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John Cowley

Dados Biográficos

ID88761
NOMEJohn Cowley
PRENOMESJohn
SOBRENOMECowley
ASSINATURACOWLEY J
AFILIAÇÕESUniversity of the West
VERIFICADONão
TOTAL DE OBRAS15
TOTAL DE CITAÇÕES165
TOTAL COMO AUTOR15
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1960
ANO MAIS RECENTE DE PUBLICAÇÃO2003
ÍNDICE H2
  • Johnson, Ken “Snake Hips”

    John Cowley, J M Cowley et al.•CHAPTER•The new Grove dictionary of music…•2003

  • Appleton, Joe

    John Cowley, J M Cowley et al.•CHAPTER•The new Grove dictionary of music…•2003

  • Blake, Cyril

    John Cowley, J M Cowley et al.•CHAPTER•The new Grove dictionary of music…•2003

  • Caribbean Voyage

    Gage Averill, Alan Lomax et al.•ARTICLE•Ethnomusicology•2003

  • Caribbean Currents

    Julian Gerstin, Peter Manuel et al.•ARTICLE•Ethnomusicology•1999

  • Carnival, Canboulay and Calypso

    Eric Charry, John Cowley•ARTICLE•Yearbook for Traditional Music•1998

  • The episteme of academia in Africa

    Open Access•John Cowley, Tom Gouws•ARTICLE•New Contree•1996

    In hierdie artikel word aangetoon dat die stand van die akademie 'n Afrika ten nouste saamhang met die politieke aspirasies van die heersende politieke party. Die oorspronklike idee van die universiteit, soos oorgelewer deur die eeue, word hierdeur nietig verklaar, sodat die konsep van 'universiteit', soos ons dit vandag ken, eintlik 'n kontradiksie in terme is. Vanweë die praktiese eise van Afrikaregerings moet die konsep van 'universiteit' na r…

  • The Victorian Encounter with Marx

    John Cowley•BOOK•The Victorian Encounter with Marx•1992

    Ernest Belfort Bax was among the most original and gifted of the first generation of Marxists in Victorian England, and an intimate of luminaries such as William Morris, who considered him the philosopher of the movement. He had first-hand experience of the 19th century tradition of German philosophy which so profoundly influenced Karl Marx, and was a close friend of Engels. Bax was a prolific writer and speaker, the organizer of the Second Inter…

  • Cultural 'fusions

    Open Access•John Cowley•ARTICLE•Popular Music•1985•Citada por: 1•Referências: 2

    In recent years, a surprising void has opened in discussions of the evolution of twentieth-century British popular music. Directly and indirectly, much attention has been given to the influence of the United States. Little, however, has been written on the development of Britain's own popular vocal and dance forms, especially in the key years between the two World Wars; neither have other cultural inter-relationships, such as British acceptance o…

  • Ethnic Recordings in America

    Open Access•John Cowley•ARTICLE•Popular Music•1984•Citada por: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Trinidad Calypso

    Open Access•John Cowley, J M Cowley•ARTICLE•Popular Music•1984•Citada por: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Radio's 'Kentucky Mountain Boy', Bradley Kincaid

    Open Access•John Cowley•ARTICLE•Popular Music•1982

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Really the 'Walking Blues

    Open Access•John Cowley•ARTICLE•Popular Music•1981•Citada por: 2

    On the surface, a study of the evolution of a particular regional Afro-American folk-music style does not appear to be directly connected with the development of popular music. Yet, in one way or another since the 1930s, Son House, Robert Johnson and Muddy Waters, aspects of whose music I discuss here, have all influenced both the development of black blues and, in a much wider context, American and European popular music in general. Johnson and …

  • Poor People's Movements

    John Cowley, Francis Fox Priven et al.•ARTICLE•British Journal of Sociology•1979•Citada por: 159

    Have the poor fared best by participating in conventional electoral politics or by engaging in mass defiance and disruption? The authors of the classic Regulating The Poor assess the successes and failures of these two strategies as they examine, in this provocative study, four protest movements of lower-class groups in 20th century America: -- The mobilization of the unemployed during the Great Depression that gave rise to the Workers' Alliance …

  • Future trends in weapons

    John Cowley•ARTICLE•Survival•1960

  • Poor People's Movements

    John Cowley, Francis Fox Priven et al.•ARTICLE•British Journal of Sociology•1979•Citada por: 159

    Have the poor fared best by participating in conventional electoral politics or by engaging in mass defiance and disruption? The authors of the classic Regulating The Poor assess the successes and failures of these two strategies as they examine, in this provocative study, four protest movements of lower-class groups in 20th century America: -- The mobilization of the unemployed during the Great Depression that gave rise to the Workers' Alliance …

  • The Trinidad Calypso

    Open Access•John Cowley, J M Cowley•ARTICLE•Popular Music•1984•Citada por: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Really the 'Walking Blues

    Open Access•John Cowley•ARTICLE•Popular Music•1981•Citada por: 2

    On the surface, a study of the evolution of a particular regional Afro-American folk-music style does not appear to be directly connected with the development of popular music. Yet, in one way or another since the 1930s, Son House, Robert Johnson and Muddy Waters, aspects of whose music I discuss here, have all influenced both the development of black blues and, in a much wider context, American and European popular music in general. Johnson and …

  • Cultural 'fusions

    Open Access•John Cowley•ARTICLE•Popular Music•1985•Citada por: 1•Referências: 2

    In recent years, a surprising void has opened in discussions of the evolution of twentieth-century British popular music. Directly and indirectly, much attention has been given to the influence of the United States. Little, however, has been written on the development of Britain's own popular vocal and dance forms, especially in the key years between the two World Wars; neither have other cultural inter-relationships, such as British acceptance o…

  • Ethnic Recordings in America

    Open Access•John Cowley•ARTICLE•Popular Music•1984•Citada por: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Future trends in weapons

    John Cowley•ARTICLE•Survival•1960

  • Poor People's Movements

    John Cowley, Francis Fox Priven et al.•ARTICLE•British Journal of Sociology•1979•Citada por: 159

    Have the poor fared best by participating in conventional electoral politics or by engaging in mass defiance and disruption? The authors of the classic Regulating The Poor assess the successes and failures of these two strategies as they examine, in this provocative study, four protest movements of lower-class groups in 20th century America: -- The mobilization of the unemployed during the Great Depression that gave rise to the Workers' Alliance …

  • Really the 'Walking Blues

    Open Access•John Cowley•ARTICLE•Popular Music•1981•Citada por: 2

    On the surface, a study of the evolution of a particular regional Afro-American folk-music style does not appear to be directly connected with the development of popular music. Yet, in one way or another since the 1930s, Son House, Robert Johnson and Muddy Waters, aspects of whose music I discuss here, have all influenced both the development of black blues and, in a much wider context, American and European popular music in general. Johnson and …

  • Radio's 'Kentucky Mountain Boy', Bradley Kincaid

    Open Access•John Cowley•ARTICLE•Popular Music•1982

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Ethnic Recordings in America

    Open Access•John Cowley•ARTICLE•Popular Music•1984•Citada por: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Trinidad Calypso

    Open Access•John Cowley, J M Cowley•ARTICLE•Popular Music•1984•Citada por: 2

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Cultural 'fusions

    Open Access•John Cowley•ARTICLE•Popular Music•1985•Citada por: 1•Referências: 2

    In recent years, a surprising void has opened in discussions of the evolution of twentieth-century British popular music. Directly and indirectly, much attention has been given to the influence of the United States. Little, however, has been written on the development of Britain's own popular vocal and dance forms, especially in the key years between the two World Wars; neither have other cultural inter-relationships, such as British acceptance o…

  • The Victorian Encounter with Marx

    John Cowley•BOOK•The Victorian Encounter with Marx•1992

    Ernest Belfort Bax was among the most original and gifted of the first generation of Marxists in Victorian England, and an intimate of luminaries such as William Morris, who considered him the philosopher of the movement. He had first-hand experience of the 19th century tradition of German philosophy which so profoundly influenced Karl Marx, and was a close friend of Engels. Bax was a prolific writer and speaker, the organizer of the Second Inter…

  • The episteme of academia in Africa

    Open Access•John Cowley, Tom Gouws•ARTICLE•New Contree•1996

    In hierdie artikel word aangetoon dat die stand van die akademie 'n Afrika ten nouste saamhang met die politieke aspirasies van die heersende politieke party. Die oorspronklike idee van die universiteit, soos oorgelewer deur die eeue, word hierdeur nietig verklaar, sodat die konsep van 'universiteit', soos ons dit vandag ken, eintlik 'n kontradiksie in terme is. Vanweë die praktiese eise van Afrikaregerings moet die konsep van 'universiteit' na r…

  • Carnival, Canboulay and Calypso

    Eric Charry, John Cowley•ARTICLE•Yearbook for Traditional Music•1998

  • Caribbean Currents

    Julian Gerstin, Peter Manuel et al.•ARTICLE•Ethnomusicology•1999

  • Johnson, Ken “Snake Hips”

    John Cowley, J M Cowley et al.•CHAPTER•The new Grove dictionary of music…•2003

  • Appleton, Joe

    John Cowley, J M Cowley et al.•CHAPTER•The new Grove dictionary of music…•2003

  • Blake, Cyril

    John Cowley, J M Cowley et al.•CHAPTER•The new Grove dictionary of music…•2003

  • Caribbean Voyage

    Gage Averill, Alan Lomax et al.•ARTICLE•Ethnomusicology•2003

History (8 obras) · Art (7 obras) · Geography (5 obras) · History (5 obras) · Caribbean history, culture, and politics (3 obras) · Music History and Culture (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Ancient history (2 obras) · Art history (2 obras)

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