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Martin Mhando

Dados Biográficos

ID9748749
NOMEMartin Mhando
PRENOMESMartin
SOBRENOMEMhando
ASSINATURAMHANDO M
AFILIAÇÕESZIFF
ORCID0000-0003-0465-5912
VERIFICADOSim
TOTAL DE OBRAS2
TOTAL DE CITAÇÕES1
OBRAS COMO AUTOR2
OBRAS COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2009
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H1
  • Fespaco

    Martin Mhando•ARTICLE•Journal of African Cinemas•2022

    Preview this article: FESPACO: A Pan-Africanist view of African film festivals, Page 1 of 1 /docserver/preview/fulltext/jac/14/1/jac.14.1.03_Mhando-1.gif

  • Globalization and African cinema

    Martin Mhando•ARTICLE•Journal of African Cinemas•2009•Citada por: 1

    When Tommy Lott advanced his 'no-theory theory' on the definition of black cinema, he argued that a theory remains a theory only up to the time when the meanings it advances 'are no longer applicable'. He was aware of the complexity of theorizing on an ongoing activity based on an essentialized notion. What I see as a possible arena of contention and re-theorizing is the versatility of cultures in appropriating processes of knowledge distribution…

  • Globalization and African cinema

    Martin Mhando•ARTICLE•Journal of African Cinemas•2009•Citada por: 1

    When Tommy Lott advanced his 'no-theory theory' on the definition of black cinema, he argued that a theory remains a theory only up to the time when the meanings it advances 'are no longer applicable'. He was aware of the complexity of theorizing on an ongoing activity based on an essentialized notion. What I see as a possible arena of contention and re-theorizing is the versatility of cultures in appropriating processes of knowledge distribution…

  • Globalization and African cinema

    Martin Mhando•ARTICLE•Journal of African Cinemas•2009•Citada por: 1

    When Tommy Lott advanced his 'no-theory theory' on the definition of black cinema, he argued that a theory remains a theory only up to the time when the meanings it advances 'are no longer applicable'. He was aware of the complexity of theorizing on an ongoing activity based on an essentialized notion. What I see as a possible arena of contention and re-theorizing is the versatility of cultures in appropriating processes of knowledge distribution…

  • Fespaco

    Martin Mhando•ARTICLE•Journal of African Cinemas•2022

    Preview this article: FESPACO: A Pan-Africanist view of African film festivals, Page 1 of 1 /docserver/preview/fulltext/jac/14/1/jac.14.1.03_Mhando-1.gif

African history and culture studies (2 obras) · Art (2 obras) · History (2 obras) · Sociology (2 obras) · Aesthetics (1 obra) · Anthropology (1 obra) · Art history (1 obra) · Cinema and Media Studies (1 obra) · Distribution (mathematics (1 obra) · Epistemology (1 obra)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae