Nicole Ruta
Dados Biográficos
| ID | 8675895 |
|---|---|
| NOME | Nicole Ruta |
| PRENOMES | Nicole |
| SOBRENOME | Ruta |
| ASSINATURA | RUTA N |
| AFILIAÇÕES | KU Leuven |
| ORCID | 0000-0001-5300-2913 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 5 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2023 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 0 |
Preference for curvature in paintings extends to museum context
In the last two decades, contour shape has been widely studied as a factor in visual aesthetic preference.Many studies have shown that humans and other species usually prefer curved to sharp-angled contours.The reasons for this preference, although keenly debated, still remain unclear.Studies of preference for curvature have tended to rely on simple visual stimuli due to the need to control confounding variables, which has limited investigation o…
Explaining the curvature effect
Art has no gender, only gender bias
The current study investigated whether gender could be distinguished in a set of Abstract Expressionist paintings (N = 160) by an equal number of female (Krasner, Frankenthaler, Mitchell, Hartigan) and male (Pollock, Louis, Twombly, Kline) artists. The study consisted of three experiments and was performed by three separate groups of participants (total N = 800). In Experiment 1, participants judged whether the artwork was painted by a female or …
Balancing art
It has been shown that challenging contemporary art including conceptual ambiguities influences viewers’ preferences and eye movements. Here, we test whether such conceptual ambiguities (i.e., semantic violations and inconsistent titles) affect postural control. Research suggests that performing standard cognitive tasks influences postural control. However, the effects of challenging contemporary art on posture have never been studied before. We …
Preference for paintings is also affected by curvature
The research was funded by the project PSI2016-77327-P of the Spanish government (AEI/ERDF, EU). The Erick G. Chuquichamb acknowledges the pre-doctoral contract FPU18/00365 granted by the Spanish government.Conception, design and performing of the experiments for Study 1: Nicole Ruta and Robert Pepperell. Conception, design and performing of the experiments for Study 2: Enric Munar, Javier Vañó, Erick G. Chuquichambi, Carlos Rey
Sem obras proeminentes nesta página.
Preference for paintings is also affected by curvature
The research was funded by the project PSI2016-77327-P of the Spanish government (AEI/ERDF, EU). The Erick G. Chuquichamb acknowledges the pre-doctoral contract FPU18/00365 granted by the Spanish government.Conception, design and performing of the experiments for Study 1: Nicole Ruta and Robert Pepperell. Conception, design and performing of the experiments for Study 2: Enric Munar, Javier Vañó, Erick G. Chuquichambi, Carlos Rey
Balancing art
It has been shown that challenging contemporary art including conceptual ambiguities influences viewers’ preferences and eye movements. Here, we test whether such conceptual ambiguities (i.e., semantic violations and inconsistent titles) affect postural control. Research suggests that performing standard cognitive tasks influences postural control. However, the effects of challenging contemporary art on posture have never been studied before. We …
Preference for curvature in paintings extends to museum context
In the last two decades, contour shape has been widely studied as a factor in visual aesthetic preference.Many studies have shown that humans and other species usually prefer curved to sharp-angled contours.The reasons for this preference, although keenly debated, still remain unclear.Studies of preference for curvature have tended to rely on simple visual stimuli due to the need to control confounding variables, which has limited investigation o…
Explaining the curvature effect
Art has no gender, only gender bias
The current study investigated whether gender could be distinguished in a set of Abstract Expressionist paintings (N = 160) by an equal number of female (Krasner, Frankenthaler, Mitchell, Hartigan) and male (Pollock, Louis, Twombly, Kline) artists. The study consisted of three experiments and was performed by three separate groups of participants (total N = 800). In Experiment 1, participants judged whether the artwork was painted by a female or …
Aesthetic Perception and Analysis (3 obras) · Art (3 obras) · Cognitive psychology (3 obras) · Computer Science (3 obras) · Curvature (3 obras) · Geometry (3 obras) · Mathematics (3 obras) · Painting (3 obras) · Psychology (3 obras) · Visual arts (3 obras)