Eduardo Cadava
Dados Biográficos
| ID | 985503 |
|---|---|
| NOME | Eduardo Cadava |
| PRENOMES | Eduardo |
| SOBRENOME | Cadava |
| ASSINATURA | CADAVA E |
| AFILIAÇÕES | Princeton University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAÇÕES | 20 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1990 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 3 |
No Occupation
Taking its point of departure from a thread of references to Palestine in Derrida's writings, from Glas to his last texts, this essay seeks to demonstrate that these writings can be a resource for us as we navigate our way through the ongoing Israeli-Palestinian conflict. It traces Derrida's complicated relation to his own Jewishness and argues that it is this complexity that enables him to guide us through the thicket of the present war in Gaza.…
Politically Red
Escrituras de luz. Trazos de luz. Tesis sobre la fotografía de la historia
Nadar's Photographopolis
July 01 2012 Nadar's Photographopolis Eduardo Cadava Eduardo Cadava Eduardo Cadava teaches in the Department of English at Princeton University. He is the author of Words of Light: Theses on the Photography of History (Princeton University Press, 1998) and Emerson and the Climates of History (Stanford University Press, 1997). He is currently completing a translation of Nadar's memoirs for MIT Press and a collection of essays on the ethics and pol…
Palm Reading
Marx ante (y antes) de la literatura
Este ensayo trata la relación de Marx con la literatura. Busca tomar en cuenta a varios Marxs: 1) el Marx que está obsesionado con la literatura tal como la entendemos generalmente, que evoca en todas partes la literatura de la antigüedad clásica, la literatura de la Edad Media hasta la de Goethe y los escritos de Dante, Cervantes, Shakespeare, Defoe, Balzac, por mencionar sólo algunos de sus favoritos; 2) el Marx que empleó de manera tan frecuen…
Lectura de la mano
La presente lectura enfocará una serie de obras del fotógrafo pakistaní, nacido en Nueva York, Fazal Sheikh, tomando en cuenta lo que podría significar leer una imagen históricamente, a saber, lo que quiere decir leer una imagen a través de las meditaciones de Walter Benjamín sobre la relación entre fotografía e historia. Fazal Sheikh pasó el invierno de 1997 en la frontera entre Afganistán y Pakistán tomando fotografías de refugiados afganos, en…
Notes on Love and Photography
April 01 2006 Notes on Love and Photography Eduardo Cadava, Eduardo Cadava Eduardo Cadava teaches in the Department of English at Princeton University, where he is also an associate member of the Department of Comparative Literature and the School of Architecture. Search for other works by this author on: This Site Google Scholar Paola Cortés-Rocca Paola Cortés-Rocca Eduardo Cadava teaches in the Department of English at Princeton University, whe…
Remembering Jacques Derrida Derrida's Futures
July 01 2005 Remembering Jacques Derrida Derrida's Futures Eduardo Cadava Eduardo Cadava Search for other works by this author on: This Site Google Scholar Author and Article Information Eduardo Cadava Online Issn: 1536-0105 Print Issn: 1526-3819 © 2005 Grey Room, Inc. and Massachusetts Institute of Technology2005 Grey Room (2005) (20): 74–79. https://doi.org/10.1162/1526381054573578 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Vi…
The Claims of Human Rights
Lapsus Imaginis
The disaster ruins everything, all the while leaving everything intact. It does not touch anyone in particular; am not threatened by it, but spared, left aside. It is in this way that I am threatened; it is in this way that the disaster threatens in me what is exterior to me-an other than I who passively become other. There is no reaching the disaster. Out of reach is he whom it threatens, whetherfrom afar or close up, it is impossible to say: th…
Emerson and the Climates of History
Toward an Ethics of Decision
There are certain things that force your hand. You find yourself incontrovertibly obligated: something occurs prior to owing, and more fundamental still than that of which any trace of empirical guilt can give an account. This relation-to whom? to what?-is no more and no less than your liabilitywhat you owe before you think, understand, or give; that is, what you owe from the very fact that you exist, before you can properly owe. You do not have …
Emerson and the Climates of Political History
Words of Light
This text demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, it argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of Benjamin's writings: the historical and political consequences of technology, the relation between reproduction and mimes…
Emerson
Nuclear Piece
The Claims of Human Rights
Lapsus Imaginis
The disaster ruins everything, all the while leaving everything intact. It does not touch anyone in particular; am not threatened by it, but spared, left aside. It is in this way that I am threatened; it is in this way that the disaster threatens in me what is exterior to me-an other than I who passively become other. There is no reaching the disaster. Out of reach is he whom it threatens, whetherfrom afar or close up, it is impossible to say: th…
Nadar's Photographopolis
July 01 2012 Nadar's Photographopolis Eduardo Cadava Eduardo Cadava Eduardo Cadava teaches in the Department of English at Princeton University. He is the author of Words of Light: Theses on the Photography of History (Princeton University Press, 1998) and Emerson and the Climates of History (Stanford University Press, 1997). He is currently completing a translation of Nadar's memoirs for MIT Press and a collection of essays on the ethics and pol…
Notes on Love and Photography
April 01 2006 Notes on Love and Photography Eduardo Cadava, Eduardo Cadava Eduardo Cadava teaches in the Department of English at Princeton University, where he is also an associate member of the Department of Comparative Literature and the School of Architecture. Search for other works by this author on: This Site Google Scholar Paola Cortés-Rocca Paola Cortés-Rocca Eduardo Cadava teaches in the Department of English at Princeton University, whe…
Palm Reading
Nuclear Piece
Words of Light
This text demonstrates that Walter Benjamin articulates his conception of history through the language of photography. Focusing on Benjamin's discussions of the flashes and images of history, it argues that the questions raised by this link between photography and history touch on issues that belong to the entire trajectory of Benjamin's writings: the historical and political consequences of technology, the relation between reproduction and mimes…
Emerson
Toward an Ethics of Decision
There are certain things that force your hand. You find yourself incontrovertibly obligated: something occurs prior to owing, and more fundamental still than that of which any trace of empirical guilt can give an account. This relation-to whom? to what?-is no more and no less than your liabilitywhat you owe before you think, understand, or give; that is, what you owe from the very fact that you exist, before you can properly owe. You do not have …
Emerson and the Climates of Political History
Emerson and the Climates of History
Lapsus Imaginis
The disaster ruins everything, all the while leaving everything intact. It does not touch anyone in particular; am not threatened by it, but spared, left aside. It is in this way that I am threatened; it is in this way that the disaster threatens in me what is exterior to me-an other than I who passively become other. There is no reaching the disaster. Out of reach is he whom it threatens, whetherfrom afar or close up, it is impossible to say: th…
The Claims of Human Rights
Remembering Jacques Derrida Derrida's Futures
July 01 2005 Remembering Jacques Derrida Derrida's Futures Eduardo Cadava Eduardo Cadava Search for other works by this author on: This Site Google Scholar Author and Article Information Eduardo Cadava Online Issn: 1536-0105 Print Issn: 1526-3819 © 2005 Grey Room, Inc. and Massachusetts Institute of Technology2005 Grey Room (2005) (20): 74–79. https://doi.org/10.1162/1526381054573578 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Vi…
Notes on Love and Photography
April 01 2006 Notes on Love and Photography Eduardo Cadava, Eduardo Cadava Eduardo Cadava teaches in the Department of English at Princeton University, where he is also an associate member of the Department of Comparative Literature and the School of Architecture. Search for other works by this author on: This Site Google Scholar Paola Cortés-Rocca Paola Cortés-Rocca Eduardo Cadava teaches in the Department of English at Princeton University, whe…
Lectura de la mano
La presente lectura enfocará una serie de obras del fotógrafo pakistaní, nacido en Nueva York, Fazal Sheikh, tomando en cuenta lo que podría significar leer una imagen históricamente, a saber, lo que quiere decir leer una imagen a través de las meditaciones de Walter Benjamín sobre la relación entre fotografía e historia. Fazal Sheikh pasó el invierno de 1997 en la frontera entre Afganistán y Pakistán tomando fotografías de refugiados afganos, en…
Marx ante (y antes) de la literatura
Este ensayo trata la relación de Marx con la literatura. Busca tomar en cuenta a varios Marxs: 1) el Marx que está obsesionado con la literatura tal como la entendemos generalmente, que evoca en todas partes la literatura de la antigüedad clásica, la literatura de la Edad Media hasta la de Goethe y los escritos de Dante, Cervantes, Shakespeare, Defoe, Balzac, por mencionar sólo algunos de sus favoritos; 2) el Marx que empleó de manera tan frecuen…
Palm Reading
Nadar's Photographopolis
July 01 2012 Nadar's Photographopolis Eduardo Cadava Eduardo Cadava Eduardo Cadava teaches in the Department of English at Princeton University. He is the author of Words of Light: Theses on the Photography of History (Princeton University Press, 1998) and Emerson and the Climates of History (Stanford University Press, 1997). He is currently completing a translation of Nadar's memoirs for MIT Press and a collection of essays on the ethics and pol…
Escrituras de luz. Trazos de luz. Tesis sobre la fotografía de la historia
Politically Red
No Occupation
Taking its point of departure from a thread of references to Palestine in Derrida's writings, from Glas to his last texts, this essay seeks to demonstrate that these writings can be a resource for us as we navigate our way through the ongoing Israeli-Palestinian conflict. It traces Derrida's complicated relation to his own Jewishness and argues that it is this complexity that enables him to guide us through the thicket of the present war in Gaza.…
Art (9 obras) · History (6 obras) · Philosophy (6 obras) · Political science (5 obras) · Sociology (5 obras) · History (4 obras) · Law (4 obras) · Philosophy (4 obras) · Computer Science (3 obras) · Humanities (3 obras)