Bjarne Rogan
Dados Biográficos
| ID | 877732 |
|---|---|
| NOME | Bjarne Rogan |
| PRENOMES | Bjarne |
| SOBRENOME | Rogan |
| ASSINATURA | ROGAN B |
| AFILIAÇÕES | University of Oslo |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAÇÕES | 11 |
| OBRAS COMO AUTOR | 10 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1970 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2015 |
| ÍNDICE H | 1 |
A remarkable congress and a popular general secretary
The text presents the Commission Internationale des Arts et Traditions Populaires (CIAP), the international organization of ethnology and folklore established in 1928, which was transformed into SIEF – Société Internationale d’Ethnologie et de Folklore – in 1964, thus celebrating its 83rd anniversary in 2011. The focus is on its congresses, of which there have been close to twenty, although officially not more than ten. Most attention is placed o…
The Troubled Past of European Ethnology. Sief and International Cooperation from Prague to Derry
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Une alliance fragile
Cet article porte sur les instances internationales de l'ethnologie européenne, ses principaux acteurs, ses lieux de rencontre et les modalités des coopérations à la fin des années 1930, marquées par l'intensité des relations franco-scandinaves. On expose les motivations et les défis de la coopération internationale et les deux acteurs principaux à l'époque, Sigurd Erixon et Georges Henri Rivière. Mais sont aussi présentés les trois organisations…
Folk Art and Politics In Inter-War Europe
Since the early twentieth century, European ethnology (including folklore), with its predilection for regional or national studies and its focus on describing and charting popular culture, has striven hard to become a comparative, academic discipline. In order to overcome the problems associated with diversity of methods and rather weak theoretical foundations, as well as the isolation caused by geographical and political borders, international c…
The Emerging Museums of Europe
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Towards a Post-colonial and a Post-national Museum The Transformation of a French Museum Landscape
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Stamps and Postcards - Science or Play? A Longitudinal Study of a Gendered Collecting Field
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From Passion to Possessiveness Collectors and Collecting ina Symbolic Perspective
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On the Custom of Naming Artefacts
Our attitudes to the material objects of everyday life vary as much as our attitudes to people. The comparison is intentional, because we treat some of these objects as we treat human beings: we give them proper names. All artefacts carry some sort of meaning: they are medium for technical information and for social messages, but also for personal attitudes. Named artefacts may shed light on the latter category of meaning. The naming may be simpl…
MuCEM – et nytt nasjonalmuseum i Frankrike anno 2013
In 2007 the French national museum of popular culture (MNATP) closed its doors in Paris, to reopen in Marseilles in 2013 – as MuCEM. MuCEM’s new profile is art and cultural history, and its territorial scope is the Mediterranean area. The article traces briefly the history of MNATP, through its heyday in the 1960s–70s to its downward path in the 1980s–90s. The main focus, however, is on the last ten years, which were marked by political events an…
Folk Art and Politics In Inter-War Europe
Since the early twentieth century, European ethnology (including folklore), with its predilection for regional or national studies and its focus on describing and charting popular culture, has striven hard to become a comparative, academic discipline. In order to overcome the problems associated with diversity of methods and rather weak theoretical foundations, as well as the isolation caused by geographical and political borders, international c…
The Troubled Past of European Ethnology. Sief and International Cooperation from Prague to Derry
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Une alliance fragile
Cet article porte sur les instances internationales de l'ethnologie européenne, ses principaux acteurs, ses lieux de rencontre et les modalités des coopérations à la fin des années 1930, marquées par l'intensité des relations franco-scandinaves. On expose les motivations et les défis de la coopération internationale et les deux acteurs principaux à l'époque, Sigurd Erixon et Georges Henri Rivière. Mais sont aussi présentés les trois organisations…
Towards a Post-colonial and a Post-national Museum The Transformation of a French Museum Landscape
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Stamps and Postcards - Science or Play? A Longitudinal Study of a Gendered Collecting Field
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MuCEM – et nytt nasjonalmuseum i Frankrike anno 2013
In 2007 the French national museum of popular culture (MNATP) closed its doors in Paris, to reopen in Marseilles in 2013 – as MuCEM. MuCEM’s new profile is art and cultural history, and its territorial scope is the Mediterranean area. The article traces briefly the history of MNATP, through its heyday in the 1960s–70s to its downward path in the 1980s–90s. The main focus, however, is on the last ten years, which were marked by political events an…
MuCEM – et nytt nasjonalmuseum i Frankrike anno 2013
In 2007 the French national museum of popular culture (MNATP) closed its doors in Paris, to reopen in Marseilles in 2013 – as MuCEM. MuCEM’s new profile is art and cultural history, and its territorial scope is the Mediterranean area. The article traces briefly the history of MNATP, through its heyday in the 1960s–70s to its downward path in the 1980s–90s. The main focus, however, is on the last ten years, which were marked by political events an…
On the Custom of Naming Artefacts
Our attitudes to the material objects of everyday life vary as much as our attitudes to people. The comparison is intentional, because we treat some of these objects as we treat human beings: we give them proper names. All artefacts carry some sort of meaning: they are medium for technical information and for social messages, but also for personal attitudes. Named artefacts may shed light on the latter category of meaning. The naming may be simpl…
From Passion to Possessiveness Collectors and Collecting ina Symbolic Perspective
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Stamps and Postcards - Science or Play? A Longitudinal Study of a Gendered Collecting Field
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The Emerging Museums of Europe
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Towards a Post-colonial and a Post-national Museum The Transformation of a French Museum Landscape
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Folk Art and Politics In Inter-War Europe
Since the early twentieth century, European ethnology (including folklore), with its predilection for regional or national studies and its focus on describing and charting popular culture, has striven hard to become a comparative, academic discipline. In order to overcome the problems associated with diversity of methods and rather weak theoretical foundations, as well as the isolation caused by geographical and political borders, international c…
The Troubled Past of European Ethnology. Sief and International Cooperation from Prague to Derry
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Une alliance fragile
Cet article porte sur les instances internationales de l'ethnologie européenne, ses principaux acteurs, ses lieux de rencontre et les modalités des coopérations à la fin des années 1930, marquées par l'intensité des relations franco-scandinaves. On expose les motivations et les défis de la coopération internationale et les deux acteurs principaux à l'époque, Sigurd Erixon et Georges Henri Rivière. Mais sont aussi présentés les trois organisations…
A remarkable congress and a popular general secretary
The text presents the Commission Internationale des Arts et Traditions Populaires (CIAP), the international organization of ethnology and folklore established in 1928, which was transformed into SIEF – Société Internationale d’Ethnologie et de Folklore – in 1964, thus celebrating its 83rd anniversary in 2011. The focus is on its congresses, of which there have been close to twenty, although officially not more than ten. Most attention is placed o…
Ethnology (7 obras) · History (6 obras) · Art (5 obras) · Cultural Identity and Heritage (5 obras) · Humanities (5 obras) · Political science (5 obras) · Sociology (5 obras) · Anthropology (4 obras) · Law (4 obras) · European Linguistics and Anthropology (3 obras)