Damion Sturm
Dados Biográficos
| ID | 97345 |
|---|---|
| NOME | Damion Sturm |
| PRENOMES | Damion |
| SOBRENOME | Sturm |
| ASSINATURA | STURM D |
| AFILIAÇÕES | Massey University |
| ORCID | 0000-0002-6578-9538 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAÇÕES | 34 |
| OBRAS COMO AUTOR | 10 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2011 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 4 |
Digital leisure as everyday life
Digital technologies are now central to the organisation and experience of everyday life, making digital leisure studies not simply a pertinent topic, but an essential area of inquiry (Carnicelli e...
Green light or black flag? Greenwashing environmental sustainability in Formula One and Formula E
Historically, Formula One motor racing has had a deleterious environmental impact: burning fossil fuels, the wanton waste of resources while producing a complex global carbon footprint. However, as global concerns and expectations have escalated around environmental sustainability, Formula One has advanced what is largely superficial and deceitful 'green' credentials via perfunctory hybrid technologies and promulgating piecemeal sustainability st…
A ‘cannibalised’ cricket event? Mediatisation, innovation and The Hundred
Attending and consuming events are integral to many peoples’ leisure lives. However, as the literature attests, events represent significant sites of contestation over who does and does not belong. This paper explores such contestation in the notoriously elitist and traditionally exclusionary sport of cricket, and specifically The Hundred; the most recent attempt to democratise the sport by appealing to a more demographically diverse spectator ba…
Fans as e-participants ? Utopia/dystopia visions for the future of digital sport fandom
Media technologies and digital practices are reshaping and redefining the future of sport fandom. This article points to some of the utopian and dystopic transformations for fandom presented by (post)television, digital/social media and the anticipated virtual technologies of the future. Specifically, three distinct phases of fan participation are charted around existing and futuristic visions of technology-as-sport. First are the current televis…
I dream of Genie
New visual regimes of fame and femininity continue to challenge the traditional realms of sport stardom and media representation. Through new media, individual athletes potentially have more agential control over their imagery, content and forms of self-presentation. This article offers an exploratory case study of French-Canadian tennis player Eugenie Bouchard’s self-presentational on Facebook. Through her construction of an online Genie persona…
"Moving Beyond "Insider or Outsider
Recently, several researchers have highlighted the difficulty with the binary terms "insider-outsider" within qualitative research. We similarly critique the insider/outsider binary in this article, but offer an alternative by utilizing Bourdieu's theoretical concepts of capital, habitus, and field to compare two researcher's ethnographic accounts of researching sports facilities in New Zealand. One of the ethnographers, D.S., describes himself a…
Home of (or for ?) Champions? The Politics of High-Performance/Elite and Community sport at New Zealand’s Home of Cycling
Creating inclusiveness and user-friendly spaces is a challenge to any new sporting venue. This article explores the attempts by various ‘stakeholders’ involved in the production of the Avantidrome, New Zealand's ‘Home of Cycling’ to align the rhetorics with the realities for creating a new velodrome across its first 20 months of operation. More specifically, there exists a tension in the ‘selling’ of a sport-for-all model with the public construc…
Smash and Bash Cricket? Affective Technological Innovations in the Big Bash
Focusing on the Australian KFC T20 Big Bash League (BBL), this article explores the innovative televisual technologies that represent T20 cricket as an action packed 'smash and bash' spectacle. An array of innovative technologies is deployed to aesthetically and affectively re-present the BBL. Cameras and microphones are embedded within the field of play, operate in highly mobile and fluid ways, and are framed in close proximity to the action - p…
Playing With the Autoethnographical
My article plays with notions of performativity and representation to repudiate assumptions of one-dimensional fandom. In particular, due to its self-reflexive writing style, I argue that autoethnography can articulate and show the subject-fan voice through evocations of first-person, insider experiences. Therefore, staged vignettes are deployed to represent the fan as an assemblage of investments, intensities, and energies that anchor within but…
Masculinities, affect and the (re)place(ment) of stardom in Formula One fan leisure practices
Writing from an autoethnographic perspective, this article explores male leisure practices via the mediated relationships fans enter into with stars. More specifically, my own fandom for Formula One driver Jacques Villeneuve is the locus of study, revealing how this affective investment shapes and furnishes my corresponding leisure practices. Notions of gendered ‘performativity’ come to the fore, with my own displays evoking, enacting and reveali…
"Moving Beyond "Insider or Outsider
Recently, several researchers have highlighted the difficulty with the binary terms "insider-outsider" within qualitative research. We similarly critique the insider/outsider binary in this article, but offer an alternative by utilizing Bourdieu's theoretical concepts of capital, habitus, and field to compare two researcher's ethnographic accounts of researching sports facilities in New Zealand. One of the ethnographers, D.S., describes himself a…
A ‘cannibalised’ cricket event? Mediatisation, innovation and The Hundred
Attending and consuming events are integral to many peoples’ leisure lives. However, as the literature attests, events represent significant sites of contestation over who does and does not belong. This paper explores such contestation in the notoriously elitist and traditionally exclusionary sport of cricket, and specifically The Hundred; the most recent attempt to democratise the sport by appealing to a more demographically diverse spectator ba…
Playing With the Autoethnographical
My article plays with notions of performativity and representation to repudiate assumptions of one-dimensional fandom. In particular, due to its self-reflexive writing style, I argue that autoethnography can articulate and show the subject-fan voice through evocations of first-person, insider experiences. Therefore, staged vignettes are deployed to represent the fan as an assemblage of investments, intensities, and energies that anchor within but…
Masculinities, affect and the (re)place(ment) of stardom in Formula One fan leisure practices
Writing from an autoethnographic perspective, this article explores male leisure practices via the mediated relationships fans enter into with stars. More specifically, my own fandom for Formula One driver Jacques Villeneuve is the locus of study, revealing how this affective investment shapes and furnishes my corresponding leisure practices. Notions of gendered ‘performativity’ come to the fore, with my own displays evoking, enacting and reveali…
I dream of Genie
New visual regimes of fame and femininity continue to challenge the traditional realms of sport stardom and media representation. Through new media, individual athletes potentially have more agential control over their imagery, content and forms of self-presentation. This article offers an exploratory case study of French-Canadian tennis player Eugenie Bouchard’s self-presentational on Facebook. Through her construction of an online Genie persona…
Home of (or for ?) Champions? The Politics of High-Performance/Elite and Community sport at New Zealand’s Home of Cycling
Creating inclusiveness and user-friendly spaces is a challenge to any new sporting venue. This article explores the attempts by various ‘stakeholders’ involved in the production of the Avantidrome, New Zealand's ‘Home of Cycling’ to align the rhetorics with the realities for creating a new velodrome across its first 20 months of operation. More specifically, there exists a tension in the ‘selling’ of a sport-for-all model with the public construc…
Smash and Bash Cricket? Affective Technological Innovations in the Big Bash
Focusing on the Australian KFC T20 Big Bash League (BBL), this article explores the innovative televisual technologies that represent T20 cricket as an action packed 'smash and bash' spectacle. An array of innovative technologies is deployed to aesthetically and affectively re-present the BBL. Cameras and microphones are embedded within the field of play, operate in highly mobile and fluid ways, and are framed in close proximity to the action - p…
Masculinities, affect and the (re)place(ment) of stardom in Formula One fan leisure practices
Writing from an autoethnographic perspective, this article explores male leisure practices via the mediated relationships fans enter into with stars. More specifically, my own fandom for Formula One driver Jacques Villeneuve is the locus of study, revealing how this affective investment shapes and furnishes my corresponding leisure practices. Notions of gendered ‘performativity’ come to the fore, with my own displays evoking, enacting and reveali…
Smash and Bash Cricket? Affective Technological Innovations in the Big Bash
Focusing on the Australian KFC T20 Big Bash League (BBL), this article explores the innovative televisual technologies that represent T20 cricket as an action packed 'smash and bash' spectacle. An array of innovative technologies is deployed to aesthetically and affectively re-present the BBL. Cameras and microphones are embedded within the field of play, operate in highly mobile and fluid ways, and are framed in close proximity to the action - p…
Playing With the Autoethnographical
My article plays with notions of performativity and representation to repudiate assumptions of one-dimensional fandom. In particular, due to its self-reflexive writing style, I argue that autoethnography can articulate and show the subject-fan voice through evocations of first-person, insider experiences. Therefore, staged vignettes are deployed to represent the fan as an assemblage of investments, intensities, and energies that anchor within but…
Home of (or for ?) Champions? The Politics of High-Performance/Elite and Community sport at New Zealand’s Home of Cycling
Creating inclusiveness and user-friendly spaces is a challenge to any new sporting venue. This article explores the attempts by various ‘stakeholders’ involved in the production of the Avantidrome, New Zealand's ‘Home of Cycling’ to align the rhetorics with the realities for creating a new velodrome across its first 20 months of operation. More specifically, there exists a tension in the ‘selling’ of a sport-for-all model with the public construc…
I dream of Genie
New visual regimes of fame and femininity continue to challenge the traditional realms of sport stardom and media representation. Through new media, individual athletes potentially have more agential control over their imagery, content and forms of self-presentation. This article offers an exploratory case study of French-Canadian tennis player Eugenie Bouchard’s self-presentational on Facebook. Through her construction of an online Genie persona…
"Moving Beyond "Insider or Outsider
Recently, several researchers have highlighted the difficulty with the binary terms "insider-outsider" within qualitative research. We similarly critique the insider/outsider binary in this article, but offer an alternative by utilizing Bourdieu's theoretical concepts of capital, habitus, and field to compare two researcher's ethnographic accounts of researching sports facilities in New Zealand. One of the ethnographers, D.S., describes himself a…
Fans as e-participants ? Utopia/dystopia visions for the future of digital sport fandom
Media technologies and digital practices are reshaping and redefining the future of sport fandom. This article points to some of the utopian and dystopic transformations for fandom presented by (post)television, digital/social media and the anticipated virtual technologies of the future. Specifically, three distinct phases of fan participation are charted around existing and futuristic visions of technology-as-sport. First are the current televis…
Green light or black flag? Greenwashing environmental sustainability in Formula One and Formula E
Historically, Formula One motor racing has had a deleterious environmental impact: burning fossil fuels, the wanton waste of resources while producing a complex global carbon footprint. However, as global concerns and expectations have escalated around environmental sustainability, Formula One has advanced what is largely superficial and deceitful 'green' credentials via perfunctory hybrid technologies and promulgating piecemeal sustainability st…
A ‘cannibalised’ cricket event? Mediatisation, innovation and The Hundred
Attending and consuming events are integral to many peoples’ leisure lives. However, as the literature attests, events represent significant sites of contestation over who does and does not belong. This paper explores such contestation in the notoriously elitist and traditionally exclusionary sport of cricket, and specifically The Hundred; the most recent attempt to democratise the sport by appealing to a more demographically diverse spectator ba…
Digital leisure as everyday life
Digital technologies are now central to the organisation and experience of everyday life, making digital leisure studies not simply a pertinent topic, but an essential area of inquiry (Carnicelli e...
Sociology (8 obras) · Sports, Gender, and Society (8 obras) · Sport and Mega-Event Impacts (7 obras) · Digital Games and Media (6 obras) · Political science (6 obras) · Aesthetics (5 obras) · Art (5 obras) · Media studies (5 obras) · Gender Studies (4 obras) · Commodification (3 obras)