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Pankaj Jain

Dados Biográficos

ID90859
NOMEPankaj Jain
PRENOMESPankaj
SOBRENOMEJain
ASSINATURAJAIN P
AFILIAÇÕESNorth Carolina State University
ORCID0000-0002-6330-9350
VERIFICADOSim
TOTAL DE OBRAS35
TOTAL DE CITAÇÕES7
OBRAS COMO AUTOR33
OBRAS COMO EDITOR2
PRIMEIRO ANO DE PUBLICAÇÃO2009
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H1
  • Avatar and Jain Philosophy

    Krati Birla, Pankaj Jain•ARTICLE•Worldviews Global Religions…•2026

  • Exploring the Religious and Environmental Allusions in Ram Teri Ganga Maili

    Khushi Kapoor, Pankaj Jain•ARTICLE•Worldviews Global Religions…•2024

  • The Railway Men

    Atharv Jain, Pankaj Jain•ARTICLE•Worldviews Global Religions…•2024

    The Bhopal Disaster, also known as the Bhopal Gas Tragedy, is recognized as the world’s worst industrial disaster. The Bhopal Disaster is the only industrial disaster affecting half a million people in the last few decades. Because of the sheer magnitude of this disaster, this topic remains relevant, especially to learn what preventive measures could have been taken to ensure such a tragedy never occurred. The disaster occurred from a mixture of …

  • Ship of Theseus

    Dhwaj Jain, Yukti Khaitan et al.•ARTICLE•Worldviews Global Religions…•2024

  • Corporate Social Responsibility Framework

    Open Access•Pankaj Jain, Bhav Jain et al.•ARTICLE•Journal of Racial and Ethnic…•2024•Referências: 15

  • Interpreting and Responding to Pandemics in Philosophical Traditions and Films of India

    Pankaj Jain, Shikha Sharma•ARTICLE•Worldviews Global Religions…•2023•Referências: 3

    India and the rest of the world continue to witness waves of COVID -19. In this article, I present myriad examples of ethical issues in the context of pandemics that hit India in the last few centuries. I also analyze the relevance of Indian texts and films in the context of various pandemics. The article quotes several primary and secondary texts to explore interpreting and responding to different pandemics and broader health issues. As the worl…

  • Children of the Soil' to 'Dark Wind

    Pankaj Jain, Shikha Sharma•ARTICLE•Visual Anthropology•2023•Referências: 3

    India is widely known as the biggest producer of films, now globally known with the portmanteau “Bollywood.” India also grabs the media attention for another reason—climate change. In 2015, The New York Times published an op-ed with a cartoon showing India as the proverbial “elephant” blocking the progress at the Paris Climate Change Conference. With the staggering number of films India produces and the steady increase in climate change-related d…

  • Hinduism and Tribal Religions

    Open Access•Jeffery D Long, Rita D Sherma et al.•EDITOR•BOOK•Hinduism and Tribal Religions•2022

  • Tribal Epics

    Open Access•John D Long, Rita D Sherma et al.•CHAPTER•Hinduism and Tribal Religions•2022

  • Yukti

    Open Access•John D Long, Rita D Sherma et al.•CHAPTER•Hinduism and Tribal Religions•2022

  • Pharmacovigilance Study of Oral Antidiabetic Drugs in Patients With Type 2 Diabetes Mellitus

    Open Access•Vaibhav Singh Chauhan, Akshata Kalyani et al.•ARTICLE•International Journal of Health…•2022

    The aim of the study to to evaluate and analyse ADRs in type II diabetic patients and to determine the causality and safety profile of all the prescribed medicationsMethods: A prospective study was carried out in diabetic patients visiting the Diabetic OPD and those fulfilling inclusion criteria were included in study. ADR observed were obtained from their Diabetic Diary and were recorded in the Case Record Form to evaluate the incidence,frequenc…

  • Ecocritical Analysis of Classics by Three Indian Film Maestros

    Pankaj Jain•ARTICLE•Worldviews Global Religions…•2022

  • Indian and Western Philosophical Concepts in Religion

    Pankaj Jain, Al Collins et al.•BOOK•Indian and Western Philosophical…•2022

  • The Objectification of Women in V. Shantaram's Films

    Pankaj Jain, Nandini Bhasin•ARTICLE•Visual Anthropology•2022•Referências: 6

  • Hinduism and Tribal Religions

    Madhu Khanna, Pankaj Jain et al.•BOOK•Hinduism and Tribal Religions•2021

  • Anuradha and Anupama

    Nandini Bhasin, Pankaj Jain•ARTICLE•Visual Anthropology•2021•Citada por: 1•Referências: 2

    According to Immanuel Kant’s second categorical imperative, every individual should be treated as an end and never as a means. The individual should be treated with dignity, equality, and not just

  • Hinduism and Tribal Religions

    Open Access•Jeffery D Long, Rita D Sherma et al.•EDITOR•BOOK•Hinduism and Tribal Religions•2020

  • Encountering Asceticism

    Shikha Sharma, Pankaj Jain•ARTICLE•Visual Anthropology•2020•Citada por: 1•Referências: 3

    Indian asceticism, monasticism and renunciation have a continuous history of almost three millennia. We find the earliest references to both monks and nuns in the sacred texts of Jainism and Buddhi

  • Do Bigha Zamin

    Jyoti Tyagi, Pankaj Jain•ARTICLE•Visual Anthropology•2020•Referências: 1

    Bimal Roy’s Do Bigha Zamin (“Two-thirds of an acre of land” 1 ), made in 1953, was perhaps the first Indian film to win accolades across Europe, China and Russia, in addition to getting several awa

  • Sara Jahan Hamara

    Pankaj Jain•ARTICLE•Visual Anthropology•2019•Referências: 9

    This article explores the connection of Hindi and Tamil films with outbound tourism from India. Some of the older Hindi and Tamil films portrayed foreign locations and their cultures in quite critical ways. Often protagonists in earlier films would go for a short trip abroad for immediate career-related needs and then return faithfully to their motherland. However, after the 1990s, Indians emerged as a confident globe-trotting people covering the…

  • Science and Socio-Religious Revolution in India

    Pankaj Jain•BOOK•Science and Socio-Religious…•2018

  • Growing Stories from India

    Pankaj Jain•ARTICLE•Food Culture & Society•2013

  • Winged Faith

    Open Access•Pankaj Jain•ARTICLE•Religious Studies Review•2011

  • Dharma and Ecology of Hindu Communities

    Pankaj Jain•BOOK•Dharma and ecology of Hindu…•2011

    In Indic religious traditions, a number of rituals and myths exist in which the environment is revered. Despite this nature worship in India, its natural resources are under heavy pressure with its growing economy and exploding population. This has led several scholars to raise questions about the role religious communities can play in environmentalism. Does nature worship inspire Hindus to act in an environmentally conscious way? This book explo…

  • Such a Long Journey

    Pankaj Jain•ARTICLE•Visual Anthropology•2011•Referências: 3

    The early Indian film industry was dominated by Parsis (followers of the Zoroastrian faith), as has been widely noted by scholars, for instance by Rajadhyaksha and Willemen [(1999)2008: 171] and Dwyer [Citation2006]. The most notable founding fathers of the Indian film industry were Ardesh Irani, Sohrab Modi and the Wadia brothers. Among noted Parsi actors were David in the past, and Boman Irani in current Hindi films. Similarly the popular singe…

Próximo
  • FromPadositoMy Name is Khan

    Pankaj Jain•ARTICLE•Visual Anthropology•2011•Citada por: 2•Referências: 11

    The portrayal of Hindu–Muslim relations in Hindi-language films has been a topic of discussion in several recent writings; for instance, in Chadha and Kavoori [2008 Chadha , Kalyani , and Anandam P. Kavoori 2008 Exoticized, Marginalized, Demonized: The Muslim “Other” in Indian Cinema . In Global Bollywood . Anandam P. Kavoori and Aswin Punathambekar , eds. Pp. 131 – 145 . New York : New York University Press . [Google Scholar]], Hirji [2008 Hirji…

  • Anuradha and Anupama

    Nandini Bhasin, Pankaj Jain•ARTICLE•Visual Anthropology•2021•Citada por: 1•Referências: 2

    According to Immanuel Kant’s second categorical imperative, every individual should be treated as an end and never as a means. The individual should be treated with dignity, equality, and not just

  • Encountering Asceticism

    Shikha Sharma, Pankaj Jain•ARTICLE•Visual Anthropology•2020•Citada por: 1•Referências: 3

    Indian asceticism, monasticism and renunciation have a continuous history of almost three millennia. We find the earliest references to both monks and nuns in the sacred texts of Jainism and Buddhi

  • Renunciation and Non-Renunciation in Indian Films

    Open Access•Pankaj Jain•ARTICLE•Religion Compass•2010•Citada por: 1•Referências: 2

    Renunciation is one of the most widely studied subjects among Indic traditions. The image of a half-naked ascetic with a stick in one hand and a begging bowl in other has captured the attention of scholars more often than the mundane householder. Whereas the ascetic captured the imagination with his (and sometimes her) individualistic spirit rebelling against the maligned caste hierarchy, the householder has been seen as a poor creature living a …

  • From Kil-Arni to Anthony

    Pankaj Jain•ARTICLE•Visual Anthropology•2010•Citada por: 1•Referências: 2

    Although Christianity established a connection with Indian films even before the first Indian film was made in 1912, the portrayal of Christians is rarely a topic of discussion. In this article, I survey Indian films which feature the relationship of Hindus and Christians but have escaped the attention of film scholars. Although the recent upsurge in “cinepatriotism” and “Hinduness” in Hindi films is rightly criticized by scholars, in this articl…

  • Dharmic Ecology

    Pankaj Jain•ARTICLE•Worldviews Global Religions…•2009•Citada por: 1•Referências: 2

    This is an article about the lives of the Swadhyayis, Swadhyaya practitioners, in the Indian states of Gujarat and Maharashtra. The Swadhyaya movement arose in the mid-twentieth century in Gujarat as a new religious movement led by its founder, the late Pandurang Shastri Athavale. In my research, I discovered that there is no category of "environmentalism" in the "way of life" of Swadhyayis living in the villages. Following Weightman and Pandey (…

  • Indic Traditions and Environmental Ethics

    Open Access•Pankaj Jain•ARTICLE•Religious Studies Review•2009

  • Islamicate Cultures of Bombay Cinema – By Ira Bhaskar and Richard Allen

    Open Access•Pankaj Jain•ARTICLE•Religious Studies Review•2009

  • Dharmic Ecology

    Pankaj Jain•ARTICLE•Worldviews Global Religions…•2009•Citada por: 1•Referências: 2

    This is an article about the lives of the Swadhyayis, Swadhyaya practitioners, in the Indian states of Gujarat and Maharashtra. The Swadhyaya movement arose in the mid-twentieth century in Gujarat as a new religious movement led by its founder, the late Pandurang Shastri Athavale. In my research, I discovered that there is no category of "environmentalism" in the "way of life" of Swadhyayis living in the villages. Following Weightman and Pandey (…

  • Kings of the Forest

    Open Access•Pankaj Jain•ARTICLE•Religious Studies Review•2010

  • Self‐Development and Social Transformations? The Vision and Practice of the Self‐Study Mobilization of Swadhyay – By Ananta Kumar Giri

    Open Access•Pankaj Jain•ARTICLE•Religious Studies Review•2010

  • Indian Literature and Popular Cinema

    Open Access•Pankaj Jain•ARTICLE•Religious Studies Review•2010

  • Renunciation and Non-Renunciation in Indian Films

    Open Access•Pankaj Jain•ARTICLE•Religion Compass•2010•Citada por: 1•Referências: 2

    Renunciation is one of the most widely studied subjects among Indic traditions. The image of a half-naked ascetic with a stick in one hand and a begging bowl in other has captured the attention of scholars more often than the mundane householder. Whereas the ascetic captured the imagination with his (and sometimes her) individualistic spirit rebelling against the maligned caste hierarchy, the householder has been seen as a poor creature living a …

  • Virtue Ethics ofBoot PolishandDosti, as Compared withSlumdog Millionaire

    Pankaj Jain•ARTICLE•Visual Anthropology•2010•Referências: 5

    Boot Polish. Produced by R.K. Films and Studios; directed by Prakash Arora; story, dialogue and screenplay by Bhanu Pratap; music by Shankar and Jaikishan; lyrics by Shailendra and Hasrat Jaipuri

  • From Kil-Arni to Anthony

    Pankaj Jain•ARTICLE•Visual Anthropology•2010•Citada por: 1•Referências: 2

    Although Christianity established a connection with Indian films even before the first Indian film was made in 1912, the portrayal of Christians is rarely a topic of discussion. In this article, I survey Indian films which feature the relationship of Hindus and Christians but have escaped the attention of film scholars. Although the recent upsurge in “cinepatriotism” and “Hinduness” in Hindi films is rightly criticized by scholars, in this articl…

  • Winged Faith

    Open Access•Pankaj Jain•ARTICLE•Religious Studies Review•2011

  • Dharma and Ecology of Hindu Communities

    Pankaj Jain•BOOK•Dharma and ecology of Hindu…•2011

    In Indic religious traditions, a number of rituals and myths exist in which the environment is revered. Despite this nature worship in India, its natural resources are under heavy pressure with its growing economy and exploding population. This has led several scholars to raise questions about the role religious communities can play in environmentalism. Does nature worship inspire Hindus to act in an environmentally conscious way? This book explo…

  • Such a Long Journey

    Pankaj Jain•ARTICLE•Visual Anthropology•2011•Referências: 3

    The early Indian film industry was dominated by Parsis (followers of the Zoroastrian faith), as has been widely noted by scholars, for instance by Rajadhyaksha and Willemen [(1999)2008: 171] and Dwyer [Citation2006]. The most notable founding fathers of the Indian film industry were Ardesh Irani, Sohrab Modi and the Wadia brothers. Among noted Parsi actors were David in the past, and Boman Irani in current Hindi films. Similarly the popular singe…

  • FromPadositoMy Name is Khan

    Pankaj Jain•ARTICLE•Visual Anthropology•2011•Citada por: 2•Referências: 11

    The portrayal of Hindu–Muslim relations in Hindi-language films has been a topic of discussion in several recent writings; for instance, in Chadha and Kavoori [2008 Chadha , Kalyani , and Anandam P. Kavoori 2008 Exoticized, Marginalized, Demonized: The Muslim “Other” in Indian Cinema . In Global Bollywood . Anandam P. Kavoori and Aswin Punathambekar , eds. Pp. 131 – 145 . New York : New York University Press . [Google Scholar]], Hirji [2008 Hirji…

  • Growing Stories from India

    Pankaj Jain•ARTICLE•Food Culture & Society•2013

  • Science and Socio-Religious Revolution in India

    Pankaj Jain•BOOK•Science and Socio-Religious…•2018

  • Sara Jahan Hamara

    Pankaj Jain•ARTICLE•Visual Anthropology•2019•Referências: 9

    This article explores the connection of Hindi and Tamil films with outbound tourism from India. Some of the older Hindi and Tamil films portrayed foreign locations and their cultures in quite critical ways. Often protagonists in earlier films would go for a short trip abroad for immediate career-related needs and then return faithfully to their motherland. However, after the 1990s, Indians emerged as a confident globe-trotting people covering the…

  • Hinduism and Tribal Religions

    Open Access•Jeffery D Long, Rita D Sherma et al.•EDITOR•BOOK•Hinduism and Tribal Religions•2020

  • Encountering Asceticism

    Shikha Sharma, Pankaj Jain•ARTICLE•Visual Anthropology•2020•Citada por: 1•Referências: 3

    Indian asceticism, monasticism and renunciation have a continuous history of almost three millennia. We find the earliest references to both monks and nuns in the sacred texts of Jainism and Buddhi

  • Do Bigha Zamin

    Jyoti Tyagi, Pankaj Jain•ARTICLE•Visual Anthropology•2020•Referências: 1

    Bimal Roy’s Do Bigha Zamin (“Two-thirds of an acre of land” 1 ), made in 1953, was perhaps the first Indian film to win accolades across Europe, China and Russia, in addition to getting several awa

  • Hinduism and Tribal Religions

    Madhu Khanna, Pankaj Jain et al.•BOOK•Hinduism and Tribal Religions•2021

  • Anuradha and Anupama

    Nandini Bhasin, Pankaj Jain•ARTICLE•Visual Anthropology•2021•Citada por: 1•Referências: 2

    According to Immanuel Kant’s second categorical imperative, every individual should be treated as an end and never as a means. The individual should be treated with dignity, equality, and not just

  • Hinduism and Tribal Religions

    Open Access•Jeffery D Long, Rita D Sherma et al.•EDITOR•BOOK•Hinduism and Tribal Religions•2022

  • Tribal Epics

    Open Access•John D Long, Rita D Sherma et al.•CHAPTER•Hinduism and Tribal Religions•2022

  • Yukti

    Open Access•John D Long, Rita D Sherma et al.•CHAPTER•Hinduism and Tribal Religions•2022

  • Pharmacovigilance Study of Oral Antidiabetic Drugs in Patients With Type 2 Diabetes Mellitus

    Open Access•Vaibhav Singh Chauhan, Akshata Kalyani et al.•ARTICLE•International Journal of Health…•2022

    The aim of the study to to evaluate and analyse ADRs in type II diabetic patients and to determine the causality and safety profile of all the prescribed medicationsMethods: A prospective study was carried out in diabetic patients visiting the Diabetic OPD and those fulfilling inclusion criteria were included in study. ADR observed were obtained from their Diabetic Diary and were recorded in the Case Record Form to evaluate the incidence,frequenc…

History (17 obras) · Sociology (17 obras) · Political science (13 obras) · Philosophy (12 obras) · Art (10 obras) · Law (10 obras) · South Asian Cinema and Culture (10 obras) · Hinduism (9 obras) · Religious studies (9 obras) · Archaeology (8 obras)

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