R B Rutherford
Dados Biográficos
| ID | 967202 |
|---|---|
| NOME | R B Rutherford |
| PRENOMES | R B |
| SOBRENOME | Rutherford |
| ASSINATURA | RUTHERFORD R B |
| AFILIAÇÕES | United Church of Christ |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 23 |
| TOTAL DE CITAÇÕES | 29 |
| TOTAL COMO AUTOR | 23 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1931 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2022 |
| ÍNDICE H | 3 |
Herodotean Emotions
Herodotean Ironies
‘Irony/ironic’ are terms frequently used in discussion of Herodotus, whether applied to particular passages or to the text as a whole. This paper aims to distinguish different types of irony which have been or can be detected in the text of the Histories, and to map these on a spectrum ranging from those which are clearly indicated by the narrator to those which demand more by way of interpretation and supplement from the reader. Types described …
Lysistrata and Female Song
Among the many points of interest in N.G. Wilson's admirable new text of Aristophanes is his handling of the closing scene of Lysistrata , and in particular the question of the heroine's role in that scene. In the new OCT we find the short speech 1273–8 ascribed to Lysistrata, while the apparatus notes ‘legato tribuunt quidam’ (in other words, to one of the Athenian males already on stage). The song which follows (1279–90) is also given to Lysist…
Greek Tragic Style
Greek tragedy is widely read and performed, but outside the commentary tradition detailed study of the poetic style and language of Aeschylus, Sophocles and Euripides has been relatively neglected. This book seeks to fill that gap by providing an account of the poetics of the tragic genre. The author describes the varied handling of spoken dialogue and of lyric song; major topics such as vocabulary, rhetoric and imagery are considered in detail a…
Greek Tragic Style
"Greek tragedy is widely read and performed, but outside the commentary tradition detailed study of the poetic style and language of Aeschylus, Sophocles and Euripides has been relatively neglected. This book seeks to fill that gap by providing an account of the poetics of the tragic genre. The author describes the varied handling of spoken dialogue and of lyric song; major topics such as vocabulary, rhetoric and imagery are considered in detail …
Culture in pieces
LIST OF ILLUSTRATIONS ABBREVIATIONS AND CONVENTIONS NOTES ON CONTRIBUTORS INTRODUCTION 1. Vanishing Conjecture: The Recovery of Lost Books from Aristotle to Eco 2. Pindar as a Man of Letters 3. The Papyri of Herodotus 4. The Use and Abuse of Irony 5. Greek Letters in Hellenistic Bactria 6. Menander and his Rivals: New Light from the Comic Adespota on Papyria 7. The Rediscovery of Menander 8. My Daughter and her Dowry : Smikrines in Menander s Epi…
Tragedy and History
Tragedy and history are related - both high mimetic genres, indebted to epic, much concerned with leaders and nobles, politics and wars, nations or individuals in lengthy conflicts, often describing sequences of events that span more than one generation of human experience (besides Aeschylus, note in tragedy the handling of past time in Euripides' Phoenissae and Orestes). But their relationship is not clear-cut. If we may extend the family-tree m…
Poetics and literary criticism
Study of Horace as a critic of literature normally and justifiably focuses on the Ars Poetica and on the two 'literary' epistles of Book 2, to Augustus and Florus; sometimes the three poems in which Horace discusses the satiric genre are also brought into the picture ( Satires 1.4, 1.10, 2.1). But the poet’s comments on other writers and on literature in general are not confined to these works; nor is the subject-matter of those poems restricted …
Why should I mention Io?’ Aspects of choral narration in Greek tragedy
The study of narrative, narratology, has for some decades now been a well-established subdiscipline within the large field of critical methodology. Even classical scholars generally resistant to theory have found it acceptable. In part this can be explained by its classical ancestry: it was Plato who emphasised the importance of distinguishing narrator-voice and character-voice, and Aristotle who identified some of the key elements constituting p…
Classical Literature
The Art of Plato
The Art of Plato
The fascination of Plato’s dialogues rests not only on the range of arguments and opinions expressed by the participants, but also on the richness of his literary style. He captures the imagination and stimulates the curiosity of his readers through his expert use of techniques devised by the rhetoricians and even the poets of his time; Plato, the critic of art and poetry, shows himself a consummate artist. This book is not a study of Plato’s phi…
Homer
From the Iliad to the Odyssey
FROM THE ILIAD TO THE ODYSSEY Get access R. B. RUTHERFORD R. B. RUTHERFORD Christ Church, Oxford Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 38, Issue 1, December 1993, Pages 37–54, https://doi.org/10.1111/j.2041-5370.1993.tb00701.x Published: 12 March 2010
Shorter Notices
Shorter Notices Get access R. B. RUTHERFORD R. B. RUTHERFORD Christ ChurchOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CVI, Issue CCCCXVIII, January 1991, Page 145, https://doi.org/10.1093/ehr/CVI.CCCCXVIII.145 Published: 01 January 1991
Classical Literature
This one-volume survey of the literature of Greece and Rome covers the period between Homer around 700 BC and Augustine around AD 410. It highlights what is important historically and what is of continuing interest and value in the literature of classical antiquity."--BOOK JACKET
The philosophy of the Odyssey
The ancient critics are well known—some might say notorious—for their readiness to read literature, and particularly Homer, through moral spectacles. Their interpretations of Homeric epic are philosophical, not only in the more limited sense that they identified specific doctrines in the speeches of Homer's characters, making the poet or his heroes spokesmen for the views of Plato or Epicurus, but also in a wider sense: the critics demand from Ho…
At home and abroad
It remains an open question what sort of structure, or what kind and degree of unity, the reader may legitimately expect to find in the Homeric epics, or in oral poetry in general. More specifically, when critics identify long-range correspondences, symmetrical patterns and precise correlation of speeches, scenes, similes and events, they are often confronted with considerable scepticism. Here it may be that excessively schematic attempts, such a…
Short Notices
Short Notices Get access R. B. RUTHERFORD R. B. RUTHERFORD Christ ChurchOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume XCVIII, Issue CCCLXXXIX, October 1983, Pages 840–841, https://doi.org/10.1093/ehr/XCVIII.CCCLXXXIX.840 Published: 01 October 1983
Short Notices
Journal Article Short Notices Get access R. B. RUTHERFORD R. B. RUTHERFORD Worcester CollegeOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume XCVII, Issue CCCLXXXIII, April 1982, Pages 395-b–396, https://doi.org/10.1093/ehr/XCVII.CCCLXXXIII.395-b Published: 01 April 1982
Horace, Epistles 2. 2
The epistle to Florus ( Ep. 2. 2) has usually been grouped with the epistle to Augustus and the Ars Poetica , partly because of its length, which sets it, like the other two, apart from the letters of the first book, and partly because of the common interest in literary theory which is manifested in all three. These poems have always been the subject of controversy; but 2. 2 has received less attention than the others, perhaps because the eleganc…
Martin W. Frederiksen 1930–1980
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button
Short Notices
Short Notices R. B. RUTHERFORD R. B. RUTHERFORD Worcester CollegeOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume XLVI, Issue CLXXXIII, April 1931, Pages 395-b–396, https://doi.org/10.1093/ehr/XLVI.CLXXXIII.395-b Published: 01 April 1931
Homer
Classical Literature
From the Iliad to the Odyssey
FROM THE ILIAD TO THE ODYSSEY Get access R. B. RUTHERFORD R. B. RUTHERFORD Christ Church, Oxford Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 38, Issue 1, December 1993, Pages 37–54, https://doi.org/10.1111/j.2041-5370.1993.tb00701.x Published: 12 March 2010
Why should I mention Io?’ Aspects of choral narration in Greek tragedy
The study of narrative, narratology, has for some decades now been a well-established subdiscipline within the large field of critical methodology. Even classical scholars generally resistant to theory have found it acceptable. In part this can be explained by its classical ancestry: it was Plato who emphasised the importance of distinguishing narrator-voice and character-voice, and Aristotle who identified some of the key elements constituting p…
At home and abroad
It remains an open question what sort of structure, or what kind and degree of unity, the reader may legitimately expect to find in the Homeric epics, or in oral poetry in general. More specifically, when critics identify long-range correspondences, symmetrical patterns and precise correlation of speeches, scenes, similes and events, they are often confronted with considerable scepticism. Here it may be that excessively schematic attempts, such a…
Martin W. Frederiksen 1930–1980
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button
Short Notices
Short Notices R. B. RUTHERFORD R. B. RUTHERFORD Worcester CollegeOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume XLVI, Issue CLXXXIII, April 1931, Pages 395-b–396, https://doi.org/10.1093/ehr/XLVI.CLXXXIII.395-b Published: 01 April 1931
Martin W. Frederiksen 1930–1980
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button
Horace, Epistles 2. 2
The epistle to Florus ( Ep. 2. 2) has usually been grouped with the epistle to Augustus and the Ars Poetica , partly because of its length, which sets it, like the other two, apart from the letters of the first book, and partly because of the common interest in literary theory which is manifested in all three. These poems have always been the subject of controversy; but 2. 2 has received less attention than the others, perhaps because the eleganc…
Short Notices
Journal Article Short Notices Get access R. B. RUTHERFORD R. B. RUTHERFORD Worcester CollegeOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume XCVII, Issue CCCLXXXIII, April 1982, Pages 395-b–396, https://doi.org/10.1093/ehr/XCVII.CCCLXXXIII.395-b Published: 01 April 1982
Short Notices
Short Notices Get access R. B. RUTHERFORD R. B. RUTHERFORD Christ ChurchOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume XCVIII, Issue CCCLXXXIX, October 1983, Pages 840–841, https://doi.org/10.1093/ehr/XCVIII.CCCLXXXIX.840 Published: 01 October 1983
At home and abroad
It remains an open question what sort of structure, or what kind and degree of unity, the reader may legitimately expect to find in the Homeric epics, or in oral poetry in general. More specifically, when critics identify long-range correspondences, symmetrical patterns and precise correlation of speeches, scenes, similes and events, they are often confronted with considerable scepticism. Here it may be that excessively schematic attempts, such a…
The philosophy of the Odyssey
The ancient critics are well known—some might say notorious—for their readiness to read literature, and particularly Homer, through moral spectacles. Their interpretations of Homeric epic are philosophical, not only in the more limited sense that they identified specific doctrines in the speeches of Homer's characters, making the poet or his heroes spokesmen for the views of Plato or Epicurus, but also in a wider sense: the critics demand from Ho…
Shorter Notices
Shorter Notices Get access R. B. RUTHERFORD R. B. RUTHERFORD Christ ChurchOxford Search for other works by this author on: Oxford Academic Google Scholar The English Historical Review, Volume CVI, Issue CCCCXVIII, January 1991, Page 145, https://doi.org/10.1093/ehr/CVI.CCCCXVIII.145 Published: 01 January 1991
Classical Literature
This one-volume survey of the literature of Greece and Rome covers the period between Homer around 700 BC and Augustine around AD 410. It highlights what is important historically and what is of continuing interest and value in the literature of classical antiquity."--BOOK JACKET
From the Iliad to the Odyssey
FROM THE ILIAD TO THE ODYSSEY Get access R. B. RUTHERFORD R. B. RUTHERFORD Christ Church, Oxford Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 38, Issue 1, December 1993, Pages 37–54, https://doi.org/10.1111/j.2041-5370.1993.tb00701.x Published: 12 March 2010
Homer
The Art of Plato
The fascination of Plato’s dialogues rests not only on the range of arguments and opinions expressed by the participants, but also on the richness of his literary style. He captures the imagination and stimulates the curiosity of his readers through his expert use of techniques devised by the rhetoricians and even the poets of his time; Plato, the critic of art and poetry, shows himself a consummate artist. This book is not a study of Plato’s phi…
The Art of Plato
Classical Literature
Tragedy and History
Tragedy and history are related - both high mimetic genres, indebted to epic, much concerned with leaders and nobles, politics and wars, nations or individuals in lengthy conflicts, often describing sequences of events that span more than one generation of human experience (besides Aeschylus, note in tragedy the handling of past time in Euripides' Phoenissae and Orestes). But their relationship is not clear-cut. If we may extend the family-tree m…
Poetics and literary criticism
Study of Horace as a critic of literature normally and justifiably focuses on the Ars Poetica and on the two 'literary' epistles of Book 2, to Augustus and Florus; sometimes the three poems in which Horace discusses the satiric genre are also brought into the picture ( Satires 1.4, 1.10, 2.1). But the poet’s comments on other writers and on literature in general are not confined to these works; nor is the subject-matter of those poems restricted …
Why should I mention Io?’ Aspects of choral narration in Greek tragedy
The study of narrative, narratology, has for some decades now been a well-established subdiscipline within the large field of critical methodology. Even classical scholars generally resistant to theory have found it acceptable. In part this can be explained by its classical ancestry: it was Plato who emphasised the importance of distinguishing narrator-voice and character-voice, and Aristotle who identified some of the key elements constituting p…
Culture in pieces
LIST OF ILLUSTRATIONS ABBREVIATIONS AND CONVENTIONS NOTES ON CONTRIBUTORS INTRODUCTION 1. Vanishing Conjecture: The Recovery of Lost Books from Aristotle to Eco 2. Pindar as a Man of Letters 3. The Papyri of Herodotus 4. The Use and Abuse of Irony 5. Greek Letters in Hellenistic Bactria 6. Menander and his Rivals: New Light from the Comic Adespota on Papyria 7. The Rediscovery of Menander 8. My Daughter and her Dowry : Smikrines in Menander s Epi…
Greek Tragic Style
Greek tragedy is widely read and performed, but outside the commentary tradition detailed study of the poetic style and language of Aeschylus, Sophocles and Euripides has been relatively neglected. This book seeks to fill that gap by providing an account of the poetics of the tragic genre. The author describes the varied handling of spoken dialogue and of lyric song; major topics such as vocabulary, rhetoric and imagery are considered in detail a…
Greek Tragic Style
"Greek tragedy is widely read and performed, but outside the commentary tradition detailed study of the poetic style and language of Aeschylus, Sophocles and Euripides has been relatively neglected. This book seeks to fill that gap by providing an account of the poetics of the tragic genre. The author describes the varied handling of spoken dialogue and of lyric song; major topics such as vocabulary, rhetoric and imagery are considered in detail …
Lysistrata and Female Song
Among the many points of interest in N.G. Wilson's admirable new text of Aristophanes is his handling of the closing scene of Lysistrata , and in particular the question of the heroine's role in that scene. In the new OCT we find the short speech 1273–8 ascribed to Lysistrata, while the apparatus notes ‘legato tribuunt quidam’ (in other words, to one of the Athenian males already on stage). The song which follows (1279–90) is also given to Lysist…
Herodotean Ironies
‘Irony/ironic’ are terms frequently used in discussion of Herodotus, whether applied to particular passages or to the text as a whole. This paper aims to distinguish different types of irony which have been or can be detected in the text of the Histories, and to map these on a spectrum ranging from those which are clearly indicated by the narrator to those which demand more by way of interpretation and supplement from the reader. Types described …
Herodotean Emotions
Art (16 obras) · Classical Antiquity Studies (15 obras) · Literature (14 obras) · Philosophy (14 obras) · History (13 obras) · Computer Science (8 obras) · Linguistics (8 obras) · Philosophy (8 obras) · Epistemology (7 obras) · History (7 obras)