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Giacomo Fiocco

Dados Biográficos

ID905519
NOMEGiacomo Fiocco
PRENOMESGiacomo
SOBRENOMEFiocco
ASSINATURAFIOCCO G
AFILIAÇÕESUniversity of Pavia
ORCID0000-0002-1458-9640
VERIFICADOSim
TOTAL DE OBRAS14
TOTAL DE CITAÇÕES11
TOTAL COMO AUTOR14
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2018
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H2
  • Three-year assessment of indoor air quality and preservation strategies at the Museo del Violino in Cremona (Italy)

    Open Access•Giacomo Fiocco, Monica Ricciardi et al.•ARTICLE•Journal of Cultural Heritage•2026

  • Distinct strategy using an integrated methodology of innovative and traditional techniques for discriminating superimposed historical inks in revised manuscripts

    Open Access•Chiara Delledonne, Michela Albano et al.•ARTICLE•Journal of Cultural Heritage•2026

    This study concerns a non-invasive, multi-analytical methodology proposed to overcome legibility limitations in compromised handwritten parts of historical manuscripts. In such official documents, literary works, or personal letters, ink traces may be revised after the original draft through overwriting, crossing out, or erasure. The inks used for these later modifications often closely resemble those of the original text in both appearance and c…

  • Glass flow on the Dnipro River

    Open Access•Dmytro Nykonenko, Oleh Yatsuk et al.•ARTICLE•Journal of Archaeological Science…•2025•Referências: 3

  • Rediscovering the Painting Technique of the 15th Century Panel Painting Depicting the Coronation of the Virgin by Michele di Matteo

    Open Access•Chiara Delledonne, Michela Albano et al.•ARTICLE•Heritage•2024•Referências: 9

    The study concerned a diagnostic spectroscopic campaign carried out on the panel painting depicting the Coronation of the Virgin (first half of the 15th century) by the late-Gothic Italian painter Michele di Matteo. The main aims were the identification of the original painting materials and the characterization of the painter’s artistic technique. A combined approach based on non- and micro-invasive techniques was employed. Visible and ultraviol…

  • Metal Fragments of Roman Pipes from Pompeii

    Open Access•Sofia Schiattone, Carla Martini et al.•ARTICLE•Heritage•2024•Referências: 2

    This work reports the study of metal fragments from Roman pipes excavated from the archaeological site of Pompeii and currently preserved in the deposits of the National Archaeological Museum of Naples (MANN). The Roman pipe, called the tibia, is a reed wind musical instrument similar to the Greek aulos. It can be made of wood, bone, and/or metal. Materials consisting of metal Cu-based alloys were excavated from archaeological burial environments…

  • Back to black

    Open Access•Oleh Yatsuk, Leonie Koch et al.•ARTICLE•Journal of Archaeological Science…•2024•Citada por: 1•Referências: 15

    An assemblage of black-appearing glass objects (predominantly beads) that is dated to the 9th–7th centuries BCE and found in Iron Age contexts of Southern Etruria and Latium (central Italy) was analysed using portable X-ray fluorescence spectrometry, laser ablation – inductively coupled plasma – mass spectrometry and micro-Raman spectroscopy. The analytical approach allowed us to discuss the technology of glass-making in a period of relevant tech…

  • Retentive bio-based chemical gel for removing glues from water-sensitive wooden artworks

    Open Access•Chaehoon Lee, Giacomo Fiocco et al.•ARTICLE•Journal of Cultural Heritage•2024

    Aged animal glues degrade and weaken over time, resulting in flakes and cracks on the material employed by wooden manufacturers and luthiers. Because of this deterioration, conservators and restorers remove aged water-soluble glues with a water swab, smoothing enough to clean them mechanically and putting on new reversible glues. However, it raises the question of whether a water swab can control moisture delivery while removing glue from wood, a…

  • It is not crystal clear

    Open Access•Oleh Yatsuk, Leonie Koch et al.•ARTICLE•Archaeological and Anthropological…•2024•Citada por: 2•Referências: 49

    The Iron Age was a period of change, with many innovations in the glass-making technology. The chemical composition of the set of objects considered in the present study demonstrates the diversity of the raw materials used and the depth of knowledge about the manipulation of glass appearance in the eighth-sixth centuries BCE. The study was carried out using fibre optics reflection spectroscopy and portable X-ray fluorescence spectrometry at the m…

  • The Non-Invasive Characterization of Iron Age Glass Finds from the “Gaetano Chierici” Collection in Reggio Emilia (Italy)

    Open Access•Oleh Yatsuk, Giacomo Fiocco et al.•ARTICLE•Heritage•2023•Citada por: 1•Referências: 16

    This work reports the results of the analyses performed on a set of glass finds from the “Gaetano Chierici” collection in the Civic Museums of Reggio Emilia. Forty-eight typologically heterogeneous glass finds were included in the list of the analyzed objects, dating from the fifth century BCE to the first century CE. The objects primarily consisted of glass beads; however, bangles, pinheads, and one vessel fragment were also included in the set.…

  • Non-invasive identification of red and yellow oxide and sulfide pigments in wall-paintings with portable ER-FTIR spectroscopy

    Open Access•F Volpi, Mauela Vagnini et al.•ARTICLE•Journal of Cultural Heritage•2023•Referências: 41

    Scientific interest in analytical tools that enable reliable, repeatable, and rapid measurements without sampling is growing in the field of cultural heritage. Therefore, improving the use of methods that permit an efficient characterization of a wide range of materials through non-invasive and portable instruments, such as spectroscopies, is currently in high demand. This work is focused on the non-invasive study and identification of selected r…

  • Ring-eye blue beads in Iron Age central Italy – Preliminary discussion of technology and possible trade connections

    Open Access•Oleh Yatsuk, Astrik Gorghinian et al.•ARTICLE•Journal of Archaeological Science…•2022•Citada por: 4•Referências: 9

  • Stratigraphic analysis of historical wooden samples from ancient bowed string instruments by laser induced breakdown spectroscopy

    Open Access•Pierluigi Nieri, F Poggialini et al.•ARTICLE•Journal of Cultural Heritage•2020•Referências: 36

  • The case of Antonio Stradivari 1718 ex-San Lorenzo violin

    Open Access•Tommaso Rovetta, Claudia Invernizzi et al.•ARTICLE•Journal of Archaeological Science…•2018•Citada por: 1•Referências: 3

  • Multi-analytical study of Roman frescoes from Villa dei Quintili (Rome, Italy)

    Open Access•Vincenzo Crupi, Barbara Fazio et al.•ARTICLE•Journal of Archaeological Science…•2018•Citada por: 2•Referências: 2

  • Ring-eye blue beads in Iron Age central Italy – Preliminary discussion of technology and possible trade connections

    Open Access•Oleh Yatsuk, Astrik Gorghinian et al.•ARTICLE•Journal of Archaeological Science…•2022•Citada por: 4•Referências: 9

  • It is not crystal clear

    Open Access•Oleh Yatsuk, Leonie Koch et al.•ARTICLE•Archaeological and Anthropological…•2024•Citada por: 2•Referências: 49

    The Iron Age was a period of change, with many innovations in the glass-making technology. The chemical composition of the set of objects considered in the present study demonstrates the diversity of the raw materials used and the depth of knowledge about the manipulation of glass appearance in the eighth-sixth centuries BCE. The study was carried out using fibre optics reflection spectroscopy and portable X-ray fluorescence spectrometry at the m…

  • Multi-analytical study of Roman frescoes from Villa dei Quintili (Rome, Italy)

    Open Access•Vincenzo Crupi, Barbara Fazio et al.•ARTICLE•Journal of Archaeological Science…•2018•Citada por: 2•Referências: 2

  • Back to black

    Open Access•Oleh Yatsuk, Leonie Koch et al.•ARTICLE•Journal of Archaeological Science…•2024•Citada por: 1•Referências: 15

    An assemblage of black-appearing glass objects (predominantly beads) that is dated to the 9th–7th centuries BCE and found in Iron Age contexts of Southern Etruria and Latium (central Italy) was analysed using portable X-ray fluorescence spectrometry, laser ablation – inductively coupled plasma – mass spectrometry and micro-Raman spectroscopy. The analytical approach allowed us to discuss the technology of glass-making in a period of relevant tech…

  • The Non-Invasive Characterization of Iron Age Glass Finds from the “Gaetano Chierici” Collection in Reggio Emilia (Italy)

    Open Access•Oleh Yatsuk, Giacomo Fiocco et al.•ARTICLE•Heritage•2023•Citada por: 1•Referências: 16

    This work reports the results of the analyses performed on a set of glass finds from the “Gaetano Chierici” collection in the Civic Museums of Reggio Emilia. Forty-eight typologically heterogeneous glass finds were included in the list of the analyzed objects, dating from the fifth century BCE to the first century CE. The objects primarily consisted of glass beads; however, bangles, pinheads, and one vessel fragment were also included in the set.…

  • The case of Antonio Stradivari 1718 ex-San Lorenzo violin

    Open Access•Tommaso Rovetta, Claudia Invernizzi et al.•ARTICLE•Journal of Archaeological Science…•2018•Citada por: 1•Referências: 3

  • The case of Antonio Stradivari 1718 ex-San Lorenzo violin

    Open Access•Tommaso Rovetta, Claudia Invernizzi et al.•ARTICLE•Journal of Archaeological Science…•2018•Citada por: 1•Referências: 3

  • Multi-analytical study of Roman frescoes from Villa dei Quintili (Rome, Italy)

    Open Access•Vincenzo Crupi, Barbara Fazio et al.•ARTICLE•Journal of Archaeological Science…•2018•Citada por: 2•Referências: 2

  • Stratigraphic analysis of historical wooden samples from ancient bowed string instruments by laser induced breakdown spectroscopy

    Open Access•Pierluigi Nieri, F Poggialini et al.•ARTICLE•Journal of Cultural Heritage•2020•Referências: 36

  • Ring-eye blue beads in Iron Age central Italy – Preliminary discussion of technology and possible trade connections

    Open Access•Oleh Yatsuk, Astrik Gorghinian et al.•ARTICLE•Journal of Archaeological Science…•2022•Citada por: 4•Referências: 9

  • The Non-Invasive Characterization of Iron Age Glass Finds from the “Gaetano Chierici” Collection in Reggio Emilia (Italy)

    Open Access•Oleh Yatsuk, Giacomo Fiocco et al.•ARTICLE•Heritage•2023•Citada por: 1•Referências: 16

    This work reports the results of the analyses performed on a set of glass finds from the “Gaetano Chierici” collection in the Civic Museums of Reggio Emilia. Forty-eight typologically heterogeneous glass finds were included in the list of the analyzed objects, dating from the fifth century BCE to the first century CE. The objects primarily consisted of glass beads; however, bangles, pinheads, and one vessel fragment were also included in the set.…

  • Non-invasive identification of red and yellow oxide and sulfide pigments in wall-paintings with portable ER-FTIR spectroscopy

    Open Access•F Volpi, Mauela Vagnini et al.•ARTICLE•Journal of Cultural Heritage•2023•Referências: 41

    Scientific interest in analytical tools that enable reliable, repeatable, and rapid measurements without sampling is growing in the field of cultural heritage. Therefore, improving the use of methods that permit an efficient characterization of a wide range of materials through non-invasive and portable instruments, such as spectroscopies, is currently in high demand. This work is focused on the non-invasive study and identification of selected r…

  • Rediscovering the Painting Technique of the 15th Century Panel Painting Depicting the Coronation of the Virgin by Michele di Matteo

    Open Access•Chiara Delledonne, Michela Albano et al.•ARTICLE•Heritage•2024•Referências: 9

    The study concerned a diagnostic spectroscopic campaign carried out on the panel painting depicting the Coronation of the Virgin (first half of the 15th century) by the late-Gothic Italian painter Michele di Matteo. The main aims were the identification of the original painting materials and the characterization of the painter’s artistic technique. A combined approach based on non- and micro-invasive techniques was employed. Visible and ultraviol…

  • Metal Fragments of Roman Pipes from Pompeii

    Open Access•Sofia Schiattone, Carla Martini et al.•ARTICLE•Heritage•2024•Referências: 2

    This work reports the study of metal fragments from Roman pipes excavated from the archaeological site of Pompeii and currently preserved in the deposits of the National Archaeological Museum of Naples (MANN). The Roman pipe, called the tibia, is a reed wind musical instrument similar to the Greek aulos. It can be made of wood, bone, and/or metal. Materials consisting of metal Cu-based alloys were excavated from archaeological burial environments…

  • Back to black

    Open Access•Oleh Yatsuk, Leonie Koch et al.•ARTICLE•Journal of Archaeological Science…•2024•Citada por: 1•Referências: 15

    An assemblage of black-appearing glass objects (predominantly beads) that is dated to the 9th–7th centuries BCE and found in Iron Age contexts of Southern Etruria and Latium (central Italy) was analysed using portable X-ray fluorescence spectrometry, laser ablation – inductively coupled plasma – mass spectrometry and micro-Raman spectroscopy. The analytical approach allowed us to discuss the technology of glass-making in a period of relevant tech…

  • Retentive bio-based chemical gel for removing glues from water-sensitive wooden artworks

    Open Access•Chaehoon Lee, Giacomo Fiocco et al.•ARTICLE•Journal of Cultural Heritage•2024

    Aged animal glues degrade and weaken over time, resulting in flakes and cracks on the material employed by wooden manufacturers and luthiers. Because of this deterioration, conservators and restorers remove aged water-soluble glues with a water swab, smoothing enough to clean them mechanically and putting on new reversible glues. However, it raises the question of whether a water swab can control moisture delivery while removing glue from wood, a…

  • It is not crystal clear

    Open Access•Oleh Yatsuk, Leonie Koch et al.•ARTICLE•Archaeological and Anthropological…•2024•Citada por: 2•Referências: 49

    The Iron Age was a period of change, with many innovations in the glass-making technology. The chemical composition of the set of objects considered in the present study demonstrates the diversity of the raw materials used and the depth of knowledge about the manipulation of glass appearance in the eighth-sixth centuries BCE. The study was carried out using fibre optics reflection spectroscopy and portable X-ray fluorescence spectrometry at the m…

  • Glass flow on the Dnipro River

    Open Access•Dmytro Nykonenko, Oleh Yatsuk et al.•ARTICLE•Journal of Archaeological Science…•2025•Referências: 3

  • Three-year assessment of indoor air quality and preservation strategies at the Museo del Violino in Cremona (Italy)

    Open Access•Giacomo Fiocco, Monica Ricciardi et al.•ARTICLE•Journal of Cultural Heritage•2026

  • Distinct strategy using an integrated methodology of innovative and traditional techniques for discriminating superimposed historical inks in revised manuscripts

    Open Access•Chiara Delledonne, Michela Albano et al.•ARTICLE•Journal of Cultural Heritage•2026

    This study concerns a non-invasive, multi-analytical methodology proposed to overcome legibility limitations in compromised handwritten parts of historical manuscripts. In such official documents, literary works, or personal letters, ink traces may be revised after the original draft through overwriting, crossing out, or erasure. The inks used for these later modifications often closely resemble those of the original text in both appearance and c…

Cultural Heritage Materials Analysis (12 obras) · Building materials and conservation (10 obras) · Materials Science (10 obras) · Archaeology (7 obras) · Conservation Techniques and Studies (7 obras) · Mineralogy (7 obras) · Physics (7 obras) · Art (6 obras) · Geography (6 obras) · Optics (6 obras)

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