Margaret J Kartomi

Dados Biográficos

ID97653
NOMEMargaret J Kartomi
PRENOMESMargaret J
SOBRENOMEKartomi
ASSINATURAKARTOMI M J
AFILIAÇÕESMonash University
ORCID0000-0002-1062-3565
VERIFICADOSim
TOTAL DE OBRAS80
TOTAL DE CITAÇÕES93
TOTAL COMO AUTOR80
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1973
ANO MAIS RECENTE DE PUBLICAÇÃO2020
ÍNDICE H4

  • Angklung

    Margaret J KartomiCHAPTERThe new Grove dictionary of music…2001

  • Indonesia, Maluku

    Margaret J KartomiCHAPTERThe new Grove dictionary of music…2001

  • Gangsa (ii)

    Margaret J KartomiCHAPTERThe new Grove dictionary of music…2001

  • Gender (instrument)

    Margaret J Kartomi, Lisa GoldCHAPTERThe new Grove dictionary of music…2001

  • Rabāb

    Alastair Dick, Christian Poche et al.CHAPTERThe new Grove dictionary of music…2001

  • Instruments, classification of

    Klaus Wachsmann, Klaus P Wachsmann et al.CHAPTERThe new Grove dictionary of music…2001

  • Gamelan

    Margaret J Kartomi, Maria Lírida Calou De Araújo E Mendonça et al.CHAPTERThe new Grove dictionary of music…2001

  • Kacapi (i)

    Margaret J KartomiCHAPTERThe new Grove dictionary of music…2001

  • Kemanak

    Margaret J Kartomi, Maria MendonçaCHAPTERThe new Grove dictionary of music…2001

  • Indonesia

    Philip Yampolsky, Sumarsam et al.CHAPTERThe new Grove dictionary of music…2001

  • Orkes

    Margaret J KartomiCHAPTERThe new Grove dictionary of music…2001

  • Music of Maluku

    Margaret J Kartomi, Philip YampolskyARTICLEYearbook for Traditional Music2001

  • The Classification of Musical Instruments

    Margaret J Kartomi, Margaret KartomiARTICLEEthnomusicology2001Citada por: 2

    L'A. decrit et analyse les changements dans les principes et methodes de classification des instruments de musique, centrant son analyse sur les tendances des annees 1990 comparativement aux periodes precedentes depuis la fin du 19 eme siecle. Il discute egalement de facon critique l'apport des publications ou d'autres contributions recentes concernant la question des methodes et de la signification des classifications instrumentales. Du point de…

  • A Viagem dos Sons [The Journey of Sounds]

    Lee Tong Soon, Susanna Sardo et al.ARTICLEYearbook for Traditional Music2000

  • The Music of Islam

    Dieter Christensen, Celestial Harmonies et al.ARTICLEYearbook for Traditional Music2000

  • Singapore, a South-East Asian haven

    Margaret J KartomiARTICLEMusicology Australia1999Citada por: 1Referências: 3

    Despite the extensive contributions of several major musicologists, our knowledge of the music of the many Jewish communities of the world is still far from complete. Music of many Jewish diaspora communities in South-East Asia, East Asia, Australia, South America, and Africa still await research and comparative study. The music of the Singapore Jewish community, which is primarily Babylonian-Sephardi, is one such area. This article aims to give …

  • Ethnomusiological education for a humane society

    Open AccessMargaret J KartomiARTICLEAfrican Music Journal of the…1999

    In this paper I want initially to discuss some ethical problems which we educators have on the whole somewhat neglected: firstly, ethical issues that need to be incorporated into the education of students of the traditional and popular musics of the world at the secondary and tertiary level in this post-colonial and post-apartheid era, and secondly, the related ethical issues affecting the work of ethnomusicologists as they study and record the m…

  • Music-Cultures in Contact

    Open AccessDavid Henderson, David R Henderson et al.ARTICLENotes1999Citada por: 9

  • Night Music of West Sumatra

    Margaret J Kartomi, Margaret Kartomi et al.ARTICLEYearbook for Traditional Music1999

  • The Pan-East/Southeast Asian and National Indonesian Song Bengawan Solo and Its Javanese Composer

    Margaret J Kartomi, Margaret KartomiARTICLEYearbook for Traditional Music1998Citada por: 3

    L'A. decrit brievement l'histoire de la chanson populaire indonesienne Bengawan Solo et de son compositeur javanais Gesang Martohartono. Composee en 1940 dans le style kroncong, cette chanson est devenue tres populaire durant la periode de l'occupation japonaise et de la guerre d'independance contre les Pays-Bas. Elle est aussi tres populaire a l'exterieur de l'Indonesie. L'A. presente et commente plusieurs versions enregistrees, parmi lesquelles…

  • The Music-Culture of South-Coast West Sumatra

    Margaret J KartomiARTICLEAsian Music1998Citada por: 1

    Margaret J. Kartomi, The Music-Culture of South-Coast West Sumatra: Backwater of the Minangkabau "Heartland" or Home of the Sacred Mermaid and the Earth Goddess?, Asian Music, Vol. 30, No. 1 (Autumn, 1998 - Winter, 1999), pp. 133-181

  • Catherine Ellis (1935–1996)

    Margaret J Kartomi, Margaret KartomiARTICLEMusicology Australia1997

    I first met Cath Ellis (née Caughie) in the late 1960s when she was working for the Australian Institute of Aboriginal Studies at the Elder Conservatorium, University of Adelaide. At the time she and her husband Max were making field trips to Ernabella and other areas of northern South Australia where the Pitjantjara people lived. It was largely her interest in the area that inspired my own interest, field trip, and subsequent publications on Pit…

  • Traditional Music Weeps” and Other Themes in the Discourse on Music, Dance and Theatre of Indonesia, Malaysia and Thailand

    Open AccessMargaret J KartomiARTICLEJournal of Southeast Asian Studies1995Citada por: 1Referências: 45

    One of the most remarkable features of the past twenty years of scholarship on the Southeast Asian performing arts has been the sparking off of ideas between Southeast Asian-born scholars, whether trained in Southeast Asian universities or overseas, and Western scholars of the Southeast arts who live in North America, Australia, Europe, Japan and elsewhere. In colonial Indonesia (until 1945) and Malaysia (until 1957), research agendas of Dutch an…

  • Is Maluku Still Musicological terra incognita ? An Overview of the Music-Cultures of the Province of Maluku

    Open AccessMargaret J KartomiARTICLEJournal of Southeast Asian Studies1994Citada por: 4Referências: 10

    The province of Maluku, otherwise known as the Moluccas, is divided into three main regions: the predominantly Muslim north, the mainly Christian central area, and the predominantly Christian southeast (see Map 1). The central region contains the “mother island” ( nasa ina ) of Seram which Maluku people believe to be the original source of Maluku culture. In some relatively isolated parts of this large island the original inhabitants such as the …

  • The paradoxical and nostalgie history of « Gending Sriwijaya » in South Sumatra

    Margaret J KartomiARTICLEArchipel1993

    Kartomi Margaret J. The paradoxical and nostalgie history of « Gending Sriwijaya » in South Sumatra. In: Archipel, volume 45, 1993. pp. 37-50