Larissa V Kirillina
Dados Biográficos
| ID | 9456910 |
|---|---|
| NOME | Larissa V Kirillina |
| PRENOMES | Larissa V |
| SOBRENOME | Kirillina |
| ASSINATURA | KIRILLINA L V |
| AFILIAÇÕES | Moscow Conservatory |
| ORCID | 0000-0002-5225-5641 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 2 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2023 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 0 |
“Spanish Trace” in the Plot, Libretto, and Stage Performances of Beethoven’s Opera Fidelio
The article considers the various connections between Ludwig van Beethoven’s opera Fidelio and specific elements pertaining to Spanish culture. According to the libretto, the events take place in a state prison near Seville. Beethoven’s librettists (Joseph Sonnleithner, Stephan von Breuning and Georg Friedrich Treitschke) closely followed the original source, Jean-Nicolas Bouilly’s play Léonore, ou L’amour conjugal, which had originally been set …
The Dancing Prometheus
Beethoven’s music has frequently appeared in ballet productions in the 20th and early 21st centuries. However, his only full-scale ballet, Die Geschöpfe des Prometheus (1801), remains outside of the theatrical mainstream. Meanwhile, this work was important for both of its creators: the great choreographer Salvatore Viganò and Beethoven. The ‘Promethean’ line in Beethoven’s and Viganò’s legacy continued after the ballet’s premiere in 1801. A numbe…
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The Dancing Prometheus
Beethoven’s music has frequently appeared in ballet productions in the 20th and early 21st centuries. However, his only full-scale ballet, Die Geschöpfe des Prometheus (1801), remains outside of the theatrical mainstream. Meanwhile, this work was important for both of its creators: the great choreographer Salvatore Viganò and Beethoven. The ‘Promethean’ line in Beethoven’s and Viganò’s legacy continued after the ballet’s premiere in 1801. A numbe…
“Spanish Trace” in the Plot, Libretto, and Stage Performances of Beethoven’s Opera Fidelio
The article considers the various connections between Ludwig van Beethoven’s opera Fidelio and specific elements pertaining to Spanish culture. According to the libretto, the events take place in a state prison near Seville. Beethoven’s librettists (Joseph Sonnleithner, Stephan von Breuning and Georg Friedrich Treitschke) closely followed the original source, Jean-Nicolas Bouilly’s play Léonore, ou L’amour conjugal, which had originally been set …
Art (2 obras) · Diverse Musicological Studies (2 obras) · Literature (2 obras) · Musicology and Musical Analysis (2 obras) · Art history (1 obra) · Ballet (1 obra) · Classical ballet (1 obra) · Dance (1 obra) · Diversity and Impact of Dance (1 obra) · Geology (1 obra)