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Lydia Wevers

Dados Biográficos

ID80757
NOMELydia Wevers
PRENOMESLydia
SOBRENOMEWevers
ASSINATURAWEVERS L
AFILIAÇÕESVictoria University of Wellington
ORCID0000-0003-1284-3155
VERIFICADOSim
TOTAL DE OBRAS11
TOTAL DE CITAÇÕES6
OBRAS COMO AUTOR11
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1995
ANO MAIS RECENTE DE PUBLICAÇÃO2018
ÍNDICE H1
  • Historical Fiction

    Lydia Wevers•BOOK•Novel in Australia, Canada, New…•2018

    Since the latter part of the twentieth century, there has been a noticeable turn towards fiction that draws on historical materials, people, and events to reframe the politics of both the past and the present. This turn was signalled by Linda Hutcheon in 1988 as part of postmodernism. In recent years, and particularly in the postcolonial settler literatures of Australia, Canada, New Zealand the intersections of history and fiction have become sig…

  • Newspapers and Journals

    Linda Crowl, Susan Fisher et al.•BOOK•Novel in Australia, Canada, New…•2018

    This chapter examines how novels in Australia, Canada, New Zealand, and the South Pacific were reviewed and publicized, and how readerships were informed and created. Literary journalism in Australia, Canada, New Zealand, and the South Pacific varies according to the populations, histories, and communications infrastructure of each location. In general, a common pattern has been initial evaluations of work against British and European, then latte…

  • Uneasy Occupancy

    Lydia Wevers•CHAPTER•Print Culture Histories Beyond…•2016

  • Dickens in New Zealand

    Open Access•Lydia Wevers•ARTICLE•Literature Compass•2014•Referências: 2

    Four months after the first settlers of the New Zealand Company landed on a windswept beach in Wellington New Zealand in 1840, they founded the first Pickwick Club outside Great Britain. The expressed aim of the Club was to spread the ‘fame of the author’ in ‘this savage land’, but it is an interesting paradox that a novel which makes fun of British institutions should also be the inspiration to earnestly reproduce them in the shanty towns of emp…

  • Reading Dickens

    Open Access•Lydia Wevers•ARTICLE•Australian Literary Studies•2014

    Discusses communities of readers and the reception of Dickens in 19th century Australia and New Zealand. 'The very large colonial Dickens network, of references to a common corpus of characters, plots and ideas, illustrates both the social process by which reading and writing transfers across distance and manifests a reading community, and the social formation reading participates in: shared reading and shared culture. Mrs Gamp stands as the figu…

  • Striding both worlds

    Lydia Wevers•ARTICLE•Journal of Postcolonial Writing•2013

    by Melissa Kennedy, Cross Cultures 134, Amsterdam and New York, Rodopi, 2011, 276 pp., £50.00, ISBN 978 9 0420 3357 3 by Michaela Moura-Kocoglu, Cross Cultures 141, Amsterdam and New York, Rodopi

  • Katherine Mansfield and literary modernism

    Lydia Wevers•ARTICLE•Journal of Postcolonial Writing•2012•Citada por: 6•Referências: 2

    edited by Janet Wilson, Gerri Kimber and Susan Reid, London, Continuum, 2011, 216 pp., £60.00, ISBN 978 1 4411 1130 2 The 16 essays in Katherine Mansfield and Literary Modernism were generated by a

  • Colonial Discourses Niupepa Māori 1855–1863 (review)

    Lydia Wevers•ARTICLE•Journal of Colonialism and…•2009

    Reviewed by: Colonial Discourses Niupepa Māori 1855–1863 Lydia Wevers Colonial Discourses Niupepa Māori 1855–1863. By Lachy Paterson. (Otago: University of Otago Press 2006). Since the Niupepa Māori (newspapers in Māori) were digitised in the mid 1990s, they have sustained major new scholarship. Even digitised, Niupepa Māori are still not easy. Of the nine papers which form the basis of Lachy Paterson’s eight year historical study, only one of th…

  • Fold in the Map

    Open Access•Lydia Wevers•ARTICLE•Australian Literary Studies•2007

  • Becoming Native

    Open Access•Lydia Wevers•ARTICLE•Australian Literary Studies•2006

    In focussing on four Australian novels on the New Zealand (or Maori) Wars, Wevers discusses these questions: â Why were Australian writers drawn to the New Zealand Wars as a fictional location, and how were these novels received in New Zealand? Who were their audience, and what narratives of colonial worlds were being worked through them?â (319)

  • Terra Australis

    Open Access•Lydia Wevers•ARTICLE•Australian Literary Studies•1995

    Since the finding of the Australian High Court in what has come to be known as the Mabo decision of January 1992, the phrase Terra Australis which is much used by Herbert might be taken to represent a significantly altered conceptual space, a space whose history and geography no longer begin in terra nullius and terra incognita but in Mabo country, a terrain whose distinctiveness has shifted away from the binary patterns of city and bush, constru…

  • Katherine Mansfield and literary modernism

    Lydia Wevers•ARTICLE•Journal of Postcolonial Writing•2012•Citada por: 6•Referências: 2

    edited by Janet Wilson, Gerri Kimber and Susan Reid, London, Continuum, 2011, 216 pp., £60.00, ISBN 978 1 4411 1130 2 The 16 essays in Katherine Mansfield and Literary Modernism were generated by a

  • Terra Australis

    Open Access•Lydia Wevers•ARTICLE•Australian Literary Studies•1995

    Since the finding of the Australian High Court in what has come to be known as the Mabo decision of January 1992, the phrase Terra Australis which is much used by Herbert might be taken to represent a significantly altered conceptual space, a space whose history and geography no longer begin in terra nullius and terra incognita but in Mabo country, a terrain whose distinctiveness has shifted away from the binary patterns of city and bush, constru…

  • Becoming Native

    Open Access•Lydia Wevers•ARTICLE•Australian Literary Studies•2006

    In focussing on four Australian novels on the New Zealand (or Maori) Wars, Wevers discusses these questions: â Why were Australian writers drawn to the New Zealand Wars as a fictional location, and how were these novels received in New Zealand? Who were their audience, and what narratives of colonial worlds were being worked through them?â (319)

  • Fold in the Map

    Open Access•Lydia Wevers•ARTICLE•Australian Literary Studies•2007

  • Colonial Discourses Niupepa Māori 1855–1863 (review)

    Lydia Wevers•ARTICLE•Journal of Colonialism and…•2009

    Reviewed by: Colonial Discourses Niupepa Māori 1855–1863 Lydia Wevers Colonial Discourses Niupepa Māori 1855–1863. By Lachy Paterson. (Otago: University of Otago Press 2006). Since the Niupepa Māori (newspapers in Māori) were digitised in the mid 1990s, they have sustained major new scholarship. Even digitised, Niupepa Māori are still not easy. Of the nine papers which form the basis of Lachy Paterson’s eight year historical study, only one of th…

  • Katherine Mansfield and literary modernism

    Lydia Wevers•ARTICLE•Journal of Postcolonial Writing•2012•Citada por: 6•Referências: 2

    edited by Janet Wilson, Gerri Kimber and Susan Reid, London, Continuum, 2011, 216 pp., £60.00, ISBN 978 1 4411 1130 2 The 16 essays in Katherine Mansfield and Literary Modernism were generated by a

  • Striding both worlds

    Lydia Wevers•ARTICLE•Journal of Postcolonial Writing•2013

    by Melissa Kennedy, Cross Cultures 134, Amsterdam and New York, Rodopi, 2011, 276 pp., £50.00, ISBN 978 9 0420 3357 3 by Michaela Moura-Kocoglu, Cross Cultures 141, Amsterdam and New York, Rodopi

  • Dickens in New Zealand

    Open Access•Lydia Wevers•ARTICLE•Literature Compass•2014•Referências: 2

    Four months after the first settlers of the New Zealand Company landed on a windswept beach in Wellington New Zealand in 1840, they founded the first Pickwick Club outside Great Britain. The expressed aim of the Club was to spread the ‘fame of the author’ in ‘this savage land’, but it is an interesting paradox that a novel which makes fun of British institutions should also be the inspiration to earnestly reproduce them in the shanty towns of emp…

  • Reading Dickens

    Open Access•Lydia Wevers•ARTICLE•Australian Literary Studies•2014

    Discusses communities of readers and the reception of Dickens in 19th century Australia and New Zealand. 'The very large colonial Dickens network, of references to a common corpus of characters, plots and ideas, illustrates both the social process by which reading and writing transfers across distance and manifests a reading community, and the social formation reading participates in: shared reading and shared culture. Mrs Gamp stands as the figu…

  • Uneasy Occupancy

    Lydia Wevers•CHAPTER•Print Culture Histories Beyond…•2016

  • Historical Fiction

    Lydia Wevers•BOOK•Novel in Australia, Canada, New…•2018

    Since the latter part of the twentieth century, there has been a noticeable turn towards fiction that draws on historical materials, people, and events to reframe the politics of both the past and the present. This turn was signalled by Linda Hutcheon in 1988 as part of postmodernism. In recent years, and particularly in the postcolonial settler literatures of Australia, Canada, New Zealand the intersections of history and fiction have become sig…

  • Newspapers and Journals

    Linda Crowl, Susan Fisher et al.•BOOK•Novel in Australia, Canada, New…•2018

    This chapter examines how novels in Australia, Canada, New Zealand, and the South Pacific were reviewed and publicized, and how readerships were informed and created. Literary journalism in Australia, Canada, New Zealand, and the South Pacific varies according to the populations, histories, and communications infrastructure of each location. In general, a common pattern has been initial evaluations of work against British and European, then latte…

Art (8 obras) · History (8 obras) · History (7 obras) · Sociology (7 obras) · Australian History and Society (6 obras) · Colonialism (5 obras) · Literature (5 obras) · Archaeology (4 obras) · Law (4 obras) · Media studies (4 obras)

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