Edward J Mccaughan
Dados Biográficos
| ID | 807887 |
|---|---|
| NOME | Edward J Mccaughan |
| PRENOMES | Edward J |
| SOBRENOME | Mccaughan |
| ASSINATURA | MCCAUGHAN E J |
| AFILIAÇÕES | San Francisco State University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 9 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1993 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 1 |
We Didn't Cross the Border, the Border Crossed Us”
Generations of artists have returned to the themes of the US-Mexico border and the impact of its inconsistent and often arbitrary enforcement on the lives of Mexican, Mexican American, and other Latinx communities. Visual art, music, and literature produced from the 1930s through the present offer rich data for contemplating shifting representations of the border and immigrants over time and for exploring factors that shape the context, content, …
Queer subversions in Mexican and Chicana/o art activism
As they developed in the 1970s, the LGBT (Lesbian, Gay, Bisexual and Transgender) and feminist movements in Mexico and among Mexican Americans (Chicana/os) in the United States (US) faced many formidable challenges. Not least of these was how to transform a cultural politics of national/ethnic identity that rested discursively on the patriarchal constructs of heterosexism, machismo, pious motherhood, and rigid binaries of gender and sexuality. Gi…
The Famous 41
On November 17, 1901, Mexico City police raided a private party and arrested 41 men, half of whom were dressed as women. Clandestine transvestite balls were not unheard of at this time, and a raid wou
Navegando pelo labirinto do silêncio
O artigo aborda a relação problemática entre a produção artística feminina, o feminismo e os movimentos politicamente orientados surgidos no México na década de 1970. Através de entrevistas com algumas das principais artistas mexicanas da época, o autor demonstra que nem o feminismo, nem os movimentos de esquerda deram apoio às realizações artísticas das mulheres, que puderam contar apenas com seus próprios recursos na criação de novas estruturas…
La virgen meets the Salsa police
A 1996 stage production conceived and written by the Latina Theater Lab of Oakland, California, gave a makeover to that most Mexican of icons, the Virgin of Guadalupe. An early scene in “¿i Qué Nuevas!? What's New!?: The Immaculate Conception” shows Guadalupe giving birth to six or seven Latinas, whose most striking feature is their dissimilarity. Throughout the play, Guadalupe herself is brought down to earth, quite literally. At one points she …
Latin America Faces the Twenty-First Century
Dedication and tribute the quest for social transformation in Latin America - new crises and new opportunities our project for the new society in Latin America - the regulating role of the State and problems of self-regulation in the market liberalism, democracy and socialism the paths of Latin American integration democracy and revolutionary movement ethnic politics and the popular movement why political feminism adjustment and democracy in Lati…
Mexico's Long Crisis
Mexico's Long Crisis
Queer subversions in Mexican and Chicana/o art activism
As they developed in the 1970s, the LGBT (Lesbian, Gay, Bisexual and Transgender) and feminist movements in Mexico and among Mexican Americans (Chicana/os) in the United States (US) faced many formidable challenges. Not least of these was how to transform a cultural politics of national/ethnic identity that rested discursively on the patriarchal constructs of heterosexism, machismo, pious motherhood, and rigid binaries of gender and sexuality. Gi…
Navegando pelo labirinto do silêncio
O artigo aborda a relação problemática entre a produção artística feminina, o feminismo e os movimentos politicamente orientados surgidos no México na década de 1970. Através de entrevistas com algumas das principais artistas mexicanas da época, o autor demonstra que nem o feminismo, nem os movimentos de esquerda deram apoio às realizações artísticas das mulheres, que puderam contar apenas com seus próprios recursos na criação de novas estruturas…
Mexico's Long Crisis
Latin America Faces the Twenty-First Century
Dedication and tribute the quest for social transformation in Latin America - new crises and new opportunities our project for the new society in Latin America - the regulating role of the State and problems of self-regulation in the market liberalism, democracy and socialism the paths of Latin American integration democracy and revolutionary movement ethnic politics and the popular movement why political feminism adjustment and democracy in Lati…
La virgen meets the Salsa police
A 1996 stage production conceived and written by the Latina Theater Lab of Oakland, California, gave a makeover to that most Mexican of icons, the Virgin of Guadalupe. An early scene in “¿i Qué Nuevas!? What's New!?: The Immaculate Conception” shows Guadalupe giving birth to six or seven Latinas, whose most striking feature is their dissimilarity. Throughout the play, Guadalupe herself is brought down to earth, quite literally. At one points she …
The Famous 41
On November 17, 1901, Mexico City police raided a private party and arrested 41 men, half of whom were dressed as women. Clandestine transvestite balls were not unheard of at this time, and a raid wou
Navegando pelo labirinto do silêncio
O artigo aborda a relação problemática entre a produção artística feminina, o feminismo e os movimentos politicamente orientados surgidos no México na década de 1970. Através de entrevistas com algumas das principais artistas mexicanas da época, o autor demonstra que nem o feminismo, nem os movimentos de esquerda deram apoio às realizações artísticas das mulheres, que puderam contar apenas com seus próprios recursos na criação de novas estruturas…
Queer subversions in Mexican and Chicana/o art activism
As they developed in the 1970s, the LGBT (Lesbian, Gay, Bisexual and Transgender) and feminist movements in Mexico and among Mexican Americans (Chicana/os) in the United States (US) faced many formidable challenges. Not least of these was how to transform a cultural politics of national/ethnic identity that rested discursively on the patriarchal constructs of heterosexism, machismo, pious motherhood, and rigid binaries of gender and sexuality. Gi…
We Didn't Cross the Border, the Border Crossed Us”
Generations of artists have returned to the themes of the US-Mexico border and the impact of its inconsistent and often arbitrary enforcement on the lives of Mexican, Mexican American, and other Latinx communities. Visual art, music, and literature produced from the 1930s through the present offer rich data for contemplating shifting representations of the border and immigrants over time and for exploring factors that shape the context, content, …
Political science (7 obras) · Sociology (6 obras) · Gender Studies (4 obras) · Gender Studies (4 obras) · Latin American and Latino Studies (4 obras) · Law (3 obras) · Politics (3 obras) · Art (2 obras) · Criminology (2 obras) · Gender and Feminist Studies (2 obras)