Paologiovanni Maione
Dados Biográficos
| ID | 9745926 |
|---|---|
| NOME | Paologiovanni Maione |
| PRENOMES | Paologiovanni |
| SOBRENOME | Maione |
| ASSINATURA | MAIONE P |
| AFILIAÇÕES | Conservatorio di Musica San Pietro a Majella |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2001 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 0 |
‘Collected’ Pages for the Issipile (Teatro San Carlo, 1763)
During the 1763–64 season, numerous intersections and connections occur behind the scenes of the principal Neapolitan opera house of Teatro di San Carlo. On the one hand, the focus on Metastasian repertoire persists without interruptions – a long and boundless tradition which will only fade towards the end of the century; on the other hand, Hasse’s world still exerts its fascination. Along with Metastasio’s Olimpiade , Issipile and Didone abbando…
Metastasio
It is impossible to understand eighteenth-century opera without considering the work and legacy of Pietro Metastasio (1698–1782). The history of melodrama would have been fundamentally different if this extraordinary poet had not realized the enormous potential of the genre and had not made it a sophisticated venue for the circulation of contemporary cultural ideas and themes throughout Europe. In the course of the eighteenth century, Metastasio'…
Falco [de Falco, di Falco, Farco], Michele
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Falco [de Falco, di Falco, Farco], Michele
Metastasio
It is impossible to understand eighteenth-century opera without considering the work and legacy of Pietro Metastasio (1698–1782). The history of melodrama would have been fundamentally different if this extraordinary poet had not realized the enormous potential of the genre and had not made it a sophisticated venue for the circulation of contemporary cultural ideas and themes throughout Europe. In the course of the eighteenth century, Metastasio'…
‘Collected’ Pages for the Issipile (Teatro San Carlo, 1763)
During the 1763–64 season, numerous intersections and connections occur behind the scenes of the principal Neapolitan opera house of Teatro di San Carlo. On the one hand, the focus on Metastasian repertoire persists without interruptions – a long and boundless tradition which will only fade towards the end of the century; on the other hand, Hasse’s world still exerts its fascination. Along with Metastasio’s Olimpiade , Issipile and Didone abbando…
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