Ana Horvat
Dados Biográficos
| ID | 9947819 |
|---|---|
| NOME | Ana Horvat |
| PRENOMES | Ana |
| SOBRENOME | Horvat |
| ASSINATURA | HORVAT A |
| AFILIAÇÕES | University of Alberta |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 5 |
| TOTAL DE CITAÇÕES | 2 |
| OBRAS COMO AUTOR | 5 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2017 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 1 |
Transgender graphic memoirs
Emma Grove’s The Third Person (2022) and LB Lee’s All in the Family (2020) are trans graphic memoirs that depict the process of recovering repressed memories of traumatic events through drawing. The memoirs focus on Dissociative Identity Disorder (DID) but deviate from the conventions of older DID memoirs such as having a psychiatrist as a focalizer and pathologizing plurality. Grove’s and Lee’s work also differs from mainstream trans life writin…
Trans/national(ism) in Chinese Trans Memoir
Two Chinese trans memoirs, Jin Xing's Shanghai Tango (2007) and Lei Ming's Life Beyond My Body (2016), present different possibilities of transnationality and transnormativity within the Chinese context of the pre-Covid-19 era. While both memoirs follow a Western structure of traditional trans memoirs, their embracing of Marxist and nationalist rhetoric or Christian concepts of the body present a significant departure from the traditional Western…
Unfixing the Prefix in Life-Writing Studies
Recently, trans has taken on a number of important theoretical and critical meanings inside and outside the academy. It is a prefix that conveys the send of “across, through, over, to or on the oth
Tranimacies and Affective Trans Embodiment in Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image
In Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image, the artists perform trans embodiment through engaging with the animacy of silicone and clay. Arsenault and Cassils work toward defining trans embodiment as affective entanglements with (in)animate objects and foreground trans agency, creation, and movement
What's Next for Trans Life Writing
Auto|biography studies has not yet caught up with the swift changes in trans communities such as increased media presence, increased violence, and a focus on intersectionality and nonbinary identit
Unfixing the Prefix in Life-Writing Studies
Recently, trans has taken on a number of important theoretical and critical meanings inside and outside the academy. It is a prefix that conveys the send of “across, through, over, to or on the oth
Tranimacies and Affective Trans Embodiment in Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image
In Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image, the artists perform trans embodiment through engaging with the animacy of silicone and clay. Arsenault and Cassils work toward defining trans embodiment as affective entanglements with (in)animate objects and foreground trans agency, creation, and movement
What's Next for Trans Life Writing
Auto|biography studies has not yet caught up with the swift changes in trans communities such as increased media presence, increased violence, and a focus on intersectionality and nonbinary identit
Tranimacies and Affective Trans Embodiment in Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image
In Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image, the artists perform trans embodiment through engaging with the animacy of silicone and clay. Arsenault and Cassils work toward defining trans embodiment as affective entanglements with (in)animate objects and foreground trans agency, creation, and movement
Unfixing the Prefix in Life-Writing Studies
Recently, trans has taken on a number of important theoretical and critical meanings inside and outside the academy. It is a prefix that conveys the send of “across, through, over, to or on the oth
Trans/national(ism) in Chinese Trans Memoir
Two Chinese trans memoirs, Jin Xing's Shanghai Tango (2007) and Lei Ming's Life Beyond My Body (2016), present different possibilities of transnationality and transnormativity within the Chinese context of the pre-Covid-19 era. While both memoirs follow a Western structure of traditional trans memoirs, their embracing of Marxist and nationalist rhetoric or Christian concepts of the body present a significant departure from the traditional Western…
Transgender graphic memoirs
Emma Grove’s The Third Person (2022) and LB Lee’s All in the Family (2020) are trans graphic memoirs that depict the process of recovering repressed memories of traumatic events through drawing. The memoirs focus on Dissociative Identity Disorder (DID) but deviate from the conventions of older DID memoirs such as having a psychiatrist as a focalizer and pathologizing plurality. Grove’s and Lee’s work also differs from mainstream trans life writin…
Art (4 obras) · Autobiographical and Biographical Writing (3 obras) · Philosophy (3 obras) · Philosophy (3 obras) · Psychology (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Art history (2 obras) · Memoir (2 obras) · Agency (philosophy (1 obra)