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Roger Sansi-Roca

Dados Biográficos

ID90112
NOMERoger Sansi-Roca
PRENOMESRoger
SOBRENOMESansi-Roca
ASSINATURASANSI-ROCA R
AFILIAÇÕESKing's College London
VERIFICADONão
TOTAL DE OBRAS5
TOTAL DE CITAÇÕES37
TOTAL COMO AUTOR4
TOTAL COMO EDITOR2
PRIMEIRO ANO DE PUBLICAÇÃO2005
ANO MAIS RECENTE DE PUBLICAÇÃO2007
ÍNDICE H1
  • Cultures of the Lusophone Black Atlantic

    Open Access•Nancy Priscilla Naro, Roger Sansi-Roca et al.•BOOK•Cultures of the Lusophone Black…•2007

    This book addresses the Lusophone Black Atlantic as a space of historical and cultural production between Portugal, Brazil, and Africa. The authors demonstrate how it has been shaped by diverse coloni

  • Cultures of the Lusophone Black Atlantic

    D Treece, N Naro et al.•BOOK•Cultures of the Lusophone Black…•2007

  • Introduction

    Open Access•Nancy Priscilla Naro, R Sansi et al.•CHAPTER•Cultures of the Lusophone Black…•2007

    After decades of obsession with “difference,” historians, anthropologists, and other students of culture are directing their gaze to the seas and oceans as historical spaces of cultural production. Hidden dangers abound because, as historical and cultural spaces, the seas possess no visible boundaries, no inscribed landmarks, and no entitled owners; such dangers can and do, however, afford new opportunities. The seas loom up as seamless wholes th…

  • The Fetish in the Lusophone Atlantic

    Open Access•R Sansi, Roger Sansi-Roca•CHAPTER•Cultures of the Lusophone Black…•2007

    The term "fetish" has a long and complex story bound to the history of the Atlantic. It originates from the Portuguese term feitiço, magic charm, and feitiçaria (sorcery). The Portuguese recogniz ed many of the ritual practices they encountered in Africa as forms of sorcery. References to the fetish date from the seventeenth century, in Dutch and English travel accounts of the West Coast of Africa. Travelers often misrecognized the Portuguese ori…

  • Fetishes and Monuments

    R Sansi, Roger Sansi-Roca•BOOK•Fetishes and monuments•2007

    One hundred years ago in Brazil the rituals of Candomblé were feared as sorcery and persecuted as crime. Its cult objects were fearsome fetishes. Nowadays, they are Afro-Brazilian cultural works of art, objects of museum display and public monuments. Focusing on the particular histories of objects, images, spaces and persons who embodied it, this book portrays the historical journey from weapons of sorcery looted by the police, to hidden living s…

  • The Hidden Life of Stones

    Open Access•R Sansi, Roger Sansi-Roca•ARTICLE•Journal of Material Culture•2005•Citada por: 37•Referências: 9

    In the last century, the objects of Candomblé, a religion of African origin in Bahia, suffered radical transformations in their public value. After discussing in general terms the life of 'saint' stones ( otã) in Candomblé, this article then focuses on the traces of the life history of one of these otã. This stone was seized in a police raid in a Candomblé house, and then displayed in a museum, until a legal action recently undertaken by politica…

  • The Hidden Life of Stones

    Open Access•R Sansi, Roger Sansi-Roca•ARTICLE•Journal of Material Culture•2005•Citada por: 37•Referências: 9

    In the last century, the objects of Candomblé, a religion of African origin in Bahia, suffered radical transformations in their public value. After discussing in general terms the life of 'saint' stones ( otã) in Candomblé, this article then focuses on the traces of the life history of one of these otã. This stone was seized in a police raid in a Candomblé house, and then displayed in a museum, until a legal action recently undertaken by politica…

  • The Hidden Life of Stones

    Open Access•R Sansi, Roger Sansi-Roca•ARTICLE•Journal of Material Culture•2005•Citada por: 37•Referências: 9

    In the last century, the objects of Candomblé, a religion of African origin in Bahia, suffered radical transformations in their public value. After discussing in general terms the life of 'saint' stones ( otã) in Candomblé, this article then focuses on the traces of the life history of one of these otã. This stone was seized in a police raid in a Candomblé house, and then displayed in a museum, until a legal action recently undertaken by politica…

  • Cultures of the Lusophone Black Atlantic

    Open Access•Nancy Priscilla Naro, Roger Sansi-Roca et al.•BOOK•Cultures of the Lusophone Black…•2007

    This book addresses the Lusophone Black Atlantic as a space of historical and cultural production between Portugal, Brazil, and Africa. The authors demonstrate how it has been shaped by diverse coloni

  • Cultures of the Lusophone Black Atlantic

    D Treece, N Naro et al.•BOOK•Cultures of the Lusophone Black…•2007

  • Introduction

    Open Access•Nancy Priscilla Naro, R Sansi et al.•CHAPTER•Cultures of the Lusophone Black…•2007

    After decades of obsession with “difference,” historians, anthropologists, and other students of culture are directing their gaze to the seas and oceans as historical spaces of cultural production. Hidden dangers abound because, as historical and cultural spaces, the seas possess no visible boundaries, no inscribed landmarks, and no entitled owners; such dangers can and do, however, afford new opportunities. The seas loom up as seamless wholes th…

  • The Fetish in the Lusophone Atlantic

    Open Access•R Sansi, Roger Sansi-Roca•CHAPTER•Cultures of the Lusophone Black…•2007

    The term "fetish" has a long and complex story bound to the history of the Atlantic. It originates from the Portuguese term feitiço, magic charm, and feitiçaria (sorcery). The Portuguese recogniz ed many of the ritual practices they encountered in Africa as forms of sorcery. References to the fetish date from the seventeenth century, in Dutch and English travel accounts of the West Coast of Africa. Travelers often misrecognized the Portuguese ori…

  • Fetishes and Monuments

    R Sansi, Roger Sansi-Roca•BOOK•Fetishes and monuments•2007

    One hundred years ago in Brazil the rituals of Candomblé were feared as sorcery and persecuted as crime. Its cult objects were fearsome fetishes. Nowadays, they are Afro-Brazilian cultural works of art, objects of museum display and public monuments. Focusing on the particular histories of objects, images, spaces and persons who embodied it, this book portrays the historical journey from weapons of sorcery looted by the police, to hidden living s…

Geography (5 obras) · Colonialism, slavery, and trade (3 obras) · History (3 obras) · Political science (3 obras) · Anthropological Studies and Insights (2 obras) · Art (2 obras) · Black People (2 obras) · Blacks (2 obras) · Blacks (2 obras) · History (2 obras)

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