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Said Graiouid

Dados Biográficos

ID85749
NOMESaid Graiouid
PRENOMESSaid
SOBRENOMEGraiouid
ASSINATURAGRAIOUID S
AFILIAÇÕESMohammed V University in Rabat, Morocco
ORCID0000-0001-7273-7827
VERIFICADOSim
TOTAL DE OBRAS7
TOTAL DE CITAÇÕES28
TOTAL COMO AUTOR7
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2004
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H3
  • Ghiwanism and dissident nationalism

    Said Graiouid•ARTICLE•The Journal of North African…•2025•Referências: 6

  • Critical Intercultural Communication and the Public Sphere

    Said Graiouid•ARTICLE•Journal of International and…•2024•Referências: 22

  • The intellectual as zaṭāṭ

    Said Graiouid•ARTICLE•The Journal of North African…•2021•Citada por: 2•Referências: 26

    Taking cue from Abdelahad Sebti’s study of the social history of the zaṭāṭ (زطَا طَ) (the escort who in precolonial Morocco was hired to protect travellers from highway robbers and thieves), this paper attempts, in the words of Edward Said (1996. Representations of the Intellectual: The 1993 Reith Lectures. New York: Vintage Books, XV), a ‘coherent description’ of the vocation of the Moroccan intellectual in a public sphere characterised by a cri…

  • Cultural production and cultural patronage in Morocco

    Said Graiouid, Taieb Belghazi•ARTICLE•Journal of African Cultural Studies•2013•Citada por: 17•Referências: 8

    This article analyses patronage as the context and framework for the functioning of cultural production in postcolonial Morocco. In particular, it focuses on the ideological and the political underpinnings of different state patronage schemes before and in the aftermath of the Arab Spring and the accession to government of the Islamist Party of Justice and Development (PJD). The argument is that the power struggle between the state (spearheaded b…

  • We have not buried the simple past

    Said Graiouid•ARTICLE•Journal of African Cultural Studies•2008•Citada por: 4•Referências: 7

    This paper argues that Moroccan post-colonial literature engages the public sphere in a dialectical relationship wherein models of public debate and normative aesthetics are rehearsed. Interventions in the literary sphere create a public space for subaltern concerns, test and expand the boundaries of public liberties, create a forum for public debate and usually start the conversation on matters of general interest. Through an analysis of two exe…

  • A Place on the Terrace

    Said Graiouid•ARTICLE•The Journal of North African…•2007•Citada por: 4•Referências: 8

    This paper analyses processes through which informal association and unstructured co-mingling in Moroccan cafés mediate the emergence of group solidarity and subversive practices. The paper approaches the café not as a site of Habermasian 'ideal speech situations', but as a set of spatial practices shot through with conflicts and contradictions. The point is made that café mediated communities are imagined in the space in between the public and t…

  • Communication and the social production of space

    Said Graiouid•ARTICLE•The Journal of North African…•2004•Citada por: 1

    The objective in this article is to reconstruct some of the processes through which communities and groups emerge while simultaneously underlining the contradictions and conflicts which accompany such emergence. Women's hammam provides an excellent example of an informal form of association and co-mingling. Though the hammam ritual performance has its own norms, the process of organisation itself is shot through with contradictions and conflicts.…

  • Cultural production and cultural patronage in Morocco

    Said Graiouid, Taieb Belghazi•ARTICLE•Journal of African Cultural Studies•2013•Citada por: 17•Referências: 8

    This article analyses patronage as the context and framework for the functioning of cultural production in postcolonial Morocco. In particular, it focuses on the ideological and the political underpinnings of different state patronage schemes before and in the aftermath of the Arab Spring and the accession to government of the Islamist Party of Justice and Development (PJD). The argument is that the power struggle between the state (spearheaded b…

  • We have not buried the simple past

    Said Graiouid•ARTICLE•Journal of African Cultural Studies•2008•Citada por: 4•Referências: 7

    This paper argues that Moroccan post-colonial literature engages the public sphere in a dialectical relationship wherein models of public debate and normative aesthetics are rehearsed. Interventions in the literary sphere create a public space for subaltern concerns, test and expand the boundaries of public liberties, create a forum for public debate and usually start the conversation on matters of general interest. Through an analysis of two exe…

  • A Place on the Terrace

    Said Graiouid•ARTICLE•The Journal of North African…•2007•Citada por: 4•Referências: 8

    This paper analyses processes through which informal association and unstructured co-mingling in Moroccan cafés mediate the emergence of group solidarity and subversive practices. The paper approaches the café not as a site of Habermasian 'ideal speech situations', but as a set of spatial practices shot through with conflicts and contradictions. The point is made that café mediated communities are imagined in the space in between the public and t…

  • The intellectual as zaṭāṭ

    Said Graiouid•ARTICLE•The Journal of North African…•2021•Citada por: 2•Referências: 26

    Taking cue from Abdelahad Sebti’s study of the social history of the zaṭāṭ (زطَا طَ) (the escort who in precolonial Morocco was hired to protect travellers from highway robbers and thieves), this paper attempts, in the words of Edward Said (1996. Representations of the Intellectual: The 1993 Reith Lectures. New York: Vintage Books, XV), a ‘coherent description’ of the vocation of the Moroccan intellectual in a public sphere characterised by a cri…

  • Communication and the social production of space

    Said Graiouid•ARTICLE•The Journal of North African…•2004•Citada por: 1

    The objective in this article is to reconstruct some of the processes through which communities and groups emerge while simultaneously underlining the contradictions and conflicts which accompany such emergence. Women's hammam provides an excellent example of an informal form of association and co-mingling. Though the hammam ritual performance has its own norms, the process of organisation itself is shot through with contradictions and conflicts.…

  • Communication and the social production of space

    Said Graiouid•ARTICLE•The Journal of North African…•2004•Citada por: 1

    The objective in this article is to reconstruct some of the processes through which communities and groups emerge while simultaneously underlining the contradictions and conflicts which accompany such emergence. Women's hammam provides an excellent example of an informal form of association and co-mingling. Though the hammam ritual performance has its own norms, the process of organisation itself is shot through with contradictions and conflicts.…

  • A Place on the Terrace

    Said Graiouid•ARTICLE•The Journal of North African…•2007•Citada por: 4•Referências: 8

    This paper analyses processes through which informal association and unstructured co-mingling in Moroccan cafés mediate the emergence of group solidarity and subversive practices. The paper approaches the café not as a site of Habermasian 'ideal speech situations', but as a set of spatial practices shot through with conflicts and contradictions. The point is made that café mediated communities are imagined in the space in between the public and t…

  • We have not buried the simple past

    Said Graiouid•ARTICLE•Journal of African Cultural Studies•2008•Citada por: 4•Referências: 7

    This paper argues that Moroccan post-colonial literature engages the public sphere in a dialectical relationship wherein models of public debate and normative aesthetics are rehearsed. Interventions in the literary sphere create a public space for subaltern concerns, test and expand the boundaries of public liberties, create a forum for public debate and usually start the conversation on matters of general interest. Through an analysis of two exe…

  • Cultural production and cultural patronage in Morocco

    Said Graiouid, Taieb Belghazi•ARTICLE•Journal of African Cultural Studies•2013•Citada por: 17•Referências: 8

    This article analyses patronage as the context and framework for the functioning of cultural production in postcolonial Morocco. In particular, it focuses on the ideological and the political underpinnings of different state patronage schemes before and in the aftermath of the Arab Spring and the accession to government of the Islamist Party of Justice and Development (PJD). The argument is that the power struggle between the state (spearheaded b…

  • The intellectual as zaṭāṭ

    Said Graiouid•ARTICLE•The Journal of North African…•2021•Citada por: 2•Referências: 26

    Taking cue from Abdelahad Sebti’s study of the social history of the zaṭāṭ (زطَا طَ) (the escort who in precolonial Morocco was hired to protect travellers from highway robbers and thieves), this paper attempts, in the words of Edward Said (1996. Representations of the Intellectual: The 1993 Reith Lectures. New York: Vintage Books, XV), a ‘coherent description’ of the vocation of the Moroccan intellectual in a public sphere characterised by a cri…

  • Critical Intercultural Communication and the Public Sphere

    Said Graiouid•ARTICLE•Journal of International and…•2024•Referências: 22

  • Ghiwanism and dissident nationalism

    Said Graiouid•ARTICLE•The Journal of North African…•2025•Referências: 6

Political science (6 obras) · Politics (6 obras) · Sociology (6 obras) · Law (5 obras) · Public sphere (4 obras) · African Studies and Geopolitics (3 obras) · Epistemology (3 obras) · History (3 obras) · Law (3 obras) · Multiculturalism, Politics, Migration, Gender (3 obras)

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