Roberta Mock
Dados Biográficos
| ID | 951636 |
|---|---|
| NOME | Roberta Mock |
| PRENOMES | Roberta |
| SOBRENOME | Mock |
| ASSINATURA | MOCK R |
| AFILIAÇÕES | University of Plymouth |
| ORCID | 0000-0002-2897-2835 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2001 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2018 |
| ÍNDICE H | 0 |
How Come Boys Get to Keep Their Noses? Women and Jewish American Identity in Contemporary Graphic Memoirs by Tahneer Oksman
Reviewed by: How Come Boys Get to Keep Their Noses? Women and Jewish American Identity in Contemporary Graphic Memoirs by Tahneer Oksman Roberta Mock (bio) Tahneer Oksman. "How Come Boys Get to Keep Their Noses?": Women and Jewish American Identity in Contemporary Graphic Memoirs. Columbia UP, 2016, 274 pp. ISBN 978-0231172752, $30.00. Tahneer Oksman's engaging monograph explores the ways in which Jewish American women cartoonists express sexual …
Stand-up comedy and the legacy of the mature vagina
This article explores the work of older female comedians who explicitly refer to their sexed bodies, and their vaginas in particular, as a playfully political discursive strategy. At its heart are a number of stand-up performances made since 2000 by Phyllis Diller, Joan Rivers and Roseanne Barr, informed and supported by their performances in a variety of other forms and media (including reality television, talk shows and auto/biographical writin…
Really Jewish? Joan Rivers Live at the Apollo
This article analyses Joan Rivers' hosting of the BBC's flagship stand-up comedy programme, Live at the Apollo, in 2007. It draws methodologically on both performance studies and Jewish cultural studies, the latter of which aims to interrogate the cultural politics of difference. In doing so, it attempts to read the ways that Rivers' performance might be coded as Jewish by positioning it in relation to theories and practices of ‘Jewish humour’, o…
Jewish Women on Stage, Film, and Television
This book exposes and traces a previously unrecognized performance tradition of extraordinary Jewish women in the Diaspora, from Rachel and Sarah Bernhardt in Nineteenth Century France to Roseanne and
The M(other) Project
Heteroqueer Ladies
As theories of performativity struggle to disentangle and reconfigure the relationships between act and identity, a heterowoman who relishes the performance of femininity is still aware that she can be read as reactionary. Her choice of sexual partners seems to undermine the efficacy of similar strategies constructed by femme lesbians. One queer option for a heterosexual woman is to 'act' like a gay man. As more than one cultural commentator has …
Without you I'm nothing”
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Without you I'm nothing”
Heteroqueer Ladies
As theories of performativity struggle to disentangle and reconfigure the relationships between act and identity, a heterowoman who relishes the performance of femininity is still aware that she can be read as reactionary. Her choice of sexual partners seems to undermine the efficacy of similar strategies constructed by femme lesbians. One queer option for a heterosexual woman is to 'act' like a gay man. As more than one cultural commentator has …
The M(other) Project
Jewish Women on Stage, Film, and Television
This book exposes and traces a previously unrecognized performance tradition of extraordinary Jewish women in the Diaspora, from Rachel and Sarah Bernhardt in Nineteenth Century France to Roseanne and
Really Jewish? Joan Rivers Live at the Apollo
This article analyses Joan Rivers' hosting of the BBC's flagship stand-up comedy programme, Live at the Apollo, in 2007. It draws methodologically on both performance studies and Jewish cultural studies, the latter of which aims to interrogate the cultural politics of difference. In doing so, it attempts to read the ways that Rivers' performance might be coded as Jewish by positioning it in relation to theories and practices of ‘Jewish humour’, o…
Stand-up comedy and the legacy of the mature vagina
This article explores the work of older female comedians who explicitly refer to their sexed bodies, and their vaginas in particular, as a playfully political discursive strategy. At its heart are a number of stand-up performances made since 2000 by Phyllis Diller, Joan Rivers and Roseanne Barr, informed and supported by their performances in a variety of other forms and media (including reality television, talk shows and auto/biographical writin…
How Come Boys Get to Keep Their Noses? Women and Jewish American Identity in Contemporary Graphic Memoirs by Tahneer Oksman
Reviewed by: How Come Boys Get to Keep Their Noses? Women and Jewish American Identity in Contemporary Graphic Memoirs by Tahneer Oksman Roberta Mock (bio) Tahneer Oksman. "How Come Boys Get to Keep Their Noses?": Women and Jewish American Identity in Contemporary Graphic Memoirs. Columbia UP, 2016, 274 pp. ISBN 978-0231172752, $30.00. Tahneer Oksman's engaging monograph explores the ways in which Jewish American women cartoonists express sexual …
Art (6 obras) · Art history (5 obras) · Sociology (5 obras) · Gender Studies (4 obras) · History (4 obras) · Politics (4 obras) · Aesthetics (3 obras) · Judaism (3 obras) · Law (3 obras) · Philosophy (3 obras)