Emma Kafalenos
Dados Biográficos
| ID | 959995 |
|---|---|
| NOME | Emma Kafalenos |
| PRENOMES | Emma |
| SOBRENOME | Kafalenos |
| ASSINATURA | KAFALENOS E |
| AFILIAÇÕES | Washington University in St. Louis |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 5 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1997 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2018 |
| ÍNDICE H | 2 |
Ekphrasis as Misrepresentation
The proliferation of (copies of) images in recent decades facilitates viewing the image to which an ekphrastic text responds. Typically, I have argued previously (Poetics Today 33, no. 1: 27–57), whenever readers of an ekphrasis view the visual artwork to which the ekphrasis is a response, they become aware that the ekphrasis they would have written would be different from the one they are reading. I do not think that this response to an ekphrasi…
Emotions Induced by Narratives
Research Article| June 01 2008 Emotions Induced by Narratives Emma Kafalenos Emma Kafalenos Search for other works by this author on: This Site Google Poetics Today (2008) 29 (2): 377–384. https://doi.org/10.1215/03335372-2007-030 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Emma Kafalenos; Emotions Induced by Narratives. Poetics Today 1 June 2008; 29 (2): 377–384. doi: https://doi.org/10.1215/…
The Power of Double Coding to Represent New Forms of Representation
Doubly coded artworks-artworks that are embedded in other artworks- sometimes represent an art form (a medium, a genre) that at the time they are made cannot be represented except through double coding. The phenomenon is rare and occurs only when several conditions are met. First, in the doubly coded (embedded) section, the subordination of one voice to the other voice is so extreme that the section can be likened to a duet sung by one voice. Thi…
Functions after Propp
Emotions Induced by Narratives
Research Article| June 01 2008 Emotions Induced by Narratives Emma Kafalenos Emma Kafalenos Search for other works by this author on: This Site Google Poetics Today (2008) 29 (2): 377–384. https://doi.org/10.1215/03335372-2007-030 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Emma Kafalenos; Emotions Induced by Narratives. Poetics Today 1 June 2008; 29 (2): 377–384. doi: https://doi.org/10.1215/…
Functions after Propp
Ekphrasis as Misrepresentation
The proliferation of (copies of) images in recent decades facilitates viewing the image to which an ekphrastic text responds. Typically, I have argued previously (Poetics Today 33, no. 1: 27–57), whenever readers of an ekphrasis view the visual artwork to which the ekphrasis is a response, they become aware that the ekphrasis they would have written would be different from the one they are reading. I do not think that this response to an ekphrasi…
Functions after Propp
The Power of Double Coding to Represent New Forms of Representation
Doubly coded artworks-artworks that are embedded in other artworks- sometimes represent an art form (a medium, a genre) that at the time they are made cannot be represented except through double coding. The phenomenon is rare and occurs only when several conditions are met. First, in the doubly coded (embedded) section, the subordination of one voice to the other voice is so extreme that the section can be likened to a duet sung by one voice. Thi…
Emotions Induced by Narratives
Research Article| June 01 2008 Emotions Induced by Narratives Emma Kafalenos Emma Kafalenos Search for other works by this author on: This Site Google Poetics Today (2008) 29 (2): 377–384. https://doi.org/10.1215/03335372-2007-030 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Emma Kafalenos; Emotions Induced by Narratives. Poetics Today 1 June 2008; 29 (2): 377–384. doi: https://doi.org/10.1215/…
Ekphrasis as Misrepresentation
The proliferation of (copies of) images in recent decades facilitates viewing the image to which an ekphrastic text responds. Typically, I have argued previously (Poetics Today 33, no. 1: 27–57), whenever readers of an ekphrasis view the visual artwork to which the ekphrasis is a response, they become aware that the ekphrasis they would have written would be different from the one they are reading. I do not think that this response to an ekphrasi…
Art (4 obras) · Literature (4 obras) · Aesthetics (3 obras) · Linguistics (3 obras) · Philosophy (3 obras) · Aesthetic Perception and Analysis (2 obras) · Computer Science (2 obras) · Language, Metaphor, and Cognition (2 obras) · Narrative (2 obras) · Psychology (2 obras)