Maria Perla Colombini

Dados Biográficos

ID	97305
NOME	Maria Perla Colombini
PRENOMES	Maria Perla
SOBRENOME	Colombini
ASSINATURA	COLOMBINI M P
AFILIAÇÕES	University of Pisa
ORCID	0000-0002-1666-8596
VERIFICADO	Sim
TOTAL DE OBRAS	46
TOTAL DE CITAÇÕES	334
TOTAL COMO AUTOR	46
TOTAL COMO EDITOR	0
PRIMEIRO ANO DE PUBLICAÇÃO	2002
ANO MAIS RECENTE DE PUBLICAÇÃO	2024
ÍNDICE H	6

The Lord of Ucupe mask from Moche culture (Peru). A multianalytical study of the materials from the metals to the adhesive
Open AccessRoberta Iannaccone, Erika Ribechini et al.ARTICLEJournal of Cultural Heritage2024
An Insight into Gandharan Art
Open AccessAnna Lluveras‐Tenorio, Alessia Andreotti et al.ARTICLEHeritage2022Citada por: 3Referências: 13
Gandharan art developed in the Himalayan area in the early centuries CE. It has been investigated mostly from an iconographic point of view, missing, until very recently, a systematic technical investigation of materials and techniques. Recently our team began performing chemical analyses of the traces of the polychromy originally covering statues, reliefs and architectural decorations, to discover the ancient painting techniques and artistic tec…
Archaeology of the invisible
Open AccessJ La Nasa, Ilaria Degano et al.ARTICLEJournal of Archaeological Science2022Citada por: 2
Identifying Brazilwood’s Marker Component, Urolithin C, in Historical Textiles by Surface-Enhanced Raman Spectroscopy
Open AccessBrenda Doherty, Ilaria Degano et al.ARTICLEHeritage2021
The fugitive nature of the colorants obtained from sappanwood (Caesalpinia sappan L.) or the South American species commonly known as ‘brazilwoods’ (including other Caesalpinia species and Paubrasilia echinata (Lam.)) makes the identification of brazilwood dyes and pigments in historic artefacts analytically challenging. This difficulty has been somewhat alleviated recently by the recognition and structural elucidation of a relatively stable mark…
In the darkest hour
Open AccessKaare Lund Rasmussen, Thomas Delbey et al.ARTICLEArchaeometry2021Referências: 20
The three members of Sledge Team 1 in the Denmark Expedition of 1906–08 died in the fall of 1907 trying to return to the basecamp in Danmarkshavn in north‐east Greenland. In their final approach they attempted to make it across 79‐Fjord towards a depot on Lambert's Land on their dog sledges, but were impaired in doing so by rough ice scape, exhaustion and hunger. The last to die was Jørgen Brønlund. His body was found four months later, along wit…
Coptic textiles in Tehran
Open AccessRoya Deyjoo, Parviz Holakooei et al.ARTICLEArchaeological and Anthropological…2021Citada por: 3Referências: 16
Years of Street Art
Open AccessJ La Nasa, Beatrice Campanella et al.ARTICLEJournal of Cultural Heritage2021Referências: 33
Structural Study of the Pastiglia and Gilding Decoration at the Vank Cathedral and Bethlehem Church in Isfahan
Open AccessTina Tinati, Yaser Hamzavi et al.ARTICLEJournal of Research on Archaeometry2020
The pastiglia technique has been widely used as the preparation layer for gilding decoration in Iran during the Safavid period. Generally, the purpose of pastiglia is to create a prominent surface for the gilding array. The main research issue is the lack of technical and structural knowledge of the layered arrays of the two churches under study. Lack of sufficient research and resources on the technical and structural knowledge of Pastiglia and …
Discovering Giuseppe Capogrossi
Open AccessJ La Nasa, Patrizia Moretti et al.ARTICLEHeritage2020Citada por: 1Referências: 1
We present the results of a diagnostic campaign on three of Giuseppe Capogrossi’s abstract paintings from the 1950s and 1960s, conserved at the National Gallery of Modern and Contemporary Art in Rome. Non-invasive investigations by reflection FT-IR spectroscopy were carried out, followed by micro-destructive laboratory analyses using Py-GC-MS, and HPLC-ESI-Q-ToF. The investigations focused on identifying the binders used for both the preparation …
Graphic vandalism
Open AccessClaudia Giusti, Maria Perla Colombini et al.ARTICLEJournal of Cultural Heritage2020Citada por: 1Referências: 30
Colourants on the wall paintings of a mediӕval fortress at the mount Sofeh in Isfahan, central Iran
Open AccessParviz Holakooei, Amir-Hossein Karimy et al.ARTICLEJournal of Archaeological Science…2019Citada por: 6Referências: 6
The chemistry of pastels
Open AccessAnna Lluveras Tenorio, Anna Lluveras‐Tenorio et al.ARTICLEJournal of Cultural Heritage2019Citada por: 1Referências: 21
Characterization of the artist's palette from the polychrome decorations of the El Bahia Palace doors (Marrakesh, Morocco)
Open AccessAnna Lluveras-Tenorio, Anna Lluveras‐Tenorio et al.ARTICLEJournal of Cultural Heritage2018
Violon. Céret by Pablo Picasso
Open AccessEleonora Maria Stella, Bracci et al.ARTICLEJournal of Cultural Heritage2018Citada por: 3Referências: 1
Approaching the study of rock “monuments”. The archaeological site of Pietralba (Upper Tiber Valley, Arezzo, Italy)
Open AccessA P Santos, Alba Patrizia Santo et al.ARTICLEArchaeological and Anthropological…2016
First evidence of purple pigment production and dyeing in southern Arabia (Sumhuram, Sultanate of Oman) revealed by mass spectrometric and chromatographic techniques
Open AccessErika Ribechini, Josefina Pérez-Arantegui et al.ARTICLEJournal of Cultural Heritage2016
Technology of Medieval Mortars
Open AccessLaura Rampazzi, Maria Perla Colombini et al.ARTICLEArchaeometry2016Citada por: 5Referências: 23
This work proposes a multi-analytical approach to determine the additives in historical mortars, the use of which is widely described in bibliographical sources, but has rarely been reported in the literature. A protocol to thoroughly analyse mortars was created (optical microscopy, X-ray diffraction, infrared spectroscopy, thermal analyses and gas chromatography – mass spectrometry). These techniques, which had already been carried out on sample…
Anselm Kiefer
Open AccessG Bartolozzi, Marcello Picollo et al.ARTICLEArchaeological and Anthropological…2016Citada por: 1Referências: 11
The 'to be or not to be' of archaeological enquiry
Open AccessFrancesco D’errico, Francesco D''Errico et al.ARTICLEAntiquity2016Citada por: 1Referências: 6
Pargeter and colleagues do not escape the dangers inherent in the exercise they embark on. The first is that of creating a straw man argument in which one exaggerates and misinterprets what was said in the article being criticised. The second is that of using your time to look at the speck of dust in your brother's eye instead of paying attention to the plank in your own. The third, if you are lucky enough to find a sympathetic journal, is to reh…
Reply to Ira Rabin's Comment on our paper Rasmussen et al. (2012)
Open AccessKaare Lund Rasmussen, Anna Lluveras Tenorio et al.ARTICLEJournal of Archaeological Science2014
Characterization of the organic materials used in the painting of the vaulted ceiling at the Saadian Tomb of Mulay Ahmed Al-Mansour (Marrakech)
Open AccessAlessia Andreotti, Ilaria Bonaduce et al.ARTICLEJournal of Cultural Heritage2014Citada por: 5Referências: 15
Early evidence of San material culture represented by organic artifacts from Border Cave, South Africa
Open AccessFrancesco D’errico, Lucinda Backwell et al.ARTICLEProceedings of the National…2012
Recent archaeological discoveries have revealed that pigment use, beads, engravings, and sophisticated stone and bone tools were already present in southern Africa 75,000 y ago. Many of these artifacts disappeared by 60,000 y ago, suggesting that modern behavior appeared in the past and was subsequently lost before becoming firmly established. Most archaeologists think that San hunter–gatherer cultural adaptation emerged 20,000 y ago. However, re…
Border Cave and the beginning of the Later Stone Age in South Africa
Open AccessP Villa, Sylvain Soriano et al.ARTICLEProceedings of the National…2012
The transition from the Middle Stone Age (MSA) to the Later Stone Age (LSA) in South Africa was not associated with the appearance of anatomically modern humans and the extinction of Neandertals, as in the Middle to Upper Paleolithic transition in Western Europe. It has therefore attracted less attention, yet it provides insights into patterns of technological evolution not associated with a new hominin. Data from Border Cave (KwaZulu-Natal) show…
Archaeological wood from the Wieliczka Salt Mine Museum, Poland - Chemical analysis of wood degradation by Py(HMDS)-GC/MS
Open AccessJeannette Jacqueline Lucejko, Francesca Modugno et al.ARTICLEJournal of Cultural Heritage2012
Characterization of organic media in the wall-paintings of the “Palace of Nestor” at Pylos, Greece
Open AccessHariclia Brecoulaki, Alessia Andreotti et al.ARTICLEJournal of Archaeological Science2012Citada por: 13Referências: 6