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Owen Marshall

Dados Biográficos

ID907785
NOMEOwen Marshall
PRENOMESOwen
SOBRENOMEMarshall
ASSINATURAMARSHALL O
AFILIAÇÕESCornell University
ORCID0000-0003-3477-2618
VERIFICADOSim
TOTAL DE OBRAS7
TOTAL DE CITAÇÕES7
TOTAL COMO AUTOR7
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2014
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H1
  • Rite to mine

    Open Access•Owen Marshall•ARTICLE•Science as Culture•2026

  • The oleaginous voice

    Open Access•Owen Marshall•ARTICLE•History and Technology•2024

    In the twentieth century, exploration geophysics and digital vocal processing each underwent key technical transformations based on formally similar signal processing techniques derived from prior work in statistics and information theory. Engineers at Texas Instruments (TI) and the Massachusetts Institute of Technology (MIT) developed deconvolution filtering as a way to model geological strata from seismograph recordings in order to facilitate o…

  • Un-silencing an Experimental Technique

    Open Access•Owen Marshall•ARTICLE•Science Technology & Human Values•2022•Citada por: 1•Referências: 24

    In scientific work, sonification (i.e., the use of nonspeech audio to convey information) is primarily thought of as a novel way to communicate post hoc research findings to lay audiences but only rarely, if ever, as a component of the research itself. This article argues that, rather than any inherent epistemological limitations of sound as a medium of scientific reasoning, this framing reflects a sociohistorical tendency to "silence" experiment…

  • The Maniac-Making Machine

    Owen Marshall, Magnús Guđmundsson et al.•ARTICLE•Technology and Culture•2021

    Historians have shown how categories of unwanted sound-that is noise-have been subject to projects of technological abatement and domestication. Less has been written on how noise relates to the production of new categories of personhood. This article traces how military, medical, and scholarly speech-hearing researchers developed "delayed auditory feedback" (DAF), a disruptive and initially unwanted echo effect produced via magnetic tape recordi…

  • Shibboleths in the studio

    Open Access•Owen Marshall•ARTICLE•Social Studies of Science•2020•Citada por: 1•Referências: 12

    Recording engineers have an interest in maintaining their roles as skilled professionals as compared to external competitors, which increasingly include unpaid amateurs and automated software tools. They do this through a variety of material-semiotic demarcation practices. Formal modes of demarcation, such as unionization and professional attire, have largely eroded in recent decades, making informal practices increasingly important. These inform…

  • Short Story

    Owen Marshall•CHAPTER•Katherine Mansfield and Russia•2017

    On Thursday morning he walked again from his apartment in Palais Lutetia to the Villa Isola Bella. The quickest way was the low road through the tunnel and past the marina, but he preferred the climb up to the old cemetery where William Webb Ellis was buried, and then the stroll along the Garavan boulevard, past the Pian olive grove park with hunched, ancient trees set against the blue sea, on to the ornate villas of Garavan, some lacking love, b…

  • Synesthetizing Sound Studies and the Sociology of Technology

    Open Access•Owen Marshall•ARTICLE•Sociology Compass•2014•Citada por: 5•Referências: 7

    This paper examines current issues at the intersection of the Sociology of Technology and the interdisciplinary field of Sound Studies. It begins with an overview of major social constructionist, interpretive semiotic, and actor-network theoretical sociological approaches to technology as developed within the field of Science and Technology Studies (STS). Considering the predominance of narrative visual metaphors in these approaches' treatment of…

  • Synesthetizing Sound Studies and the Sociology of Technology

    Open Access•Owen Marshall•ARTICLE•Sociology Compass•2014•Citada por: 5•Referências: 7

    This paper examines current issues at the intersection of the Sociology of Technology and the interdisciplinary field of Sound Studies. It begins with an overview of major social constructionist, interpretive semiotic, and actor-network theoretical sociological approaches to technology as developed within the field of Science and Technology Studies (STS). Considering the predominance of narrative visual metaphors in these approaches' treatment of…

  • Un-silencing an Experimental Technique

    Open Access•Owen Marshall•ARTICLE•Science Technology & Human Values•2022•Citada por: 1•Referências: 24

    In scientific work, sonification (i.e., the use of nonspeech audio to convey information) is primarily thought of as a novel way to communicate post hoc research findings to lay audiences but only rarely, if ever, as a component of the research itself. This article argues that, rather than any inherent epistemological limitations of sound as a medium of scientific reasoning, this framing reflects a sociohistorical tendency to "silence" experiment…

  • Shibboleths in the studio

    Open Access•Owen Marshall•ARTICLE•Social Studies of Science•2020•Citada por: 1•Referências: 12

    Recording engineers have an interest in maintaining their roles as skilled professionals as compared to external competitors, which increasingly include unpaid amateurs and automated software tools. They do this through a variety of material-semiotic demarcation practices. Formal modes of demarcation, such as unionization and professional attire, have largely eroded in recent decades, making informal practices increasingly important. These inform…

  • Synesthetizing Sound Studies and the Sociology of Technology

    Open Access•Owen Marshall•ARTICLE•Sociology Compass•2014•Citada por: 5•Referências: 7

    This paper examines current issues at the intersection of the Sociology of Technology and the interdisciplinary field of Sound Studies. It begins with an overview of major social constructionist, interpretive semiotic, and actor-network theoretical sociological approaches to technology as developed within the field of Science and Technology Studies (STS). Considering the predominance of narrative visual metaphors in these approaches' treatment of…

  • Short Story

    Owen Marshall•CHAPTER•Katherine Mansfield and Russia•2017

    On Thursday morning he walked again from his apartment in Palais Lutetia to the Villa Isola Bella. The quickest way was the low road through the tunnel and past the marina, but he preferred the climb up to the old cemetery where William Webb Ellis was buried, and then the stroll along the Garavan boulevard, past the Pian olive grove park with hunched, ancient trees set against the blue sea, on to the ornate villas of Garavan, some lacking love, b…

  • Shibboleths in the studio

    Open Access•Owen Marshall•ARTICLE•Social Studies of Science•2020•Citada por: 1•Referências: 12

    Recording engineers have an interest in maintaining their roles as skilled professionals as compared to external competitors, which increasingly include unpaid amateurs and automated software tools. They do this through a variety of material-semiotic demarcation practices. Formal modes of demarcation, such as unionization and professional attire, have largely eroded in recent decades, making informal practices increasingly important. These inform…

  • The Maniac-Making Machine

    Owen Marshall, Magnús Guđmundsson et al.•ARTICLE•Technology and Culture•2021

    Historians have shown how categories of unwanted sound-that is noise-have been subject to projects of technological abatement and domestication. Less has been written on how noise relates to the production of new categories of personhood. This article traces how military, medical, and scholarly speech-hearing researchers developed "delayed auditory feedback" (DAF), a disruptive and initially unwanted echo effect produced via magnetic tape recordi…

  • Un-silencing an Experimental Technique

    Open Access•Owen Marshall•ARTICLE•Science Technology & Human Values•2022•Citada por: 1•Referências: 24

    In scientific work, sonification (i.e., the use of nonspeech audio to convey information) is primarily thought of as a novel way to communicate post hoc research findings to lay audiences but only rarely, if ever, as a component of the research itself. This article argues that, rather than any inherent epistemological limitations of sound as a medium of scientific reasoning, this framing reflects a sociohistorical tendency to "silence" experiment…

  • The oleaginous voice

    Open Access•Owen Marshall•ARTICLE•History and Technology•2024

    In the twentieth century, exploration geophysics and digital vocal processing each underwent key technical transformations based on formally similar signal processing techniques derived from prior work in statistics and information theory. Engineers at Texas Instruments (TI) and the Massachusetts Institute of Technology (MIT) developed deconvolution filtering as a way to model geological strata from seismograph recordings in order to facilitate o…

  • Rite to mine

    Open Access•Owen Marshall•ARTICLE•Science as Culture•2026

Computer Science (3 obras) · Art (2 obras) · Engineering (2 obras) · Geology (2 obras) · Music Technology and Sound Studies (2 obras) · Political science (2 obras) · Soundscape (2 obras) · Acoustics (1 obras) · Active listening (1 obras) · Aesthetics (1 obras)

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