Nien-Ying Wang
Dados Biográficos
| ID | 9664727 |
|---|---|
| NOME | Nien-Ying Wang |
| PRENOMES | Nien-Ying |
| SOBRENOME | Wang |
| ASSINATURA | WANG N |
| AFILIAÇÕES | ISNI: 0000000419371063 Fu Jen Catholic University |
| ORCID | 0009-0004-7991-4848 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 2 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2025 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 0 |
Reinventing personal documentaries
The 2000s witnessed a shift in Taiwan’s documentary scene from public engagement to personal exploration. Emerging filmmakers embraced poetic, performative, and self-reflexive approaches, further blurring the lines between fiction and documentary. The mid-2010s saw the continuous evolutions in this trend of personal documentaries. This paper explores these ongoing transformations through the creative use of sound and music in Huang Pang-chuan’s d…
The spectral sounds of fear and fantasy in Bai Jingrui’s Bliss
Four Moods (1970) is a collaborative four-part film directed by Bai Jingrui, King Hu, Li Hsing and Li Han-hsiang, portraying the blurred boundaries between human and inhuman, nature and supernature through distinct emotional ‘moods’, as reflected in its Chinese title: Bliss, Anger, Sadness and Happiness . This article focuses on Bai Jingrui’s Bliss , a reimagining of Pu Songling’s ‘Nie Xiaoqian’ from Strange Tales of Laiozhai . Employing a silent…
Sem obras proeminentes nesta página.
Reinventing personal documentaries
The 2000s witnessed a shift in Taiwan’s documentary scene from public engagement to personal exploration. Emerging filmmakers embraced poetic, performative, and self-reflexive approaches, further blurring the lines between fiction and documentary. The mid-2010s saw the continuous evolutions in this trend of personal documentaries. This paper explores these ongoing transformations through the creative use of sound and music in Huang Pang-chuan’s d…
The spectral sounds of fear and fantasy in Bai Jingrui’s Bliss
Four Moods (1970) is a collaborative four-part film directed by Bai Jingrui, King Hu, Li Hsing and Li Han-hsiang, portraying the blurred boundaries between human and inhuman, nature and supernature through distinct emotional ‘moods’, as reflected in its Chinese title: Bliss, Anger, Sadness and Happiness . This article focuses on Bai Jingrui’s Bliss , a reimagining of Pu Songling’s ‘Nie Xiaoqian’ from Strange Tales of Laiozhai . Employing a silent…
Narrative (2 obras) · Acoustics (1 obra) · Art (1 obra) · BLISS (1 obra) · Chinese history and philosophy (1 obra) · Cinema and Media Studies (1 obra) · Ecocriticism and Environmental Literature (1 obra) · Fantasy (1 obra) · History (1 obra) · Literature (1 obra)