Laura Vermeeren
Dados Biográficos
| ID | 939903 |
|---|---|
| NOME | Laura Vermeeren |
| PRENOMES | Laura |
| SOBRENOME | Vermeeren |
| ASSINATURA | VERMEEREN L |
| AFILIAÇÕES | Media Studies, University of Amsterdam, Amsterdam, Netherlands |
| ORCID | 0000-0002-3910-2050 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2022 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 0 |
Unearthing fonts from a creative Chinese past
The rapid growth of the creative industries has arguably been the main driver in the transformation of the calligraphic sign. Today, the Chinese character can be transformed into a versatile and dynamic digital font, adaptable into almost any shape or color as long as it stays legible, and creative designers increasingly have room to ‘play with’ the Chinese character. Based on ethnographic research and visual analysis, this article identifies and…
The Haunting of Pregnancy
This paper analyses Bumper groups on Reddit – online communities of pregnant women who are due in the same month, where they share their experiences, anxieties and personal details regarding themselves and their unborn child. These groups usually become private after the first trimester of pregnancy, and are therefore considered spaces in which women feel safe to share information on their daily struggles such as cravings, baby shower woes, mood …
Locating vernacular creativity outside the ‘urban cool’ in Beijing
How and where to be creative, and what creativity entails and affords has been subject to momentous change in recent decades in China. Since the early 2000s, the discourse of creativity has played a leading role in governmental policies that aim to boost economic development through a focus on the creative industries. First-tier Chinese cities have reinvented themselves as creative hotbeds with distinctive areas, often located at the fringes of t…
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Locating vernacular creativity outside the ‘urban cool’ in Beijing
How and where to be creative, and what creativity entails and affords has been subject to momentous change in recent decades in China. Since the early 2000s, the discourse of creativity has played a leading role in governmental policies that aim to boost economic development through a focus on the creative industries. First-tier Chinese cities have reinvented themselves as creative hotbeds with distinctive areas, often located at the fringes of t…
Unearthing fonts from a creative Chinese past
The rapid growth of the creative industries has arguably been the main driver in the transformation of the calligraphic sign. Today, the Chinese character can be transformed into a versatile and dynamic digital font, adaptable into almost any shape or color as long as it stays legible, and creative designers increasingly have room to ‘play with’ the Chinese character. Based on ethnographic research and visual analysis, this article identifies and…
The Haunting of Pregnancy
This paper analyses Bumper groups on Reddit – online communities of pregnant women who are due in the same month, where they share their experiences, anxieties and personal details regarding themselves and their unborn child. These groups usually become private after the first trimester of pregnancy, and are therefore considered spaces in which women feel safe to share information on their daily struggles such as cravings, baby shower woes, mood …
Aesthetics (2 obras) · Art (2 obras) · History (2 obras) · History (2 obras) · Sociology (2 obras) · Visual arts (2 obras) · Beijing (1 obras) · Calligraphy (1 obras) · China (1 obras) · Creative Cities (1 obras)