometer of a western conjuncture in which binaristic division, ‘toxic’ culture, and the demise of liberal freedom are dominant, Joker articulates experiences of anxiety, evoking a zeitgeist inflected by the paranoid-schizoid mentality. Joker challenges viewers to reflect on its distressing content, while suggesting that a m…
Who will fix it for us? Toxic celebrity and the therapeutic dynamics of media culture
The exposé of Jimmy Savile’s perpetration of heinous abuse over many decades enables new understandings of the links between mediatised celebrity and affective experience. The much hallowed ‘national treasure’ status accorded to Savile during his lifetime was violently overturned following the disclosure of hitherto disavowed documentary evidence, leading to the desecration of his reputation and memory. Savile’s toxic rendition of celebrity has s…
Television as psychical object
Claims that Mad Men (2007-2015) is an obedient post-feminist text overlook the drama's images of both women and the history of feminism and its potential to impact on contemporary understandings of gender politics. Mad Men can be seen as a psychological object, helping viewers to explore links between their own experience and that of characters on screen as the narrative unfolds. Making links between the social re-emergence of feminist awareness,…
The reparative spaces of radio
This introduction contextualizes the work included in this special edition in terms of the activities of the Media and the Inner World research network. Drawing on object relations psychoanalysis, it signals the importance of the reparative, emotional work of radio past and present. As we discuss, the emotional resonance of the medium holds a special significance for individuals, for whom radio listening often goes hand in hand with reflective ex…
Psychotherapy on the couch
Introduction to special issue on media and the inner world
Cinematic Symptoms of Masculinity in Transition
Making waves
The cinema of Lars von Trier can be characterised in diverse ways, but one of the most striking and memorable aspects of his work in the "Europa trilogy" (Element of Crime 1984; Epidemic 1987; Europa 1991) and the more recent "Goldheart trilogy" (Breaking the Waves 1996; The Idiots 1998; Dancer in the Dark 2000) is the centrality of trauma in both narrative and form and the corresponding emphasis on ethics. Each of these trilogies sets out to scr…
Feminine Enunciation in Women's Cinema
Cinematic Symptoms of Masculinity in Transition
Who will fix it for us? Toxic celebrity and the therapeutic dynamics of media culture
The exposé of Jimmy Savile’s perpetration of heinous abuse over many decades enables new understandings of the links between mediatised celebrity and affective experience. The much hallowed ‘national treasure’ status accorded to Savile during his lifetime was violently overturned following the disclosure of hitherto disavowed documentary evidence, leading to the desecration of his reputation and memory. Savile’s toxic rendition of celebrity has s…
Making waves
The cinema of Lars von Trier can be characterised in diverse ways, but one of the most striking and memorable aspects of his work in the "Europa trilogy" (Element of Crime 1984; Epidemic 1987; Europa 1991) and the more recent "Goldheart trilogy" (Breaking the Waves 1996; The Idiots 1998; Dancer in the Dark 2000) is the centrality of trauma in both narrative and form and the corresponding emphasis on ethics. Each of these trilogies sets out to scr…
Television as psychical object
Claims that Mad Men (2007-2015) is an obedient post-feminist text overlook the drama's images of both women and the history of feminism and its potential to impact on contemporary understandings of gender politics. Mad Men can be seen as a psychological object, helping viewers to explore links between their own experience and that of characters on screen as the narrative unfolds. Making links between the social re-emergence of feminist awareness,…
The reparative spaces of radio
This introduction contextualizes the work included in this special edition in terms of the activities of the Media and the Inner World research network. Drawing on object relations psychoanalysis, it signals the importance of the reparative, emotional work of radio past and present. As we discuss, the emotional resonance of the medium holds a special significance for individuals, for whom radio listening often goes hand in hand with reflective ex…
Psychotherapy on the couch
Feminine Enunciation in Women's Cinema
Making waves
The cinema of Lars von Trier can be characterised in diverse ways, but one of the most striking and memorable aspects of his work in the "Europa trilogy" (Element of Crime 1984; Epidemic 1987; Europa 1991) and the more recent "Goldheart trilogy" (Breaking the Waves 1996; The Idiots 1998; Dancer in the Dark 2000) is the centrality of trauma in both narrative and form and the corresponding emphasis on ethics. Each of these trilogies sets out to scr…
Cinematic Symptoms of Masculinity in Transition
Psychotherapy on the couch
Introduction to special issue on media and the inner world
The reparative spaces of radio
This introduction contextualizes the work included in this special edition in terms of the activities of the Media and the Inner World research network. Drawing on object relations psychoanalysis, it signals the importance of the reparative, emotional work of radio past and present. As we discuss, the emotional resonance of the medium holds a special significance for individuals, for whom radio listening often goes hand in hand with reflective ex…
Television as psychical object
Claims that Mad Men (2007-2015) is an obedient post-feminist text overlook the drama's images of both women and the history of feminism and its potential to impact on contemporary understandings of gender politics. Mad Men can be seen as a psychological object, helping viewers to explore links between their own experience and that of characters on screen as the narrative unfolds. Making links between the social re-emergence of feminist awareness,…
Who will fix it for us? Toxic celebrity and the therapeutic dynamics of media culture
The exposé of Jimmy Savile’s perpetration of heinous abuse over many decades enables new understandings of the links between mediatised celebrity and affective experience. The much hallowed ‘national treasure’ status accorded to Savile during his lifetime was violently overturned following the disclosure of hitherto disavowed documentary evidence, leading to the desecration of his reputation and memory. Savile’s toxic rendition of celebrity has s…
Cracking up
Joker is a polarising popular cultural phenomenon. Reviews of the film range from rave acclaim to outraged dismissal. As a barometer of a western conjuncture in which binaristic division, ‘toxic’ culture, and the demise of liberal freedom are dominant, Joker articulates experiences of anxiety, evoking a zeitgeist inflected by the paranoid-schizoid mentality. Joker challenges viewers to reflect on its distressing content, while suggesting that a m…
Art (8 obras) · Psychoanalysis (8 obras) · Psychology (8 obras) · Sociology (8 obras) · Aesthetics (6 obras) · Philosophy (6 obras) · Cinema and Media Studies (5 obras) · Gender, Feminism, and Media (5 obras) · Gender Studies (4 obras) · Literature (4 obras)