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Deborah Matzner

Dados Biográficos

ID97255
NOMEDeborah Matzner
PRENOMESDeborah
SOBRENOMEMatzner
ASSINATURAMATZNER D
AFILIAÇÕESWellesley College
VERIFICADONão
TOTAL DE OBRAS3
TOTAL DE CITAÇÕES3
OBRAS COMO AUTOR3
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2014
ANO MAIS RECENTE DE PUBLICAÇÃO2017
ÍNDICE H1
  • Communicating Across Linguistic and Sensorial Divides in Mumbai

    Open Access•Deborah Matzner•ARTICLE•Visual Anthropology Review•2017•Referências: 1

  • J ai B him C omrade and the Politics of Sound in Urban I ndian Visual Culture

    Open Access•Deborah Matzner•ARTICLE•Visual Anthropology Review•2014•Citada por: 3•Referências: 16

    Indian documentary filmmaker A nand P atwardhan's latest release J ai B him C omrade (2012), which depicts protest music employed by the D alit (previously “Untouchable”) movement in M aharashtra, presents challenges to the ways in which P atwardhan's work has been characterized. Key among these are the sonic practices in which D alits in the film engage to assert presence and agency in defiance of their caste subjugation. Situating these practic…

  • My Maid Watches It

    Deborah Matzner•ARTICLE•Anthropological Quarterly•2014

    While now classic scholarship in the anthropology of media and media studies has devoted ethnographic attention to active audiences' resistance, subversion, and enjoyment of the ideological content of media products, ethnographers have only recently turned to the complexity of the subjective and imaginative processes at play in the making of mass media. In this article, I attend to the particularly complex case of the production of commercial sat…

  • J ai B him C omrade and the Politics of Sound in Urban I ndian Visual Culture

    Open Access•Deborah Matzner•ARTICLE•Visual Anthropology Review•2014•Citada por: 3•Referências: 16

    Indian documentary filmmaker A nand P atwardhan's latest release J ai B him C omrade (2012), which depicts protest music employed by the D alit (previously “Untouchable”) movement in M aharashtra, presents challenges to the ways in which P atwardhan's work has been characterized. Key among these are the sonic practices in which D alits in the film engage to assert presence and agency in defiance of their caste subjugation. Situating these practic…

  • J ai B him C omrade and the Politics of Sound in Urban I ndian Visual Culture

    Open Access•Deborah Matzner•ARTICLE•Visual Anthropology Review•2014•Citada por: 3•Referências: 16

    Indian documentary filmmaker A nand P atwardhan's latest release J ai B him C omrade (2012), which depicts protest music employed by the D alit (previously “Untouchable”) movement in M aharashtra, presents challenges to the ways in which P atwardhan's work has been characterized. Key among these are the sonic practices in which D alits in the film engage to assert presence and agency in defiance of their caste subjugation. Situating these practic…

  • My Maid Watches It

    Deborah Matzner•ARTICLE•Anthropological Quarterly•2014

    While now classic scholarship in the anthropology of media and media studies has devoted ethnographic attention to active audiences' resistance, subversion, and enjoyment of the ideological content of media products, ethnographers have only recently turned to the complexity of the subjective and imaginative processes at play in the making of mass media. In this article, I attend to the particularly complex case of the production of commercial sat…

  • Communicating Across Linguistic and Sensorial Divides in Mumbai

    Open Access•Deborah Matzner•ARTICLE•Visual Anthropology Review•2017•Referências: 1

Media studies (3 obras) · Sociology (3 obras) · Art (2 obras) · Law (2 obras) · Political science (2 obras) · Scholarship (2 obras) · South Asian Cinema and Culture (2 obras) · Acoustics (1 obra) · Aesthetics (1 obra) · Agency (philosophy (1 obra)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae